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“Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.”

“Now are the days, of humblest prayer, When consciences to God lie bare, And mercy most delights to spare. Oh hearken when we cry. Now is the season, wisely long, Of sadder thought and graver song, When ailing souls grow well and strong. Oh hearken when we cry. The feast of penance! Oh so bright, With true conversion's heavenly light, Like sunrise after stormy night! Oh hearken when we cry. Oh happy time of blessed tears, Of surer hopes, of chast'ning fears, Undoing all our evil years. Oh hearken when we cry. Chastise us with Thy fear; Yet, Father! in the multitude Of Thy compassions, hear!”

“Now, are you ready to satisfy my hunger?" "I could ask you the same thing." She turned in the circle of his arms, and this time, she grabbed his ass and writhed her pelvis against him. "Just for the record? I want everything you dish up and more. I'm greedy that way." He growled and hoisted her over his shoulder, leaving her upside down and pummeling at his impressive ass with her fists. "Put me down, you crazy man." "Crazy for you," he said, lowering her gently when they reached the bed. "And I'm about to show you exactly how much.”

“Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.”

“Now Arthur, if humans could learn to gaze with their eyes or use their special sight, they would realize there is more to seeing than just what is in front of them!” Den the Wise Oak Tree, See the Little People…An Enchanting Adventure”

“Now as I stood on the roof of my house, taking in this unexpected view, it struck me how rather glorious it was that in two thousand years of human activity the only thing that had stirred the notice of the outside world even briefly was the finding of a Roman phallic pendant. The rest was just centuries of people quietly going about their daily business - eating, sleeping, having sex, endeavoring to be amused- and it occurred to me, with the forcefulness of a thought experienced in 360 degrees, that that's really what history mostly is: masses of people doing ordinary things. Even Einstein will have spent large parts of his life thinking about his holidays o new hammock or how dainty was the ankle on the young lady alighting from the tram across the street. These are the sort of things that fill our life and thoughts, and yet we treat them as incidental and hardly worthy of serious consideration. I don't know how many hours of my school years were spent considering the Missouri Compromise or the War of the Roses, but it was vastly more than I was ever encouraged or allowed to give to the history of eating. sleeping, having sex and endeavoring to be amused.”

“Now, as I understand it, the bards were feared. They were respected, but more than that they were feared. If you were just some magician, if you'd pissed off some witch, then what's she gonna do, she's gonna put a curse on you, and what's gonna happen? Your hens are gonna lay funny, your milk's gonna go sour, maybe one of your kids is gonna get a hare-lip or something like that — no big deal. You piss off a bard, and forget about putting a curse on you, he might put a satire on you. And if he was a skilful bard, he puts a satire on you, it destroys you in the eyes of your community, it shows you up as ridiculous, lame, pathetic, worthless, in the eyes of your community, in the eyes of your family, in the eyes of your children, in the eyes of yourself, and if it's a particularly good bard, and he's written a particularly good satire, then three hundred years after you're dead, people are still gonna be laughing, at what a twat you were.”

“Now as the train moved towards Calcutta, Malay felt as if his life was coming full circle. It had been a strange decision to visit the city at a time when post-Partition vomit and excreta was splattered on Calcutta streets. Marked by communal violence, anger and unemployment, the streets smelled of hunger and disillusionment. Riots were still going on. The wound of a land divided lingered, refugees from East Pakistan (now Bangladesh) continued to arrive in droves. And since they did not know where to go, they occupied the pavements, laced the streets with their questions, frustrations and a deep need to be recognised as more than an inconvenient presence on tree-lined avenues. The feeling of being uprooted was everywhere. Political leaders decided that the second phase of the five-year planning needed to see the growth of heavy industries. The land required for such industries necessitated the evacuation of farmers. Devoid of their ancestral land and in the absence of a proper rehabilitation plan, those evicted wandered aimlessly around the cities—refugees by another name. Calcutta had assumed different dimensions in Malay’s mind. The smell of the Hooghly wafted across Victoria Memorial and settled like an unwanted cow on its lawns. Unsung symphonies spilled out of St Paul’s Cathedral on lonely nights; white gulls swooped in on grey afternoons and looked startling against the backdrop of the rain-swept edifice. In a few years, Naxalbari would become a reality, but not yet. Like an infant Kali with bohemian fantasies, Calcutta and its literature sprouted a new tongue – that of the Hungry Generation. Malay, like Samir and many others, found himself at the helm of this madness, and poetry seemed to lick his body and soul in strange colours. As a reassurance of such a huge leap of faith, Shakti had written to Samir: Bondhu Samir, We had begun by speaking of an undying love for literature, when we suddenly found ourselves in a dream. A dream that is bigger than us, and one that will exist in its capacity of right and wrong and beyond that of our small worlds. Bhalobasha juriye Shakti”

“Now as they made their way through the exuberantly crowded village, Daisy understood what Westcliff had meant. It was still early evening, and already it appeared that copiously flowing wine had loosened inhibitions. People were embracing, arguing, laughing and playing. Some were laying floral wreaths at the base of the oldest oak trees, or pouring wine at the roots, or… “Good Lord,” Daisy said, her attention caught by a perplexing sight in the distance, “what are they doing to that poor tree?” Matthew’s hands clasped her head and firmly aimed her face in another direction. “Don’t look.” “Was it some form of tree-worship or—” “Let’s go watch the rope-dancers,” he said with sudden enthusiasm, guiding her to the other side of the green.”

“Now, as they pressured perfect footprints into the snow that had been accumulating all day, his father took Harry's hand. "Heshele, how are you?" "OK, I guess." "Are you very sad?" "I don't know. I know I should be. But what does it mean to be sad?" His father stopped. He cupped his free hand to let the snow gather. It quickly turned from an inviting white coating to black-specked gray water. "Sadness is in my hand. In a second, a thing of beauty becomes dirty water; innocence leaves a child's eyes; he who strived for immortality lies forgotten under weeds. Sad is missing the love that death has sealed in the ground or that life has denied life to." "Then I'm sad. When you took my hand, I remembered how he took my hand when we went to the pier to fish. And I thought: That will never happen again. And then I thought: Up until now I never understood the word never, and there was a lump in my throat.”

“Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.”

“Now, as you well know, it is not seldom the case in this conventional world of ours - watery or otherwise; that when a person placed in command over his fellow-men finds one of them to be very significantly his superior in general pride of manhood, straightway against that man he conceives an unconquerable dislike and bitterness; and if he have a chance he will pull down and pulverize that subaltern's tower, and make a little heap of dust of it.”