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T Quotes

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All T Quotes

“The funny thing is that Sydney, who worked on the first film [Tron], developed a bike that had an exposed rider, but they couldn't do it because the computers weren't fast enough, so they gave it a roof, which became the iconic one. Ironically what we do now is basically what they envisioned in the first one but couldn't do technically. I mean this a full on homage in every aspect.”

“The funny thing is that the process of coming up with an idea for a column or a 'Candid Camera' sequence is essentially the same thing. I just live my life with eyes and ears perhaps a little bit wider open than some people. Whatever bothers me or seems off kilter or in need of parody-or on a serious subject, in need of examination-in the past I had done a sequence about it. Now I write a column about it.”

“The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible.”

“The funny thing is, last summer we were golfing together, me, him and Alonzo Mourning. I don't know how to golf, but it's an unbelievable opportunity to go out and golf with one of the greats. And he's out there making fun of my swing - I can't hit the ball - and I'm getting frustrated because I'm a competitor. So Alonzo pulled me aside and said, 'Man, you're getting the chance to golf with Bill Russell. How many people can say they've done that?' And I looked at him and said, 'You know what? You're right.'”

“The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.”

“The funny thing is, this is what everyone assumes, that anybody who talks has an axe to grind. I've been around a long time, and yes, there obviously are people who disagree with policy who talk to me, but it's less axes to grind than people who are really motivated. One of the terrible things about this Administration is that nobody wants to hear bad news.”

“The funny thing is, when a Harley-Davidson guy full of tattoos comes out with a Maltese, they're trying to soften themselves out. When a very soft, single lady with a tailored look comes out with a Rottweiler, she’s looking for protection, for strength. Society automatically views the guy as too strong so he brings a Maltese. It's just a natural way to balance your situation. It really depends.”

“The furies are at home in the mirror; it is their address. Even the clearest water, if deep enough can drown. Never think to surprise them. Your face approaching ever so friendly is the white flag they ignore. There is no truce with the furies. A mirror’s temperature is always at zero. It is ice in the veins. Its camera is an X—ray. It is a chalice held out to you in silent communion, where gaspingly you partake of a shifting identity never your own.”

“The furies are at home in the mirror; it is their address. Even the clearest water, if deep enough can drown. Never think to surprise them. Your face approaching ever so friendly is the white flag they ignore. There is no truce with the furies. A mirror's temperature is always zero. It is ice in the veins. It's camera is an x-ray. It is a chalice held out to you in silent communion, where gaspingly you partake of a shifting identity never your own.”

“The furious energy with which Benjamin cast about for publishing venues was underlain by an equally ambitious reading program. Several books had a profound effect on him, and some were surprises - foremost among them Thomas Mann's 1924 epic, The Magic Mountain. [...] It was not only the sweeping and intimate portrayal of the key intellectual currents of the early twentieth century that Benjamin found compelling; it was also, his letter suggests, the perception that Thomas Mann had moved beyond the Nietzschean conservatism of his early years toward a new and more dialectical, if still pessimistic and mythically charged, Dionysian humanism (something epitomized in the protagonist's divagations in the chapter 'Snow').”

“The furnace of affliction produces refinement in states as well as individuals. And the new Governments we are assuming in every part will require a purification from our vices, and an augmentation of our virtues, or there will be no blessings.”