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Chuck Palahniuk

Chuck Palahniuk Quotes

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Famous Chuck Palahniuk Quotes

“La primera regla del Club de la lucha es: nadie habla sobre el Club de la lucha. La segunda regla del Club de la lucha es: NADIE habla sobre el Club de la lucha. La tercera regla es: la pelea termina cuando uno de los contendientes grita «alto», pierde la vertical o hace una señal. La cuarta regla: sólo dos personas por pelea. La quinta regla: sólo una pelea a la vez. La sexta regla: se pelea sin camisa y sin zapatos. La séptima regla: cada pelea dura lo que tiene que durar. La octava y última regla: si ésta es tu primera noche en el Club de la lucha, entonces tienes que pelear.”

“We feel so superior to the dead. For example, if Michelangelo was so damn smart, why'd he die? How I feel reading the DSM is, I may be a fat stupid dummy, but I'm still alive. The caseworker's still dead, and here's proof that everything she studied and believed in all her life is already wrong. In the back of this edition of the DSM are the revisions from the last edition. Already, the rules have changed. Here are the new definitions of what's acceptable, what's normal, what's sane. Inhibited Male Orgasm is now Male Orgasmic Disorder. What was Psychogenic Amnesia is now Dissociative Amnesia. Dream Anxiety Disorder is now Nightmare Disorder. Edition to edition, the symptoms change. Sane people are insane by a new standard. People who used to be called insane are the picture of mental health.”

“There’s a famous quote regarding Polanski. Perhaps Jack Nicholson said it, perhaps someone else, but it goes, “Polanski is the five-foot Pole I wouldn’t touch with a ten-foot pole.” So, yes, the world seems to despise him. I, however, love his work. It’s so much funnier and well-constructed than the pompous stuff of Kubrick. Polanski balances between camp and horror in much the same way Billy Wilder did.”

“In my version neither story would get off the ground because all the spouses involved in both stories would honor their partners and remain faithful. Both ‘Patient’ and “Piano’ glorify and romanticize adultery; and that only works in fiction when it’s the female who’s cuckolding the male. If a story shows a man cheating on his wife… well, that’s never a cultural masterpiece, is it?”

“In the future? People will realize the opposite of what Andy Warhol – yes, a Pole! – predicted. Instead of everyone getting fifteen minutes of fame, everyone will get fifteen minutes of privacy. Satellites, cameras, the internet, these are tracking us every second. The next generation of young people will crave solitude. The non-stop gaze of mass media ogling us, that’s the new monster.”

“Paige'le birbirimize bakıyoruz. Gerçekte kim olduğumuzu bilerek bakıyoruz. İlk kez. Hayatımızın geri kalanını, dünyanın bize kim olduğumuzu söylemesine izin vererek geçirebiliriz. Akıllı veya deli. Aziz veya seks bağımlısı. Kahraman veya kurban. Tarihe bırakırız, iyi mi yoksa kötü mü olduğumuzu söylemeyi. Geçmişimizin geleceğimizi belirlemesine izin verebiliriz. Ya da kendi adımıza karar verebiliriz. Ve belki de bizim işimiz daha iyi bir şey icat etmektir.”

“People in France have a phrase: "Spirit of the Stairway." In French: esprit d'Escalier. It means that moment when you find the answer but it's too late. So you're at a party and someone insults you. You have to say something. So, under pressure, with everybody watching, you say something lame. But the moment you leave the party . . . As you start down the stairway, then - magic. You come up with the perfect thing you should've said. The perfect crippling put down. That's the Spirit of the Stairway.”

“How miserably hypocritical, you might say, but no sooner am I offered a chance to flee Hell than I yearn to stay. Few families hold their relations as closely as do prisons. Few marriages sustain the high level of passion that exists between criminals and those who seek to bring them to justice. It’s no wonder the Zodiac Killer flirted so relentlessly with the police. Or that Jack the Ripper courted and baited detectives with his - or her - coy letters. We all wish to be pursued. We all long to be desired.”

“They told me that nothing was a sin, just a poor life choice. Poor impulse control. That nothing is evil. Any concept of right versus wrong, according to them, is merely a cultural construct relative to one specific time and place. They said that if anything should force us to modify our personal behavior it should be our allegiance to a social contract, not some vague, externally imposed threat of flaming punishment.”

“To make it last, to keep from triggering, I tell Nico's flowered backside how beautiful she is, how sweet she is and how much I need her. Her skin and hair. To make it last. Because this is the only time I can say it. Because the moment this is over, we'll hate each other. The moment we find ourselves cold and sweating on the bathroom floor, the moment after we both come, we won't want to even look at each other. The only person we'll hate more than each other is ourselves. These are the only few minutes I can be human. Just for these minutes, I don't feel lonely.”

“Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?”

“If you haven't already noticed, all my books are about a lonely person looking for some way to connect with other people.In a way, that is the opposite of the American Dream: to get so rich you can rise above the rabble, all those people on the freeway or, worse, the bus.”

“How this feels is I'm just another task in God's daily planner: The Renaissance pencilled in for right after the Dark Ages. The Information Age is scheduled immediately after the Industrial Revolution. Then the Post-Modern Era, then The Four Horsemen of the Apocalypse. Famine. Check. Pestilence. Check. War. Check. Death. Check. And between the big events, the earthquakes and tidal waves, God's got me squeezed in for a cameo appearance. Then maybe in thirty years, or maybe next year, God's daily planner has me finished.”

“The strength of film is its accessibility and immediacy. But the strength of books is that freedom to really depict anything you want because people are going to be reading it in private. So, I'm always trying to write with the immediacy and the constant motion of film but I'm also trying to write with the complete freedom of subject matter that books have.”