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“Anyway. I think forcing yourself to keep up appearances and putting up this identity that isn't yours, a mask you don't wear when you're alone, is phony. If you have to do all that stuff to get someone to love you, then can you really say they love you and who you really are? Once you change yourself to win affection, to win love, I don't even know if you can still call you you. If you've built your relationship on pretense and lies, it'll probably fail in some way or another, and if you've fundamentally changed yourself, then it's not really you.”

“Anyway, in those years, I was happy, as to one extent or another I have always been happy. The forest was not a wilderness to me, but served instead as my private garden, comforting in spite of its vastness, and endlessly mysterious. The more familiar a place becomes, the more mysterious it becomes, as well, if you are alert to the truth of things. I have found this to be the case all of my life.”

“Anyway, is it hard for you to be in here? Or is it more of a comfort thing?' ... 'It feels like coming home, but not. And it's not that it's changed- this place never changes. Hell, I think change is the mortal enemy of a scribe. But I'm starting to realise that I've changed. I don't quite fit here. Not anymore.' 'Yeah. I get that.' Something in his voice tells me he really does.”

“Anyway, it seems to me that the way most people go on living (I suppose there are a few exceptions), they think that the world of life (or whatever) is this place where everything is (or is supposed to be) basically logical and consistent.... It's like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you've got rice pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can't tell what's going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody's looking and only then turns back into rice pudding. We think it's natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me that's just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin.”

“Anyway, it was Oscar who called me to remind me that our nephew, Lydia's son Garnett, was turning eleven years old. Fuck my life. I hated that kid. He smelled like asparagus, and he sweated way too much for a healthy child; but then Garnett, given his propensity for biting teachers and catching chipmunks in the backyard only to bury them alive, was no normal kid. He was a case study for sociopathic behavior in the making. A walking, talking, farting, sweaty, odorous, chipmunk-burying cry for help.”

“Anyway! Like a memory she does not travel, She just stays in the mind of everything, A feeling that is abysmal and at the same time makes you feel well, Almost like experiencing everything but feeling nothing, But her thoughts and her memories remain intact, A love affair of a different kind maybe, Where infinity is the witness and love that lasts for eternity is the pact, There is no other way for it to exist maybe, Or it could be my predilection towards her memories, That makes everything else less preeminent, And gradually one loses interest in all worldly stories, Because her thought is still fresh and omnipresent, Like a flower that you come to admire in Summer, And you wait for the seasons to pass by, To witness this flower again in the new Summer, There, anticipating and waiting you lie, Not for the Summer, but for the flower, And how unnecessary everything else seems, Almost like a desperate lover, Whose heart often her name screams, But the yearnings of heart are silent, And no matter how much it cries or screams everyday, It has no audience, except the helpless firmament, Where it is heard, but it can't do anything to help it anyway!”

“Anyway, now after this revolution this book argues that things have gone a bit too far. Women, like, HAVE to be sexual now. To the point where our 'sexiness' is making us into, like, a sexiness product. I mean, look at all the gross porn all the guys at college watch, for one. Or any advert where a woman washes her hair and gets an orgasm from her shampoo. Or the way you can't buy a pair of denim shorts now that cover your butt cheeks. Or how in adverts for anything, women's bodies aren't shown as a whole--we're just disjointed legs, or cleavages, or hands -- just our sexual bits cut off and shoved onto a page to sell a watch or something. Women are 'supposed' to be sexy now--otherwise we're prudes, or one of those hairy feminists nobody wants to sleep with. You see how we're judged all the time? How awful it is to be described as no one wanting to shag you? We have to be 'hot' now, otherwise we've failed at life. And if we achieve stuff and we're not hot--it's the first thing people lob at us to undermine everything we've achieved.”

“Anyway, thanks to Bob, that Christmas, my mother bought my grandmother and myself both vibrators. Now, as unusual as a gift like this sounds, you have to admit that they are the ideal stocking stuffers. I mean, you can fit the vibrator into the long top part of the stocking and still be able to get another cute little gift in the toe. Well, I have to admit, I enjoyed mine but my grandmother refused to use hers. She was concerned that it would short-circuit her pacemaker. She said she'd gone this long without an orgasm, she might as well go the whole way. And that pacemaker, by the way, was later recalled.”

“Anyway that's a large part of what economics is - people arbitrarily, or as a matter of taste, assigning numerical values to non-numerical things. And then pretending that they haven't just made the numbers up, which they have. Economics is like astrology in that sense, except that economics serves to justify the current power structure, and so it has a lot of fervent believers among the powerful”

“Anyway, the MI-17 made for one hell of a ride. It was a monstrous chopper, more like an armoured tank in the sky. Th e insides had a few metal seats on either side. First-come-fi rst-served, you sat wherever you found space. The mothers took the seats and the brats sat on the cold metal floor, among camouflage-green nets, wooden boxes and miscellaneous military cargo. As the chopper rose, I peered at my father waving from the small helipad made by plateauing a mountain top with the Army’s engineering expertise. Some moments stay with you forever. Th is particular one has stood the test of time. As we fl ew off to the safest military base, I stuck my nose against the tiny window and kept waving back till my father became an olive-hued speck on the concrete helipad.”

“anyway, the whole world knows, european & non-european alike, the whole world knows that nobody loves the black woman like they love farrah fawcett-majors. the whole world dont turn out for a dead black woman like they did for marilyn monroe. (actually, the demise of josephine baker waz an international event, but she waz also a war hero)”

“Anyway, there is an essential difference in gender that isn't politically correct to mention these days. Women are the ones to bear the children after all. They are the ones to nurse. They are the ones, traditionally, who care for the infants. That takes a huge amount of time.' He smiled, waiting for the applause, but something had gone wrong. There was a cold silence from the crowd... 'Did you just say that women aren't creative geniuses because they have babies?' 'No," he said, 'No. Not because. I wouldn't say that. I love women, and not all women have babies. My wife, for one, at least not yet. But listen, we're all given a finite amount of creativity, just like we;re given a finite amount of life, and if a woman continues to spend hers creating actual life and not imaginary life, that's a glorious choice. When a woman has a baby, she's creating so much more than just a world on the page, she's creating life itself, not just a simulacrum. No matter what Shakespeare did, it's so much less than your average illiterate woman of his age who had babies. Those babies were our ancestors, necessary to make everyone here today, and no one could seriously argue that any play is worth a single human wife. I mean the history of the stage supports me here. If women have historically demonstrated less creative genius than men, it's because they're making their creations internal, spending the energies on life itself. It's a kind of bodily genius. You can't tell me that isn't at least as worthy as genius of imagination. I think we can all agree that women are just as good as men, better in many ways. But the reason for the disparity in creation, is because women have turned their creative energies inward not outward.”

“Anyway, they went and built this silly housing project, with us living right across the street from it. Some of the children from the housing project got into trouble. You can't just take people who don't have anything, don't know what they're doing, pack them in a bunch of buildings, and expect it's going to all work out somehow. - Sadie”

“Anyway, those things would not have lasted long. The experience of the years shows it to me. But Destiny arrived in some haste and stopped them. The beautiful life was brief. But how potent were the perfumes, On how splendid a bed we lay, To what sensual delight we gave our bodies. An echo of the days of pleasure, An echo of the days drew near me, A little of the fire of the youth of both of us, Again I took in my hands a letter, And I read and reread till the light was gone. And melancholy, I came out on the balcony Came out to change my thoughts at least by looking at A little of the city that I loved, A little movement on the street and in the shops. Translated by Rae Dalven”

“Anyway, what were you two talking about?' Brigit asks, focusing her attention back on me and Amira. 'Nothing.' I say, as Amira interrupts me. 'Rochelle hasn’t seen any of the movies playing,' she says. Jennie and Brigit both gasp as if I’ve committed a crime. Seriously, the theatrics of these people. 'Rochelle, you know we can see movies here for free, right?' Jennie asks. Her face is filled with such genuine concern, I have the absurd need to assure her I am well aware of this one perk from our job.”

“Anyway, you never know what worse luck your bad luck has saved you from. I was too young for one war and too old for the next one. But I seen what come out of it. You can be patriotic and still believe that some things cost more than they’re worth. Ask them Gold Star mothers what they paid and what they got for it. You always pay too much. Particularly for promises. There aint no such thing as a bargain promise.”

“Anyway, you're to have four sets- to match jewels, I suppose- white gold, pale gold, yellow gold and rose gold. Can't have your oculars clashing with your bracelets, I suppose. I'll send the 'prentice up with them later. I'm waiting for the frames to cool now." "If the Princess is not here, you can leave them with her handmaiden, Iris," Lady Thalia put in, and came around to take a look at the Sophont's handiwork. She blinked. "Good heavens. That is 'much' more flattering!" "Yes, it is," Balan agreed with a lopsided smile. "Now you can see what pretty eyes she has. Well, I'm off! Lady Thalia, it was a pleasure meeting you. Princess, a delight to serve you!" As soon as he was out of the room, Andie was out of the chair. Picking up the skirt of her gown this time to keep it from tripping her, she ran to her bedroom to peer into the little mirror over her dressing table. The difference was astounding. The old oculars had been small, vaguely rectangular, and had cut across her face like a slash mark. These were large, circular and, for the first time, did not obscure her eyes. If anything, they made her eyes look bigger, like those of a young animal, soft and giving an impression of innocence and vulnerability. The frame, of white gold, was very simple and polished, somehow less fussy than Balan's frame of twisted wire had been. "Gracious!" Iris exclaimed. "What a difference!" "You don't think they look-well- 'owlish'?" Lady Thalia asked, a little doubtfully. "Not a bit!" Iris declared. "Just look how big they make her eyes look! And 'you've' heard all those daft poets, my Lady, going on about a girl's eyes supposed to be like a doe's, or big pools of water!”

“Anyway, after we go out and work our hearts out, after you go out and help us turn out the vote, after we've convinced the good Americans to vote, and while they're at it, pull that old George W lever, if I'm the one, when I put my hand on the Bible, when I put my hand on the Bible, that day when they swear us in, when I put my hand on the Bible, I will swear to not - to uphold the laws of the land.”