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“It wasn't a case of me sitting down and thinking, right then, what shall I do with my life? Airline pilot? Plumber? Guitar manufacturer? Writer .... yeah, writer. I've always loved writing, from a very early age--I guess I was writing my first stories when I was still in single digits. It progressed, and the love of writing grew in my mind and is still growing. Doing it full-time, there are different stresses and tensions, and the business side of it comes to the fore sometimes. But I still love it, and I'm always thankful that I can do what I do and make a living from it.”

“That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.”

“When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."”

“People are looking at possibly doing some documentaries and also we have the first four films that will stay out there for the years to come. So, yeah, Sherwood Pictures will be around and my brother and I are certainly supporters of that. We can't wait to see what God does not only locally there at the church but what he has for us down the road as well.”

“Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"”

“Sometimes I think you have to try to do things that people don't think are doable. I remember at the very beginning actually, the first person I had to convince was myself really because there's a self-censorship. When everybody says 'we don't do silent movies anymore,' you agree with everybody, and you say 'yeah, you're right.' It was a fantasy.”

“I'm in a new club, by the way. And I don't know if you're first timers like I am, but I'm in the 'I Just Dropped My Cell Phone In My Own Piss' Club. Have you done that? Yeah, good times. I'm on the phone and I forget that I'm using shoulder technique. Urinals were taken so I went in to use the regular john. And as I'm standing there, mid-conversation, I'm like 'Are you serious?' and it just started to toboggan right down my powerful chest.”

“. I did an interview earlier and somebody asked me if I [knew I] was onto something back when I was first writing. I said, "Yeah. I always thought I was good." We're not the Beatles or Led Zeppelin or AC/DC. But Helmet always sounded like Helmet, and we sort of developed our own sound. There's a vocabulary that's kind of universal now that's very simple. My friendDavid Sims, [the bassist] in Jesus Lizard, said, "I wish I'd thought of it." When you first hear it, it's like, "Oh duh." But that's cool.”

“With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.”

“One of my oldest friends from Kansas, his sister was married to Ben [Folds] and wrote lyrics on his first couple of albums. I got to meet him the first time I saw them in concert at The Bottleneck, a great bar in Lawrence, Kansas. Then, he was the musical guest my first or second week as a writer on SNL. I was like, "I don't know if you remember me?" And he was like, "Oh my god, yeah!" He's a big photography fan, as am I.”

“Yeah there's always something different. He's still limited to what he can do - ya know, no super powers, just a high skill set. But they have a cool thing - this time I learn very quickly... um, bow. 'Cause in the first Avengers he had that short bow that cracks open, and then I can crack and close with a staff. So now I'm a master with a staff apparently. I have to learn that today.”

“A few years ago, when I was writing songs for my first album, I was staying with Michael Feinstein as I often did. I was working on a pilot. My grandma was very sick at the time. She died of complications from alcoholism. She always used to say [in his grandma's voice], "Red wine is good for my heart. That's what my doctor said." And we'd say, "Yeah, but not for breakfast." Unfortunately, it was the thing that killed her. I felt inspired to write a song about her and what that meant for her life and for all of us. I was writing it in Michael's house.”

“I've learned that I don't want to be as open or public about relationships anymore. In my first relationship, I thought I could hold on to the normalcy of just being like "Yeah, we're dating," just like if it were high school and I was telling my friends. But in high school, there aren't articles written everywhere when you break up and you don't have everyone in the school coming up to you and asking what happened or sharing their opinion with you. It didn't feel like ours anymore, it felt like everybody else's.”