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Shellen Lubin Quotes

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Famous Shellen Lubin Quotes

“The most important quality we bring to everything we do (work, play, creating, loving, parenting, friending, teaching, learning) is to care, to start from a place of caring and to care throughout the process. With care, there are unlimited possibilities-- without care, pitfalls dead ends trip us up knock us down bury us. This is your life. Allow difference mess even chaos. But not Indifference. Handle With Care.”

“As onerous as certain long-winded tasks are, the key seems to always be the same-- just keep going, just keep going, one foot in front of the other, one bag of garbage filled and out and then the next, one box of important things carefully packed and sealed and then another, more, more, just keep going, one foot in front of the other. And then look what you've got: a new home, a new life, a new play, a production, something you've knitted from fragments of dreams and ideas, something you've woven from yarns and memories, something you've written from yarns and images. One foot more.”

“Everything has its own pace its own timing. True of working, studying, learning. True of illness, sorrow, grief. True of change, of transformation. True of conflict. True of peace. You can't change the pace without changing its nature, changing the experience. And the experience is its own end. The end never justifies the means because every means is its own end. It's not just about you, your natural pace, it's about what you're doing what's being done butterfly effects over miles and years. The river will not be pushed. The rain will not cease until it has finished pouring down. The sun will not rise before dawn. This is where we are.”

“In our own variation of the KonMari method of cleaning out (focus on what you want to keep, let the rest go with gratitude), we have created our own rules of weeding out from all we have accumulated (of ours and others) over our various lives and lifetimes. They are: 1. Focus on what to keep (instead of what not to keep). 2. Is it growing mold? (Was it once fresh and yummy, but is no longer?) 3. Let it go with gratitude (whether giving it away, selling it, or throwing it out). 4. You can always take a picture (if you want to remember it). 5. Do we want our kids to have to go through it (after we're gone)? It makes a difference, thinking about it this way.”

“Not just the Congress is capitulating to 45/47 and the dismantling of our government: industry, lawyers, even esteemed, independent colleges. It's a horrifying difficult-to-fully-process time. Some of us still have our lives intact-- barely affected by the clenching at our throats and the rising terror-- but there are others losing their life's work-- there are others being kidnapped on the streets-- people who can't stay, people who can't come back, people who are just thrown in prisons of one kind or another here or elsewhere. Whose life matters anyway?”

“I think there is a place where hopefulness and hopelessness co-exist, one of my beloved contradictory co-existing realities (what others call a paradox, but paradoxes can be mis-defined themselves, not owning their true contrari-ness and/or co-existence): something like joy-and-hope-in-the-process-of-being-and-becoming, something like awareness-of-distant-goals-without-attachment-to-getting-them, something like satisfaction-in-dissatisfaction. Like riding a roller coaster, being and feeling where it is and feeling where it's going all at the same time, since where it's going is part of where it is, and, whatever the now is, it will never stay there. Something like life.”

“Every time a court pushes back against the looming autocracy, we celebrate. But the looming autocracy often ignores the ruling of the courts. The question, day by day, becomes how well are all the institutions we need, we trust, we rely on still functioning? The answer, day by day, becomes only as well as the looming autocracy feels and hears and responds to the pushback against their destruction.”

“We artists can't be stopped because we live and breathe to speak our truth to write our truth to paint, and sing, and dance what we see, what we feel, what we know inside. And we will always keep trying to find a way to reach some kind of audience, even if it's in a dingy basement. And for those whose art is the jest? Our beloved jesters (can they eliminate the comedians' platforms)? They dance on the line between reportage and art. But they may be the most dangerous of all to the looming autocracy, because they make people laugh at the king (the one thing he most cannot stand). And as the people laugh, they're also learning the truth: the king has no clothes.”

“We are in a time of destruction, perhaps the worst destruction many of us have ever known. So many of us are at risk, some paying with their livelihoods, some with their lives, with their ability to stay here, be here, with their will to persist ... some of us just with our time and energy, peace of mind, sanity. So many, so much has already been destroyed. The cost of this period of our history piles on daily, even as the signs of its end seem to beckon to us from the horizon, from the end of this dark tunnel.”