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“Yeah. Iʼve always felt this way. I mean weʼre born alone, we die alone. And while weʼre here we are absolutely, completely sealed in our own bodies. Really weird. Kinda freaks me out to think about it. We can only experience the outside world through our own slanted perception of it. Who knows what youʼre really like. I just see what I think youʼre like.”

“Here's an uplifting story. Congratulations to the Little League team from Huntington Beach, California. Yeah, they beat Japan to win the Little League World Series. That's pretty good. See, that proves that when math and science aren't involved, our kids can beat anybody.”

“God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. ... Yeah, It. God ain't a he or a she, but a It.”

“When you're a teenager, everything seems like the end of the world, and I don't think that's necessarily a silly thing. You're waking up and becoming aware that the world has problems and those problems affect you, whereas when you're young they don't seem to affect you that much even if you're aware of them. This dystopian trend picks up on that little part of your life where everything feels really extreme and it honors that part of your life and says, "Yeah. It is the end of the world. Look at it."”

“Sometimes I'll be confident and go into a shop and say, "Hello, yeah, all right," and then the next day, if someone looks at me or talks to me, I just don't know what to do. If you're walking down the street with a baseball cap, you might be fine. But if you're in a pub and you see someone look at you, you think the worst thing in the world now is if they come over. It's a really weird feeling.”

“Some of you young folks been saying to me, "Hey Pops, what you mean 'What a wonderful world'? How about all them wars all over the place? You call them wonderful? And how about hunger and pollution? That aint so wonderful either." Well how about listening to old Pops for a minute. Seems to me, it aint the world that's so bad but what we're doin' to it. And all I'm saying is, see, what a wonderful world it would be if only we'd give it a chance. Love baby, love. That's the secret, yeah. If lots more of us loved each other, we'd solve lots more problems. And then this world would be a gasser.”

“I remember when I was a kid, when I just used to love listening to something again and again and over and over. You know, everybody else got sick of it, but I loved that discovery of music and what it did to my world, to my imagination. And so I started really considering, "Yeah, I've got to do more," for kids, particularly.”

“Things have been invented because of alcohol. Like the taser, okay? Yeah! The morning after pill, okay? The reach-around. Judge Judy. What has pot given the world? Hackey sack? YEAH! Hilarious ring tones? OH GAH! Ultimate Frisbee Championships? It sucks to be a champion at a sport that can't get you laid. It's an unneeded skill like, I dunno, being the best banjo player. Or a squirter.”

“There's a lot of levels of metanarrative that I like to play with. That's why I like the Ghostfacers, because we actually managed to come back off the strike with an episode that claimed that the CW wasn't able to get an episode of Supernatural done fast enough. So the prelude to 'Ghostfacers!' is the Ghostfacers going, 'Yeah, those fat-cat writers, we've got a show that's better than that bullshit anyway.' I mean, that's pretty cool in the world of metanarrative, which is, I have to admit, one of my abiding passions.”

“I was doing big roles and, yeah, everything was going great. In the midst of all that, I guess I had already become common in the sense that I became formed into what the world wanted me to be. My desires and my goals were (identified) by the world - the things that would make me (successful) in the sight of the world and would give me a status that I thought was security.”

“I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.”

“Of course, we're so lucky to be in a time where that's not our reality anymore. I just thought it was very interesting to go back to that time now, and to look at all of these issues that are still relevant today, but just in such a different way, and to see how we approach them and try to overcome them. Yeah, we've come a long way with medicine and women's health in the Western world, but in a lot of parts of the rest of the world, that's still a huge issue.”

“I think that anybody from the 20th century, up to now, has to be aware that if it wasn't for Louis Armstrong, we'd all be wearing powdered wigs. I think that Louis Armstrong loosened the world, helped people to be able to say "Yeah," and to walk with a little dip in their hip. Before Louis Armstrong, the world was definitely square, just like Christopher Columbus thought.”

“Where you go to these really good schools, and it's all about preparing for the next step of success. That was never even on my radar. My job is to explore the world, because this is my one life, you know? That's totally how I see it. But I came to Yale just being like, Yeah, now I get to explore this place and meet all these people who are really smart. And I was just excited to be surrounded by people who were as smart as me or were probably smarter. And I just did not expect the level of competition and bitterness and anger, and, the tearing each other down.”

“My father got a job at Bradford University in textiles. And he came for - I guess, you know, why do people immigrate? - like, for a better life to find, you know, a new world. And, you know, I think he always - he saw it as an opportunity. And so yeah so we came to this coal mining town in the north of England and that's where I grew up.”

“I don't know about immortal, but I must say that to me to touch more women and to have them understand friendships is important. I've had girls come up to me who said, "Yeah, after I saw 'Beaches' I called up my friend Denise who I was really mad at. She got me so aggravated and I called her and we made up." So if I could do that with this new release, yes, that would be very pleasing to me because, hey, it's a tough world. You need friends out there.”

“I'm not expecting a big sell-off but I do think that if we don't have a move toward economic growth and policies that will promote economic growth and get us out of this 2 percent world - we really need to see 4 percent, 5 percent - to see jobs created, and if we don't see that longer-term, yeah the market will sell-off...[but] I do think things are getting better. It's just been very slow.”

“I jump out of the boat [in The Lost World], and I'm trying to swim to the kid, and my boots fill with water, and I start to drown, and the director has no idea why I'm flailing around. He's, "Come on, come on!" And I managed to rescue myself. I'm wet and sitting on the banks of the river, and John walks over to me and says, "Are you all right, dear boy?" "Yeah, I'm all right."”

“I don't speak cockney and I don't pretend to come from that part of the world. For the longest time the English, like the Beatles and so on sounded American. "She loves you yeah yeah yeah!" All of the sudden you sound American. It doesn't work that way with Americans who try to sing English. It's not convincing. If I say "Footy" and "tele" and "Brissy" and "Sydney" and "Simmo" it's not convincing.”

“[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.”