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Robert Hughes

Robert Hughes Books

Art critic

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“The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize." [Modernism's Patriarch (Time Magazine, June 10, 1996)]”

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Author:Robert Hughes
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“It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.”

ArtPoliticsCreativityRevolutionFameCapitalismEntertainmentArtistsConsuemrism
Book:The Shock of the New
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“The fact remains that America is a collective work of the imagination whose making never ends, and once that sense of collectivity and mutual respect is broken the possibilities of American-ness begin to unravel. [...] Throughout the 80s, this happened with depressing regularity on both sides of American party politics. Instead of common ground, we got demagogues. [...] Neo-conservatives who create an exaggerated bogey called multiculturalism - as though Western culture itself was ever anything but multi, living by its eclecticism, its power of successful imitation, its ability to absorb "foreign" forms and stimuli! - and pushers of political correctness who would like to see grievance elevated into automatic sanctity.”

MulticulturalismAmerican CulturePolitical CorrectnessPolarizationDemagoguery
Book:Culture of Complaint: The Fraying of America
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“When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.”

IfsWayWarWholeYoungSidesMillionsCuttingGenerationsSacrificeYouthFlowerWasteDestructionDistanceAffairMythSuperiorsOfficialsSurvivorMeaninglessBoth SidesWwiFlanders
Author:Robert Hughes
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“For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.”

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Author:Robert Hughes
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“Nevertheless, what was made in the hope of transforming the world need not be rejected because it failed to do so – otherwise, one would also have to throw out a good deal of the greatest painting and poetry of the nineteenth century. An objective political failure can still work as a model of intellectual affirmation or dissent.”

WorldNeedsMadeStillsPoliticalDealsCenturyPaintingIntellectualModelsObjectivesNeverthelessRejectedAffirmationTransformingDissentNineteenth CenturyTransforming The WorldPainting And Poetry
Book:The Shock of the New
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“Most of the time they buy what other people buy. They move in great schools, like bluefish, all identical. There is safety in numbers. If one wants Schnabel, they all want Schnabel, if one buys a Keith Haring, two hundred Keith Harings will be sold.”

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Book:The Spectacle of Skill: New and Selected Writings of Robert Hughes
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“The point of a library's existence is not persuasion or evangelism, but knowledge. It is irrelevant to the good library whether, as an institution, it shares or promotes your core values or mine, or the Attorney General's or Saddam Hussein's. The library is always an instrument of choice, and the choice is always yours, not your elected or designated leaders.”

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Author:Robert Hughes
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“What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media.”

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Author:Robert Hughes
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“Far from affording artists continuous inspiration, mass-media sources for art have become a dead end. They have combined with the abstractness of institutional art teaching to produce a fine-arts culture given over to information and not experience. This faithfully echoes the drain of concreteness from modern existence- the reign of mere unassimilated data instead of events that gain meaning by being absorbed into the fabric of imaginative life.”

ArtEndsInspirationArtistCultureGivenExistenceTeachingModernMediaEventsInformationProduceSourceFineMassGainsMereDataFabricEchoesReignImaginativeDrainsFine ArtsMass MediaDead EndsAffording
Book:The Spectacle of Skill: New and Selected Writings of Robert Hughes
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