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Ambrose Bierce

Ambrose Bierce Books

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“INTIMACY, n. A relation into which fools are providentially drawn for their mutual destruction. Two Seidlitz powders, one in blue And one in white, together drew And having each a pleasant sense Of t'other powder's excellence, Forsook their jackets for the snug Enjoyment of a common mug. So close their intimacy grew One paper would have held the two. To confidences straight they fell, Less anxious each to hear than tell; Then each remorsefully confessed To all the virtues he possessed, Acknowledging he had them in So high degree it was a sin. The more they said, the more they felt Their spirits with emotion melt, Till tears of sentiment expressed Their feelings. Then they effervesced! So Nature executes her feats Of wrath on friends and sympathetes The good old rule who won't apply, That you are you and I am I.”

“When he had ended, the holy hermit was a moment silent, then said: "My son, I have attended to thy story and I know the maiden. I have myself seen her, as have many. Know, then, that she is capricious for she imposeth conditions that man cannot fulfill, and delinquency is punished by desertion. She cometh only when unsought, and will not be questioned. One manifestation of curiosity, one sign of doubt, one expression of misgiving, and she is away!”

“MAD, adj. Affected with a high degree of intellectual independence; not conforming to standards of thought, speech and action derived by the conformants from study of themselves; at odds with the majority; in short, unusual. It is noteworthy that persons are pronounced mad by officials destitute of evidence that themselves are sane. For illustration, this present (and illustrious) lexicographer is no firmer in the faith of his own sanity than is any inmate of any madhouse in the land; yet for aught he knows to the contrary, instead of the lofty occupation that seems to him to be engaging his powers he may really be beating his hands against the window bars of an asylum and declaring himself Noah Webster, to the innocent delight of many thoughtless spectators.”

“The exhilaration of battle was agreeable to him, but the sight of the dead, with their clay faces, blank eyes, and stiff bodies, which, when not unnaturally shrunken, were unnaturally swollen, had always intolerably affected him. He felt toward them a kind of reasonless antipathy which was something more than the physical and spiritual repugnance common to us all. Doubtless this feeling was due to his unusually acute sensibilities - his keen sense of the beautiful, which these hideous things outraged. Whatever may have been the cause, he could not look upon a dead body without a loathing which had in it an element of reselltment. What others have respected as the dignity of death had to him no existence - was altogether unthinkable. Death was a thing to be hated. It was not picturesque, it had no tender and solemn side - a dismal thing, hideous in all its manifestations and suggestions. Lieutenant Byring was a braver man than anybody knew, for nobody knew his horror of that which he was ever ready to encounter. ("A Tough Tussle")”

“When men perceive that nothing is restraining them but their consent to be restrained, then at last there is nothing to obstruct the free play of selfishness which is the dominant characteristic and fundamental motive of human nature and human action respectively. Politics, which may have had something of the character of a contest of principles, becomes a struggle of interests, and its methods are frankly serviceable to personal and class advantage. Patriotism and respect for the law pass like a tale that is told. Anarchy, no longer disguised as ‘government by consent,’ reveals his hidden hand…”

“His act was rather that of a harmless lunatic than an enemy. We were not so new to the country as not to know that the solitary life of many a plainsman had a tendency to develop eccentricities of conduct and character not always easily distinguishable from mental aberration. A man is like a tree: in a forest of his fellows he will grow as straight as his generic and individual nature permits; alone, in the open, he yields to the deforming stresses and tortions that environ him.”

“ABDOMEN, n. [1.] The temple of the god Stomach, in whose worship, with sacrificial rights, all true men engage. From women this ancient faith commands but a stammering assent. They sometimes minister at the altar in a half-hearted and ineffective way, but true reverence for the one deity that men really adore they know not. If woman had a free hand in the world's marketing the race would become graminivorous. [2.] A shrine enclosing the object.”

“ABNORMAL, adj. Not conforming to standards in matters of thought and conduct. To be independent is to be abnormal, to be abnormal is to be detested. A striving toward the straiter [sic] resemblance of the Average Man than he hath to himself, whoso attaineth thereto shall have peace, the prospect of death and the hope of Hell.”

“OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer's attitude toward "obsolete" words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader.”

“EMBALM, v.i. To cheat vegetation by locking up the gases upon which it feeds. By embalming their dead and thereby deranging the natural balance between animal and vegetable life, the Egyptians made their once fertile and populous country barren and incapable of supporting more than a meagre crew. The modern metallic burial casket is a step in the same direction, and many a dead man who ought now to be ornamenting his neighbour's lawn as a tree, or enriching his table as a bunch of radishes, is doomed to a long inutility. We shall get him after awhile if we are spared, but in the meantime, the violet and rose are languishing for a nibble at his gluteus maximus.”

“From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque. He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")”