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I Quotes

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All I Quotes

“I look her in the eyes. ‘Words are just words. It’s the meaning of the words that determines how you feel about something. Feelings evoke emotions and make others feel something by what you say. You could say flatly, ‘I love you,’ or you could look someone in the eye and say, with a different tone of voice, ‘I love you.’ Which of those actually sounds like you love someone? That’s why it’s definitely how you say it.”

“I look her square in the eye, then say, “I’m not freaking out, nor am I going to. I’m glad you told me, and I now realise that I feel the same way and I cannot go on hiding those feelings from you or from myself. I want to hold you, protect you and learn all there is to know about you. If you will let me, and in return I will try to open myself up to you.” My Mum always said to me that ‘actions speak louder than words’, so I hope my next action will tell her all she needs to know. I kiss her, pouring all that I am and all that I feel into the kiss. I think it worked. We both come up for air, look into each other’s eyes and we both smile genuine smiles. Her smile, and the love I see in her eyes hits me, thumping me like a punch in the chest. It hurts, but it feels so fucking good.”

“I look in a right of property - on the right of individuals, to have and to own, for their own separate and selfish use and enjoyments, the produce of their own industry, with power freely to dispose of the whole of that in the manner most agreeable to themselves, as essential to the welfare and even to the continued existence of society.”

“I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.”

“I look in the jewelry box where Joanie found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock. “What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!” A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands noosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice. I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?”

“I look inside. There is a large roll, a miniature pie about four inches across with a golden crust that is sprinkled with large crystals of sugar, a stack of cookies, a square of what looks like bread pudding, and a small tub. "Okay, what am I looking at?" I say. "This is the rustic roll I was telling you about last week, the one based on the classic Poilâne bread." My favorite bread of all time, with its dark, almost burnt chewy crust and the tangy, fermented chestnut-colored crumb. "Yum, very excited about that." "Us too. I think we've finally nailed it. This is what we are thinking for pie service, all individual whole pies instead of slices. This one is classic apple." "Because you still can't stand it when the servers don't get the pie slices out of the pan perfectly." "True. The cookies are cornflake snickerdoodle, Black Forest, and ginger lemon cream." "Cornflake snickerdoodle?" "Sophie's thing. She wanted a cookie that tasted like the top of a good noodle kugel." "She's fucking brilliant, that woman." "I know, right? This is a piece of the palmier bread pudding, and that is the vanilla semolina pudding.”

“I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.”