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I Quotes

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All I Quotes

“In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.”

“In a way, a garden is the most useless of creations, the most slippery of creations: it is not like a painting or a piece of sculpture-it won't accrue value as time goes on. Time is its enemy' time passing is merely the countdown for the parting between garden and gardener.”

“In a way, America's the shadow of everything I do, everywhere I go, everything I carry, no matter if I travel to the ends of the earth. And I live frequently on the spine of the continent, near the Great Divide. Then there's the side of it being the real energy center for a truly post-postmodernist poetry mind, which is also archaic, because we can still be close to the land.”

“In a way, being a Mormon prepares you to deal with science fiction, because we live simultaneously in two very different cultures. The result is that we all know what it's like to be strangers in a strange land. It's not just a coincidence that there are so many effective Mormon science fiction writers. We don't regard being an alien as an alien experience. But it also means that we're not surprised when people don't understand what we're saying or what we think.”

“In a way, both the U.S. media and those wacky rioters in the Afghan-Pakistani hinterlands are very similar, two highly parochial and monumentally self-absorbed tribes living in isolation from the rest of the world and prone to fanatical irrational indestructible beliefs — not least the notion that you can flush a 950-page book down one of Al Gore's eco-crazed federally mandated low-flush toilets, a claim no editorial bigfoot thought to test for himself in Newsweek's executive washroom.”

“In a way, Che Guevara's fate was far worse than Simon Bolivar's. Guevara's collapse was complete: his intentions were forgotten, but his style was taken up by boutique owners (one of the fanciest clothes stores in London is called Che Guevara). There is no faster way of destroying a man or mocking his ideas than making him fashionable. That Che succeeded in influencing dress-designers was part of his tragedy.”

“In a way, forgiving is only for the brave. It is for those people who are willing to confront their pain, accept themselves as permanently changed, and make difficult choices. Forgivers are not content to be stuck in a quagmire. They reject the possibility that the rest of their lives will be determined by the unjust and injurious acts of another person.”

“In a way, going to Africa allowed me to see possibilities that sometimes seem impossible in certain conditions. It also allowed me to see opportunities for material strategies. I hate it when people think I went and got something [from Africa] and brought it here. It's more about how it affects the way in which I work and affects [my] creativity.”

“In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.”

“In a way, human beings have never been part of the natural order; we're not biological in the normal sense. Normal biological animals stop eating when they're not hungry and stop breeding when there is no sense in breeding. By contrast, human beings are what I think of as "biomythic" animals: we're controlled largely by the stories we tell. When we get the story wrong, we get out of harmony with the rest of the natural order. For a long time, our unnatural beahvior didn't threaten the natural world, but now it does.”

“In a way, I feel that we're always connected, maybe you and me, we've been connected - not only now, but before. That's why we've crossed paths. And this manifests beautifully for me in fables, old television, novels in Thailand, but now we try to ignore these themes and stories. That's why now when we make "ghost" films, they have a certain stock quality to their effects, a certain formula, and I miss how it used to be.”

“In a way, I see my fiction as having moved in that direction - and the characters as dealing simultaneously with their personal history and with the present in which they are trying to make their way. So that the books are simultaneously about public and interior events. And I am having a great time getting confused and crazed writing about them.”