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“Yeah. Iʼve always felt this way. I mean weʼre born alone, we die alone. And while weʼre here we are absolutely, completely sealed in our own bodies. Really weird. Kinda freaks me out to think about it. We can only experience the outside world through our own slanted perception of it. Who knows what youʼre really like. I just see what I think youʼre like.”

“Based means being yourself. Not being scared of what people think about you. Not being afraid to do what you wanna do. Being positive. When I was younger, based was a negative term that meant like dopehead, or basehead. People used to make fun of me. They was like, "You're based." They'd use it as a negative. And what I did was turn that negative into a positive. I started embracing it like, "Yeah, I'm based." I made it mine. I embedded it in my head. Based is positive.”

“The most interesting to me were Doctor Strange, because he was so mystic, and Thor, because that was really cool. I mean, I had never been able to relate to the idea of a bearded guy in the sky, you know, and I'd always really liked mythology, and with Thor, it was like Stan Lee was actually saying, "Yeah, it's okay, there really is this Nordic god, there really is something besides the bearded guy in the sky". So I loved that!”

“Smooth sailing is what I hope for. No, I'm okay with no big ups, no big downs, it's all right. Just go full steam ahead, all things well and good, yeah. I mean as a family man, all you want is, as a dad, pure happiness for your kids, that's a universal parent thing. Yeah, that's it, that's my dream, happy kids.”

“Some of you young folks been saying to me, "Hey Pops, what you mean 'What a wonderful world'? How about all them wars all over the place? You call them wonderful? And how about hunger and pollution? That aint so wonderful either." Well how about listening to old Pops for a minute. Seems to me, it aint the world that's so bad but what we're doin' to it. And all I'm saying is, see, what a wonderful world it would be if only we'd give it a chance. Love baby, love. That's the secret, yeah. If lots more of us loved each other, we'd solve lots more problems. And then this world would be a gasser.”

“There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'”

“I saw this sign posted once, it said, "Blasting Zone Ahead." Wow. Shouldn't that read: "Road Closed?" What do you mean there's a blasting zone? What am I supposed to do? "Hey-uh, you might wanna buckle up. Blasting zone coming up. Yeah. Just saw the sign. Put the helmets on back there! Yeah I think we're- (Pow!)- Oh! We're getting close! (Pow!)- Oh! This is gonna be a bad blasting zone! Remember that last one-we lost Billy?"”

“The arresting officer, who I had literally known, all my life. You know what I mean? This guy lived four doors down the street me, in a town of less than four hundred people. *We've met.* Now, he takes me to jail, and he asks me if I have any aliases. And I was just being a smartass, and I said, "Yeah. They call me, "Tater Salad!" Seventeen years later, I'm handcuffed on a bench in New York with blood coming out of my nose, and this cop goes, "Are you Ron 'Tater Salad' White?"”

“I don't think that I could have survived in my family without a naughty sense of humor; yeah, absolutely. I think my brother and I both get our senses of humor from our parents. I mean, my mother was absolutely hilarious and foul. She had the most ridiculously off color sense of humor, so that was sort of what we grew up with.”

“There's a lot of levels of metanarrative that I like to play with. That's why I like the Ghostfacers, because we actually managed to come back off the strike with an episode that claimed that the CW wasn't able to get an episode of Supernatural done fast enough. So the prelude to 'Ghostfacers!' is the Ghostfacers going, 'Yeah, those fat-cat writers, we've got a show that's better than that bullshit anyway.' I mean, that's pretty cool in the world of metanarrative, which is, I have to admit, one of my abiding passions.”

“Um, the relationship between Thor and Sif in this movie is quite platonic. I mean, they're good buddies, they've grown up with each other, they're warriors, they fight side by side. We haven't take it to the next level yet. I'm going to throw that in there. But yeah, she kind of thinks he's a little bit pig-headed, but she loves him nevertheless, you know, she's like that's my buddy, I'll do what I can for him.”

“Well, when people ask where I'm from, I usually say the Midwest, because that covers both homes, in a way. Obviously I was born in Omaha, but when people say, "Where do you come from," we'll say Milwaukee. I mean Jennifer was certainly born in Milwaukee, and that's where I spent a big chunk of my adult life, so we usually say we came here from Milwaukee. That's usually how it's referenced is we're from Milwaukee, yeah.”

“I don't want anybody to be under a misunderstanding. Donald Trump never even said the word "assassination." That was the word used by Hillary Clinton in 2008, which CNN is calling a gaffe. (impression) "But Trump meant it! Yeah, Trump, he meant it." With Hillary, "It was a gaffe! We all know Hillary Clinton, and we all know Hillary Clinton didn't really mean what she said." Yeah, right. Double standards.”

“If you create something, it really should mean something more than that to you. I had to grow into all of this though, through a learning process. I didn't wake up one day and just say, 'Yeah, that's Jlin, there it is'. That's why I said it took my entire life to make this album and it comes back to having that comfort zone - if you don't have one, the more progress you make and the more creative you become over time.”

“I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.”

“I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."”

“"First female president." That's it, and that's nowhere near, by the way, as powerful or penetrating as the first African-American president. I mean, women, yeah, I mean, make the case that they've been victimized. But they can't put themselves in the same shoes as slavery's legacy for example. Now, women might try to make the case. Hillary [Clinton] might try to make the case about not being ought to be able to vote, but it ain't gonna fly.”