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Kingsley Amis

Kingsley Amis Books

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Lucky Jim

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The Green Man

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Jake's Thing

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Memoirs

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Amis Collection

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I Like It Here

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The Old Devils

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Related Quotes

“Then, Patrick, you do feel it too? You do feel ... something? It would be so bleak if you felt nothing. That's what scares women, you know.' 'I do know, and you needn't be scared. I feel something all right.' 'Promise me you'll always treat me as a person.' 'I promise.' 'Promises are so easily given.' 'I'll fulfill this one. Let me show you.' After a shaky start he was comfortably in the swing of it, having recognised he was on familiar ground after all. Experience had brought him to see that this kind of thing was nothing more than the levying of cock-tax, was reasonable and normal, in fact, even though some other parts of experience strongly suggested that what he had shelled out so far was only a down payment.”

MenFeelingsSexWomenRespect
Book:Difficulties With Girls
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“Jake did a quick run-through of women in his mind, not of the ones he had known or dealt with in the past few months of years so much as all of them: their concern with the surface of things, with objects and appearances, with their surroundings and how they looked and sounded in them, with seeming to be better and to be right while getting everything wrong, their automatic assumption of the role of injured party in any clash of wills, their certainty that a view is the more credible and useful for the fact that they hold it, their use of misunderstanding and misrepresentation as weapons of debate, their selective sensitivity to tones of voice, their unawareness of the difference in themselves between sincerity and insincerity, their interest in importance (together with noticeable inability to discriminate in that sphere), their fondness for general conversation and directionless discussion, their pre-emption of the major share of feeling, their exaggerated estimate of their own plausibility, their never listening and lots of other things like that, all according to him.”

WomenMisogyny
Book:Jake's Thing
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“He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.”

TheaterTheatrePlaywrightScript WritingWriters BlockPlaywritingBritish Humour
Book:I Like It Here
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“I went into the dining-room, where four covered pots of soup stood on the table, and moved over to the bookshelves to the left of the fireplace. Here I kept two or three dozen works on architecture and sculpture, and a hundred or so plain texts of the standard English and French poets, stopping chronologically well short of our own day: Mallarmé and Lord de Tabley are my most modern versifiers. I have no novelists, finding theirs a puny and piffling art, one that, even at its best, can render truthfully no more than a few minor parts of the total world it pretends to take as its field of reference. A man has only to feel some emotion, any emotion, anything differentiated at all, and spend a minute speculating how this would be rendered in a novel—not just the average novel, but the work of a Stendhal or a Proust—to grasp the pitiful inadequacy of all prose fiction to the task it sets itself. By comparison, the humblest productions of the visual arts are triumphs of portrayal, both of the matter and of the spirit, while verse—lyric verse, at least—is equidistant from fiction and life, and is autonomous.”

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Book:The Green Man
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“The human race has not devised any way of dissolving barriers, getting to know the other chap fast, breaking the ice, that is one-tenth as handy and efficient as letting you and the other chap, or chaps, cease to be totally sober at about the same rate in agreeable surroundings.”

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Book:Everyday Drinking: The Distilled Kingsley Amis
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“Those who professed themselves unable to believe in the reality of human progress ought to cheer themselves up, as the students under examination had conceivably been cheered up, by a short study of the Middle Ages. The hydrogen bomb, the South African Government, Chioang Kaidick, Senator McCarthy himself, would then seem a light price to pay for no longer being in the Middle Ages.”

BelieveHumansRealityLightSeemsGovernmentAgePayStudyProgressMiddleStudentsOughtSouthBombsCheerSouth AfricaSenatorsMiddle AgesExaminationHydrogenHuman ProgressHydrogen Bomb
Book:Lucky Jim
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“The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But . . . there's often a freshness that is missing in later works--for every gain there's a loss. I think it evens out in that way.”

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Author:Kingsley Amis
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“To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.”

WayShouldWritingProblemStruggleRiskOneselfProfessionPassingPassingsDestroyedHere And NowDisappointingManuscriptsPuzzling
Book:The Amis collection: selected non-fiction, 1954-1990
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“[Science fiction is] that class of prose narrative treating of a situation that could not arise in the world we know, but which is hypothesised on the basis of some innovation in science or technology, or pseudo-science or pseudo-technology, whether human or extra-terrestrial in origin. It is distinguished from pure fantasy by its need to achieve verisimilitude and win the 'willing suspension of disbelief' through scientific plausibility.”

KnowsWorldNeedsHumansWinningFictionSituationClassTechnologyFantasyAchieveWillingPureBasesInnovationScience FictionAriseNarrativeExtrasProseDistinguishedDisbeliefPseudoSuspensionSuspension Of Disbelief
Author:Kingsley Amis
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“Twentieth century music is like paedophilia. No matter how persuasively and persistently its champions urge their cause, it will never be accepted by the public at large, who will continue to regard it with incomprehension, outrage and repugnance.”

MatterCausesCenturyMusic IsRegardAcceptedChampionUrgesTwentieth CenturyOutrageIncomprehension
Book:The Amis collection: selected non-fiction, 1954-1990
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