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T Quotes

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All T Quotes

“The modalities of awakened doing are acceptance, enjoyment, and enthusiasm. Each one represents a certain vibrational frequency of consciousness. You need to be vigilant to make sure that one of them operates whenever you are in engaged in doing anything at all—from the most simple task to the most complex. If you are not in the state of either acceptance, enjoyment, or enthusiasm, look closely and you will find that you are creating suffering for yourself and others.”

“The modalities of awakened doing are acceptance, enjoyment, and enthusiasm. Each one represents a certain vibrational frequency of consciousness. You need to be vigilant to make sure that one of them operates whenever you are engaged in doing anything at all – from the most simple task to the most complex.”

“The model for an NHL without fighting is right there in front of us. The [playoffs are] the time of year that fans love best; when the best hockey is played... [The] enforcers don't play. Even mini-enforcers... remain on the bench. Teams and coaches can't afford anything stupid and unpredictable... With no one to fight back for them, players go harder into the corners, more determinedly to the front of the net. If they want to fire up the crowd and their teammates, they have to do it themselves. And in the playoffs, they do.”

“The model for our early bankruptcy laws was Deuteronomy, the idea that, under certain circumstances - in Deuteronomy, it is simply the passage of seven years' time - people are released from debt, simply because they are released from debt. No more debt. You start over again. This has been a very powerful model in this country. It's being destroyed now. People talk about how much new employment, new wealth, and so on are continuously generated in this country.”

“The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.”

“The "model minority" myth is a dangerous drug manufactured and promoted by the Whiteness. It ignores all of our diverse experiences and narratives, eliminates all nuances, and lumps us with a convenient stereotype that always renders us as foreigners. It overlooks the discrimination, bias, and hate experienced by our communities and, perhaps worst of all, uses us, Asian and South Asian immigrants in particular, to launder systemic racism and discrimination against poor Black and Latino communities. Why can't they be "models" like us? Because they are lazy freeloaders who don't take personal responsibility, whine about racism, and refuse to pull themselves up by their bootstraps! The system turns us into enforcers and defenders of Whiteness, promising success and safety in exchange for loyalty and obedience. But it's an abusive, toxic relationship, in which the system has always betrayed us on a whim, without remorse or hesitation. Being a "model minority" doesn't live up to the hype.”

“The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.”

“The modelling was fun but I don't see it the same as music, because with modelling, I was just kind of lucky, I just fell into it. I got discovered at a train station when I'd just turned 15, I was working full-time by 16, moved overseas and then just kept at it and made it a life. Whereas with my music, I've really struggled through and worked hard, learnt how to write and I've kept developing that.”

“The models that have been constructed agree that when, as has been predicted, the level of carbon dioxide or its equivalent in other greenhouse gases doubles from pre-Industrial Revolution concentrations, the global average temperature will increase, and that the increase will be 1.5 to 4.5 degrees Celsius or 3 to 8 degrees Fahrenheit... In Dallas, for instance, a doubled level of carbon dioxide and other gases like methane, would increase the number of days a year with temperatures above 100 degrees from 19 to 78 each year.”

“The moderately encouraging news is that conscious participation in reality is infinitely more fun than unconscious participation, even when it's more complicated. It's like the difference between being a passenger on a train and actually driving, except the train is reality and you just discovered it doesn't actually have rails.”

“The modern abridgments and retellings of Pinocchio, of which Disney’s only the most well known, soften the violence of death in Collodi’s original tale and as a result sweeten and sentimentalize the love that grows within Pinocchio. Thus they also fail to capture the gritty nature of the puppet’s courage and endurance. Pinocchio’s close calls with death, whether when dangling over the showman’s fire, hanging from a tree, or being plunged into the dark depths of the sea, are also the hard lessons he learns about the true value of life, the reality of reciprocal love, and the necessity of self-expending love in the face of evil and danger.”

“The modern adolescent finds himself in a world that has been set in motion; he is beset by noise, by external pressures, and by forces that he cannot control. The pop star is displayed in the same condition, high up on electric wires, the currents of modern life zinging through him, but miraculously unharmed. He is the guarantee of safety, the living symbol that you can live like this forever. His death or decay are simply inconceivable, like the death of Elvis, or, if conceivable, understood as a sacrificial offering, a prelude to resurrection, like the death of Kurt Cobain.”

“The modern age has been characterized by a Promethean spirit, a restless energy that preys on speed records and shortcuts, unmindful of the past, uncaring of the future, existing only for the moment and the quick fix. The earthly rhythms that characterize a more pastoral way of life have been shunted aside to make room for the fast track of an urbanized existence. Lost in a sea of perpetual technological transition, modern man and woman find themselves increasingly alienated from the ecological choreography of the planet.”

“The modern age, with its growing world-alienation, has led to a situation where man, wherever he goes, encounters only himself. All the processes of the earth and the universe have revealed themselves either as man-made or as potentially man-made. These processes, after having devoured, as it were, the solid objectivity of the given, ended by rendering meaningless the one over-all process which originally was conceived in order to give meaning to them, and to act, so to speak, as the eternal time-space into which they could all flow and thus be rid of their mutual conflicts and exclusiveness. This is what happened to our concept of history, as it happened to our concept of nature. In the situation of the radical world-alienation, neither history nor nature is at all conceivable. This twofold loss of the world— the loss of nature and the loss of human artifice in the widest sense, which would include all history, has left behind it a society of men who, without a common world which would at once relate and separate them, either live in desperate lonely separation or are pressed together into a mass. For a mass-society is nothing more than that kind of organized living which automatically establishes itself among human beings who are still related to one another but have lost the world once common to all of them.”

“The modern American tourist now fills his experience with pseudo-events. He has come to expect both more strangeness and more familiarity than the world naturally offers. He has come to believe that he can have a lifetime of adventure in two weeks and all the thrills of risking his life without any real risk at all.”