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P. G. Wodehouse

P. G. Wodehouse Books

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“There are situations in life which are beyond one. The sensible man realizes this, and slides out of such situations, admitting himself beaten. Others try to grapple with them, but it never does any good. When affairs get in a real tangle, it is best to sit still and let them straighten themselves out. Or, if one does not do that, simply to think no more about them. This is Philosophy. The true philosopher is the man who says "All right," and goes to sleep in his arm-chair. One's attitude towards Life's Little Difficulties should be that of the gentleman in the fable, who sat down on an acorn one day and happened to doze. The warmth of his body caused the acorn to germinate, and it grew so rapidly that, when he awoke, he found himself sitting in the fork of an oak sixty feet from the ground. He thought he would go home, but, finding this impossible, he altered his plans. "Well, well," he said, "if I cannot compel circumstances to my will, I can at least adapt my will to circumstances. I decide to remain here." Which he did, and had a not unpleasant time. The oak lacked some of the comforts of home, but the air was splendid and the view excellent. Today's Great Thought for Young Readers. Imitate this man.”

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Author:P. G. Wodehouse
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“Such a one, in George's opinion, was this gurgling excrescence underneath the silk hat. He comprised in his single person practically all the qualities which George disliked most. He was, for a young man, extraordinarily obese. Already a second edition of his chin had been published, and the perfectly-cut morning coat which encased his upper section bulged out in an opulent semi-circle. He wore a little moustache, which to George's prejudiced eye seemed more a complaint than a moustache.”

Damsel In Distress
Author:P. G. Wodehouse
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“The hatred which some of his order feel for Socialists and Demagogues Lord Marshmoreton kept for roseslugs, rose-beetles and the small, yellowish-white insect which is so depraved and sinister a character that it goes through life with an alias—being sometimes called a rose-hopper and sometimes a thrips. A simple soul, Lord Marshmoreton—mild and pleasant. Yet put him among the thrips, and he became a dealer-out of death and slaughter, a destroyer in the class of Attila the Hun and Genghis Khan. Thrips feed on the underside of rose leaves, sucking their juice and causing them to turn yellow; and Lord Marshmoreton's views on these things were so rigid that he would have poured whale-oil solution on his grandmother if he had found her on the underside of one of his rose leaves sucking its juice.”

Damsel In Distress
Author:P. G. Wodehouse
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“It's an extraordinary thing about names. You've probably noticed it yourself. You think you've got them, I mean to say, and they simply slither away. I've often wished I had a quid for every time some bird with a perfectly familiar map has come up to me and Hallo-Woostered, and had me gasping for air because I couldn't put a label to him. This always makes one feel at a loss.”

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Author:P. G. Wodehouse
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“As a rule, from what I've observed, the American Captain of Industry doesn't do anything out of business hours. When he has put the cat out and locked up the office for the night, he just relapses into a state of coma from which he emerges only to start being a Captain of Industry again.”

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Book:Enter Jeeves: 15 Early Stories
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“I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them.”

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Author:P. G. Wodehouse
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“I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?”

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Author:P. G. Wodehouse
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