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All I Quotes

“Indeed, even if you make God your goal, all the works you perform for his sake will be dead, and you will only spoil those works which are genuinely good. Not only will you spoil your good works, but you will also commit sins, for you will be behaving like a gardener who is supposed to plant a garden but who pulls out all the trees instead and then demands his wages. That is how you will spoil your good works. And so, if you wish to live and wish your works to live too, then you must be dead to all things and be reduced to nothing. It is a property of creatures to make one thing from another, but it is a property of God to make something from nothing. And so if God is to make something of you or in you, then you must first yourself become nothingness. Enter your own inner ground therefore and act from there, and all your works shall be living works. That is why ' the wise man' says that 'the just person lives in eternity' since it is because they are just that such a person acts, and all their works are living works.”

“Indeed, everyone is seemingly smiling and laughing, except for the large group of gypsy boys, and other followers of Tim's, whom have been sectioned off from the others. Knowing full well the risk of publicly supporting Timothy's ministry, they have nonetheless very bravely come to offer moral support, and to pay their last respects. My eyes fill with tears at their dedication and loyalty; as humble as they are, every one of them is grander than any earthly king to me...”

“Indeed, fascist regimes tried to redraw so radically the boundaries between private and public that the private sphere almost disappeared. Robert Ley, head of the Nazi Labor Office, said that in the Nazi state the only private individual was someone asleep. For some observers, this effort to have the public sphere swallow up the private sphere entirely is indeed the very essence of fascism. It is certainly a fundamental point on which fascist regimes differed most profoundly from authoritarian conservatism, and even more profoundly from classical liberalism. There was no room in this vision of obligatory national unity for either free-thinking persons or for independent, autonomous subcommunities. Churches, Freemasonry, class-based unions or syndicates, political parties— all were suspect as subtracting something from the national will.121 Here were grounds for infinite conflict with conservatives as well as the Left. In pursuit of their mission to unify the community within an all-consuming public sphere, fascist regimes dissolved unions and socialist parties. This radical amputation of what had been normal worker representation, encased as it was in a project of national fulfillment and managed economy, alienated public opinion less than pure military or police repression, as in traditional dictatorships. And indeed the fascists had some success in reconciling some workers to a world without unions or socialist parties, those for whom proletarian solidarity against capitalist bosses was willingly replaced by national identity against other peoples. Brooding about cultural degeneracy was so important a fascist issue that some authors have put it at the center. Every fascist regime sought to control the national culture from the top, to purify it of foreign influences, and make it help carry the message of national unity and revival. Decoding the cultural messages of fascist ceremonies, films, performances, and visual arts has today become the most active field of research on fascism. The “reading” of fascist stagecraft, however ingenious, should not mislead us into thinking that fascist regimes succeeded in establishing monolithic cultural homogeneity. Cultural life in fascist regimes remained a complex patchwork of official activities, spontaneous activities that the regimes tolerated, and even some illicit ones. Ninety percent of the films produced under the Nazi regime were light entertainment without overt propaganda content (not that it was innocent, of course). A few protected Jewish artists hung on remarkably late in Nazi Germany, and the openly homosexual actor and director Gustav Gründgens remained active to the end.”

“Indeed, for my own part, though I have been repeatedly told by persons for whom I have the greatest respect, that Miss Brown is an insignificant chit, and Mrs. White has nothing but her petit minois chiffonne, and Mrs. Black has not a word to say for herself; yet I know that I have had the most delightful conversations with Mrs. Black (of course, my dear Madam, they are inviolable): I see all the men in a cluster round Mrs. White's chair: all the young fellows battling to dance with Miss Brown; and so I am tempted to think that to be despised by her sex is a very great compliment to a woman.”

“Indeed, he could not be long in discovering that people beyond a suspicion of unbalance, or not obviously coveting the moment's arrest of attention gained them by their statements, never had experience with or knowledge of the restless dead. Slowly accepting this as evidence that no such things existed, Mr. Lecky found terrors deeper, and to him more plausible, to fill that unoccupied place - the simple sense of himself alone, and, not unassociated with it, the conception of a homicidal maniac quietly pursuing him. The first was exemplified by chance solitude in what he had considered deep woods. No part in it was played by natural dismay which he might have felt at finding himself lost, and none by any tangible suggestion of danger. Mr. Lecky could not even remember where or when it was. Long ago, under a seamless gray sky which would probably end with snow; in an autumnal silence free from birds, unmoved by the least breath of wind, he had come to be walking at random impulse. Leaves, yellow, tan, drifted deep and loose over the difficulties of an uneven hillside. His feet crashed and crackled in them. He was not going anywhere. He had nothing in mind. It might have been this receptive vacancy of thought which let him, little by little, grow aware of a menace. The unnatural light leaf-buried ground, the low dark sky, the solitary noise of his unskilled progress - none of them was good. He began to notice that though the fall of leaves left an apparent bright openness, in reality it merely pushed to a distance the point at which the woods became as impenetrable as a wall. He walked more and more slowly, listening, hearing nothing; looking, seeing nothing. Soon he stopped, for he was not going any farther. Standing in the deep leaves beneath trees bare and practically dead in the catalepsy of impending winter, he knew that he did not want to be here. A great evil - no more to be named than, met, to be escaped - waited fairly close. So he left. He got out of those woods onto an open road where he need not watch for anything he could not see.”

“Indeed if one had just seen him at the end of the evening with the dusk and the mist of the fenlands close behind him he might have believed that in the dusk and the mist was an army that followed this gay worn confident man. Had the army been there Niv was sane. Had the world accepted that an army was there, still he was sane. But the lonely fancy that had not fact to feed on, nor the fancy of any other for fellowship, was for its loneliness mad.”

“Indeed, if these final decades of the millennium have taught us anything, it must be that oral tradition never was the ‘other’ we accused it of being; it never was the primitive, preliminary technology of communication we thought it had to be. Rather, if the whole truth is told, oral tradition stands out as the single most dominant communicative technology of our species, as both a historical fact and, in many areas still, a contemporary reality. The miracle of the flat inscribable surface and Gutenberg’s genius aside, even the electronic revolution cannot challenge the long-term preeminence of the oral tradition. ("Introduction" by John Foley)”

“Indeed if they ever once saw the endless supply of eternal opportunities The Adversary offers them every temporal moment of day after day of their fuddled little lives, they would stagger at the sheer industry and prodigality of His efforts. Conversely, if they ever gained a glimpse of how their ordinary actions actually effect and shape things not only under time but without, the very vast weight of that would almost certainly end in their becoming humble.”

“Indeed, in the creation of the heavens and the earth, and the alternation of the night and the day, and the [great] ships which sail through the sea with that which benefits people, and what Allah has sent down from the heavens of rain, giving life thereby to the earth after its lifelessness and dispersing therein every [kind of] moving creature, and [His] directing of the winds and the clouds controlled between the heaven and earth are signs for a people who use reason.”

“Indeed is it not the case that in this matter of sanctification our tendency is always to start with ourselves, instead of starting with God? I have got this sin that is worrying me and always getting me down, this sin that defeats me, and my tendency is to say, 'What can be done about this sin, this problem of mine. How can I get rid of this thing? How can I get peace?' I start with myself and my problem, and as certainly as I do that when I am considering this doctrine of sanctification, I am sure, in some shape or form, to end by regarding God as merely an agency who is there to help me solve my problems. And this is a totally unscriptural approach to the almighty ever blessed God.”

“Indeed, it could occasionally seem that support for the armed struggle was more fervent in Boston or Chicago than it was in Belfast or Derry. The romantic idyll of a revolutionary movement is easier to sustain when there is no danger that one's own family members might get blown to pieces on a trip to the grocery store. Some people in Ireland looked askance at the "plastic Paddies" who urged bloody war in Ulster from the safe distance of America.”