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Susan Sontag

Susan Sontag Quotes

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Famous Susan Sontag Quotes

“But the very question of whether photography is or is not an art is essentially a misleading one. Although photography generates works that can be called art --it requires subjectivity, it can lie, it gives aesthetic pleasure-- photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made. Out of language, one can make scientific discourse, bureaucratic memoranda, love letters, grocery lists, and Balzac's Paris. Out of photography, one can make passport pictures, weather photographs, pornographic pictures, X-rays, wedding pictures, and Atget's Paris. Photography is not an art like, say, painting and poetry. Although the activities of some photographers conform to the traditional notion of a fine art, the activity of exceptionally talented individuals producing discrete objects that have value in themselves, form the beginning photography has also lent itself to that notion of art which says that art is obsolete. The power of photography --and its centrality in present aesthetic concerns-- is that it confirms both ideas of art. But the way in which photography renders art obsolete is, in the long run, stronger.”

ArtPhotographyObsolete
Book:On photography
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“We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we'd rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.”

ThinkingKnowsWritingMeanArtRealityLosesSpaceRoomsKnow HowFilledIntentionSmellStuckRoughAbandonedVolumeCavesArrowsTunnelsMean Words
Author:Susan Sontag
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“In contrast to the asexual chasteness of official communist art , Nazi art is both prurient and idealizing. A utopian aesthetics (physical perfection; identity as a biological given) implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community.”

ArtSpiritualJoyEnergyGivenForceCommunityLeaderIdentityBenefitsArt IsIdealsPerfectionSexualityOfficialsCommunistFollowersContrastNaziAestheticsFascistsUtopianMagnetism
Book:A Susan Sontag reader
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“If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature - the nearest thing to a sacramental human activity acknowledged by secular society - it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what's there.”

IfsHumansPersonsArtLastsArtistConsciousnessCenturyDangerousPositionActivityTasksSecularFrontiersUnprecedentedStatureHuman ActivityAutonomousSecular Society
Author:Susan Sontag
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“One task of literature is to formulate questions and construct counterstatements to the reigning pieties. And even when art is not oppositional, the arts gravitate toward contrariness. Literature is dialogue: responsiveness. Literature might be described as the history of human responsiveness to what is alive and what is moribund as cultures evolve and interact with one another.”

HumansArtMightCultureLiteratureAliveArt IsTasksDialogueEvolveConstructsPietyResponsiveness
Book:Susan Sontag: Ansprachen aus Anlass der Verleihung
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“Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.”

KindHas BeensArtIdeasUseFormEmotionNovelStylePaintingTheaterConservativeArchitectureMediumsCinemaMovieOperaFrozenSculptureDance Music
Author:Susan Sontag
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“Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds?”

IfsWorldHumansMayMeanArtSelfFormFeltChallengesModernSubjectsPhotographyPhotographSupremeBranchesEnterprisePrincipalTourismEnlargementAbnormalityClandestineArt Photography
Author:Susan Sontag
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“The quote is always fascinating because it changes out of context, becomes different and sometimes more mysterious. It has a directness and assertiveness it may not have had in the original. I think the quality of inaccessibility, the mystery, is important - that whatever matters can't be taken in on just one reading or one seeing. This is certainly a quality of the little of art that lasts.”

ThinkingMayLittlesArtImportantDifferentSometimesMatterLastsReadingQualityTakenSeeingMysteryOriginalsMysteriousJust OneFascinatingAssertivenessOf Context
Author:Susan Sontag
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“Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.”

ArtTodayCultureEnergyIndustryProjectsHeavyIntellectRevengeSensualAtmospherePoisonInterpretationExpensesCapabilitySensibilityUrbanAutomobileDilemmaReactionariesStifling
Book:A Susan Sontag reader
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“[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.”

NeedsArtMomentsPoliticalCertainBehindsConsciousnessAudienceIssuesAwarenessStyleFrontsProductsElementsHistoricalNotionCraftsWorks Of ArtEthicalVisibility
Author:Susan Sontag
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