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I Quotes

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All I Quotes

“I was this Swedish kid who came over here to study engineering, but I got into movies, and suddenly I'm in this 'Rocky' picture with Sylvester Stallone. And then the movie comes out, and it's a big hit, and I'm famous. Like, world famous. I wasn't thinking of ruling Hollywood; I was thinking of just trying to make it to the next day, trying to figure out what the hell happened.”

“I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.”

“I was three years old when Hosni Mubarak came into power. I've lived under Hosni Mubarak nearly all my entire life. Even before he stepped down, I knew this wasn't Hosni Mubarak's Egypt anymore, and regardless of what happened, it never would be again. A fear barrier had been broken. And once that barrier was broken, it would never be built again. People knew that they had this power, that they would not be pushed around again. There was just this fearlessness and determination.”

“I was thrilled when I heard that Pope Paul VI was going to be canonized; he has been a mentor and model to me for more than fifty years. This mentoring started-even though I wasn't aware of it-when I was just a teenager. I entered the congregation of the Daughters of Saint Paul on June 29, 1963, the same day that Pope Paul VI was crowned. The coronation ceremony was fascinating, but foreign to me. It was like opening a time capsule. Little did I know, I was witnessing the elaborate ceremony for the last time. The coronation was just one of the many trappings of aristocracy that would be removed, prompted by subsequent decisions of Pope Paul VI to simplify the papacy and render it more evangelical.”

“I was through arguing. My real concern was with Gavin. Lifting my eyes I considered his face—perfectly rounded cheeks, a confident chin, big brown eyes balanced evenly over a gently sloped nose, all framed by a mess of dark curls. My heart sank at his beauty. A boy like him would never have anything to do with a girl like me. 'Why are you here?' I asked. I knew my tone sounded dismal. It was impossible to disguise how I felt. 'Because I want to be,' he answered. 'You want to be here? Really?' 'Well, yes,' he said. His face screwed up, confused. His next words came across as defensive. 'I’m the keykeeper. I can go anywhere I wish to. You can’t stop me, Annabelle.' 'Stop you? I don’t want to stop you,' I said. 'I just thought that... I mean, I didn’t think that…' It was hard to voice my fear aloud.”

“I was thrown together with Florence, or 'Florawns' as she was called, a pert girl of nineteen who worked in our kitchen and was sent out to help me. First, I followed her to a butcher where fat sausages hung from the ceiling like aldermen's chains, and I could choose the best of plump ducks, sides of beef, and chops standing guard like sentries on parade. Once the deal was done Florence paid him, gave me a wink and cast a trickle of coins into her apron pocket. So it seemed that serving girls will pay themselves the whole world over. The size of the Paris market made Covent Garden look like a tinker's tray. And I never before saw such neatness; the cakes arranged in pinks and yellows and greens like an embroidery, and the cheeses even prettier, some as tiny as thimbles and others great solid cartwheels. As for the King Cakes the French made for Twelfth Night, the scents of almond and caramelled sugar were to me far sweeter than any perfumed waters.”

“I was tied down in that chair for 10 minutes and experienced what it was like to be completely powerless while someone else has complete dominance. It's sadistic, even though I find Richard to be a really lovely human being. That's what the whole film "Tickled" is about. It's not a film about tickling, but I think tickling offers a really good visual metaphor for the much bigger ideas that we were trying to get at about power and control - by people who have a lot of money - over people without money and who have no power in the relationship.”

“I was tipsy, yes, but also I was grace itself. There is, below the surface of every conversation in which intimacies are shared, an erotic current. Sometimes this current is so hot it all but boils and other times its barely lukewarm, hardly noticeable, but always the current is present, if only you plunge your hands just an inch or two farther down in the water. This is regardless of the gender of the people involved, of their sexual orientations. This is the natural outcome of disclosure, for to disclose is to reveal, to bring out into the open what was previously hidden. And that unwrapping, that denuding, is always, inevitably sensual. Nothing binds two people like sharing a secret.”

“I was tired in the evening yesterday. I felt drained by the last days outer conflicts. I felt separated from life. Suddenly I heard the wind blowing through the trees outside my open window, whispering a silent and playful invitation: "Do you want to play? Do you want to join the dance?" This playful invitation again joined my heart and being with the Existential dance. I was again in a silent prayer and oneness with life.”

“I was tired of an outlaw's life. I have been hunted for twenty-one years. I have literally lived in the saddle. I have never known a day of perfect peace. It was one long, anxious, inexorable, eternal vigil. When I slept it was literally in the midst of an arsenal. If I heard dogs bark more fiercely than usual, or the feet of horses in a greater volume of sound than usual, I stood to arms. Have you any idea of what a man must endure who leads such a life? No, you cannot. No one can unless he lives it for himself.”