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All O Quotes

“Of course, minute as its impact may be in our physical universe, the fact of quantum entanglement is this: If one logically inexplicable thing is known to exist, then this permits the existence of all logically inexplicable things. A thing may be of deeper impossibility than another, in the sense that you can be more deeply underwater--but whether you are five feet or five fathoms from the surface you are still all wet.”

“Of course, mistakes and mess-ups are inevitable. Humans are imperfect, especially in middle school. Go easy on yourself and others. And when all else fails, connect with people and activities that make you smile.”

“Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.”

“Of course my moods change, but the average is serenity. I have a firm faith in art, a firm confidence in its being a powerful stream which carries a man to a harbor, though he himself must do his bit too; at all events, I think it such a great blessing when a man has found his work that I cannot count myself among the unfortunate. I mean, I may be in certain relatively great difficulties, and there may be gloomy days in my life, but I shouldn't like to be counted among the unfortunate, nor would it be correct if I were.”

“Of course, my mother is her own person. Of course, she contains multitudes. She reacts in ways that surprise me, in part, simply because she isn't me. I forget this and relearn it anew because it's a lesson that doesn't, that can't stick. I knew her only as she is defined against me, in her role as my mother, so when I see her as herself, like when she gets catcalled on the street, there's dissonance. When she wants for me things that I don't want for myself--Christ, marriage, children--I am angry that she doesn't understand me, doesn't see me as my own, separate person, but that anger stems from the fact that I don't see her that way either. I want her to know what I want the same way I know it, intimately, immediately, I want her to get well because I want her to get well, and isn't that enough? My first thought, the year my brother died and my mother took to bed, was that I needed her to be mine again, a mother as I understood it. And when she didn't get up, when she lay there day in and day out, wasting away, I was reminded that I didn't know her, not wholly and completely. I would never know her.”

“Of course, my mother is her own person. Of course, she contains multitudes. She reacts in ways that surprise me, in part, simply because she isn't me. I forget this and relearn it anew because it's a lesson that doesn't, that can't, stick. I know her only as she is defined against me, so when I see her as herself, like when she gets catcalled on the street, there's dissonance…”

“Of course no one accused the old woman of being a witch. But she was foreign. Her words percolated up the tunnel of her throat , espresso-thick and strong. Bad weather had eroded her face. Some believed that the sun had crisped her skin into coriaceous pleats. Others blamed the chaw of a wintry climate. No one knew where she came from, though lots of people privately thought that perhaps she ought to go back.”

“Of course not! I'm stressed because the popcorn machine just lost it, and I didn't know how to fix it! And I should know how to fix it.’ I step back, surprised. I don't think I've ever heard Amira yell before. Sure, we've argued and had our spats over the years, but she's never really had an outburst like this. At least, not in front of me. ‘Sorry.’ Amira's voice is low. She hangs her head, and I know she's feeling embarrassed. ‘That was a lot.’ I shrug. ‘I've had my fair share of meltdowns before. It's nothing I can't handle.’ Amira snorts at that. ‘Oh, I know about your meltdowns. Remember when you got a ninety-nine on that art project, and Ms. Bloom said it was because there was 'no such thing as perfection' when it came to art.’ ‘Which was ridiculous,’ I say. ‘I stayed up for hours working on that stupid papier-mâché mask, and Taylor painted it for me, so I know it was, in fact, perfection.’ ‘Wow, I can't believe you confessed to cheating.’ Amira clutches a hand to her chest dramatically, and I roll my eyes. ‘I did not cheat; I outsourced the final step of my project to someone who actually has skills. And I helped her with the English essay that week. It was an even exchange.’ ‘Sure, sure, whatever you say, cheater.”

“Of course not. No one is chosen. Not ever. Not in the real world. You chose to climb out of your window and ride on a leopard. You chose to get a witch’s Spoon back, and to make friends with a wyvern. You chose to trade your shadow for a child’s life. You chose not to let the Marquess hurt your friend--you chose to smash her cages! You chose to face your own Death, not to balk at a great sea to cross and no ship to cross it in. And twice now you have chosen not to go home when you might have, if only you abandoned your friends. You are not the chosen one, September. Fairyland did not choose you--you chose yourself. You could have had a lovely holiday in Fairyland and never met the Marquess, never worried yourself with local politics, had a romp with a few brownies and gone home with enough memories for a lifetime’s worth of novels. But you didn’t. You chose. You chose it all. Just like you chose your path on the beach: to lose your heart is not a path for the faint and fainting.”

“Of course, now I had the problem of communicating what I needed. Marlen was still beating on the door, and Dimitri would be up in a couple of minutes. I glared at the human, hoping I looked terrifying. From his expression, I did. I attempted the caveman talk I had with Inna...only this time the message was a little harder. "Stick," I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. "Stick. Where?" He stared at me in utter confusion and then asked, in perfect English, "Why are you talking like that?" "Oh for God's sake," I exclaimed. "Where is the vault?" "Vault?" "A place they keep weapons?" He continued staring. "Oh," he said. "That." Uneasily, he cast his eyes in the direction of the pounding.”