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“Lynetta bared her wickedly sharp pointed canines and hissed. Her long black hair hung wildly to her hips, tangled and teased by the breeze. She was petite like me but as strong as a male body builder. Her grip on Dominic remained iron tight. Her soul-less black eyes, vacant and without a care, really ate away at my heart. I surveyed the yard for any kind of weapon I could use against the vampire. My heart surged when I spied a colorful whirligig attached to a wooden stake embedded in my mother's pampered pansy garden nearby. Without a second's hesitation, I dashed for it and yanked it out. Running at the vampire, I screamed at the top of my lungs, "Death to the blood sucky vampire!" which gave me some courage. It wasn't every day I had to beat one vampire off of another when they didn't even really exist!”

“Lynette "Nettie" Curry found her husband out by the barn, talking to his crows. The crows, a long line of them, teetered on the phone line, cawing down occasionally as if conversing. "Am I interrupting, Frank?" she asked.... The crows cawed down at her as if in greeting. Ask Frank and he'd report that's exactly what they were saying. He'd always been fascinated with the birds and clearly loved them. But even as skeptical as she'd been when she'd first moved in, Nettie now believed that they were equally as fond of him.”

“Lynn said, "The blue of the sky is one of the most special colors in the world, because the color is deep but see-through both at the same time. What did I just say?" "The sky is special." "The ocean is like that too, and people's eyes." She turned her head toward me and waited. I said, "The ocean and people's eyes are special too." That's how I learned about eyes, sky, and ocean: the three special, deep, colored, see-through things. I turned to Lynnie. Her eyes were deep and black, like mine.”

“Lynum had plenty of information to share. The FBI's files on Mario Savio, the brilliant philosophy student who was the spokesman for the Free Speech Movement, were especially detailed. Savio had a debilitating stutter when speaking to people in small groups, but when standing before a crowd and condemning his administration's latest injustice he spoke with divine fire. His words had inspired students to stage what was the largest campus protest in American history. Newspapers and magazines depicted him as the archetypal "angry young man," and it was true that he embodied a student movement fueled by anger at injustice, impatience for change, and a burning desire for personal freedom. Hoover ordered his agents to gather intelligence they could use to ruin his reputation or otherwise "neutralize" him, impatiently ordering them to expedite their efforts. Hoover's agents had also compiled a bulging dossier on the man Savio saw as his enemy: Clark Kerr. As campus dissent mounted, Hoover came to blame the university president more than anyone else for not putting an end to it. Kerr had led UC to new academic heights, and he had played a key role in establishing the system that guaranteed all Californians access to higher education, a model adopted nationally and internationally. But in Hoover's eyes, Kerr confused academic freedom with academic license, coddled Communist faculty members, and failed to crack down on "young punks" like Savio. Hoover directed his agents to undermine the esteemed educator in myriad ways. He wanted Kerr removed from his post as university president. As he bluntly put it in a memo to his top aides, Kerr was "no good." Reagan listened intently to Lynum's presentation, but he wanted more--much more. He asked for additional information on Kerr, for reports on liberal members of the Board of Regents who might oppose his policies, and for intelligence reports about any upcoming student protests. Just the week before, he had proposed charging tuition for the first time in the university's history, setting off a new wave of protests up and down the state. He told Lynum he feared subversives and liberals would attempt to misrepresent his efforts to establish fiscal responsibility, and that he hoped the FBI would share information about any upcoming demonstrations against him, whether on campus or at his press conferences. It was Reagan's fear, according to Lynum's subsequent report, "that some of his press conferences could be stacked with 'left wingers' who might make an attempt to embarrass him and the state government." Lynum said he understood his concerns, but following Hoover's instructions he made no promises. Then he and Harter wished the ailing governor a speedy recovery, departed the mansion, slipped into their dark four-door Ford, and drove back to the San Francisco field office, where Lynum sent an urgent report to the director. The bedside meeting was extraordinary, but so was the relationship between Reagan and Hoover. It had begun decades earlier, when the actor became an informer in the FBI's investigation of Hollywood Communists. When Reagan was elected president of the Screen Actors Guild, he secretly continued to help the FBI purge fellow actors from the union's rolls. Reagan's informing proved helpful to the House Un-American Activities Committee as well, since the bureau covertly passed along information that could help HUAC hold the hearings that wracked Hollywood and led to the blacklisting and ruin of many people in the film industry. Reagan took great satisfaction from his work with the FBI, which gave him a sense of security and mission during a period when his marriage to Jane Wyman was failing, his acting career faltering, and his faith in the Democratic Party of his father crumbling. In the following years, Reagan and FBI officials courted each other through a series of confidential contacts. (7-8)”

“Lyon knew she wasn't aware she was being watched, either. She wouldn't have eaten the leaf otherwise, or reached for another. “Sir, which one is Princess Christina?” Andrew asked Lyon, just as Rhone started in choking on his laughter. Rhone has obviously been watching Christina, too. “Sir?” “The blond-headed one,” Lyon muttered, shaking his head. He watched in growing disbelief as Christina daintily popped another leaf into her mouth. “Which blond-headed one?” Andrew persisted. “The one eating the shrubs.”

“Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.”

“Lyra”, she said, "how's Pan going to recognise your imagination, when he finds it?” “I don’t know. It’s a metaphor.” “Well I know that. But it worked, didn't it? I made you think, he was looking for something that had vanished. So you followed him.” “Because I thought he might have been right. Something was missing.” “What did you feel was missing?” “A … certainty about the world. A sort of sense that fundamentally was true and reliable and just there. A sense that we belonged there too. Belonged in the physical world. Whatever that sense was, I’d had it once, and I didn’t have it any more.” “Maybe imagination was the wrong word.” “No, it was exactly the right word. People think imagination is just making things up, they’re just wrong. Even angels are wrong. Imagination is seeing things properly, real things, seeing them fully in all their context with all their connections in place, all the things they mean around them… The secret commonwealth. p. 433”

“Lyric night of the lingering Indian Summer, Shadowy fields that are scentless but full of singing, Never a bird, but the passionless chant of insects, Ceaseless, insistent. The grasshopper's horn, and far-off, high in the maples, The wheel of a locust leisurely grinding the silence Under a moon waning and worn, broken, Tired with summer.”