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“Theistic absolutism and realism are the basic ontological principles of Kashmir Shaivism. In this philosophy everything that exists is real, and yet is spiritual as well, because everything is the manifestation of an absolute reality, described as pure, eternal, and infinite Consciousness. According to the ancient authors of this philosophy, the essential features of Consciousness are Its infinite, divine, and joyful vitality, and the inclination to manifest Its powers of creation, preservation, dissolution, obscuration, and revelation. The vibrant, creative quality is the divine essence of God. Consciousness is also described as luminous. It illuminates Itself and is always aware of Itself and everything within It. The ancient masters refer in various ways to this One creative force out of which everything emerges. It is known most commonly as the Ultimate, Absolute Reality, Consciousness, Paramasiva, and God. Yet, according to Kashmir Shaivism, Paramasiva cannot be fully described or clearly thought over because, being infinite in nature, He cannot be confined to any thinking or speaking ability. No words can fully describe Him, no mind can correctly think about Him, and no understanding can perfectly understand Him. This is His absoluteness, and Kashmir Shaivism considers this absoluteness to be one of His key attributes. Because the Absolute cannot be fathomed with the intellect or through ordinary logical reasoning and philosophical speculation, the ancient masters relied on revelation (darsana) in deep yogic states to arrive at their understanding and truths of Reality. Working from the foundation of absolute non-dualism, they discovered Paramasiva within their own consciousness; looking within they found the Whole. They were able to transcend the ordinary limited vision of the individual self, and to discover the universal Self. Since this Self of each individual is claimed to be none other than the Absolute, and because God and the Self are understood as one, this philosophy is truly theistic. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 15–16.”

“Theistic claims that supernatural agency exists in the universe derive from ancient traditions of belief. The word 'atheist' is a theist's term for a person who does not share such beliefs. Theists think that atheists have a belief or set of beliefs, just as theists do but in the opposite sense, about theism-related questions. This is a mistake; atheists certainly have beliefs about many things, but they are not 'theistic-subject-matter-related beliefs' in any but a single negative sense. For atheism is the absence of 'theistic-subject-matter-related belief. Although it is true that 'absence of belief in supernatural agency' is functionally equivalent to 'belief in the absence of supernatural agency', theists concentrate on the latter formulation in order to make atheism a positive as opposed to privative thesis with regard to theistic-subject-matter-related matters. This is what makes theists think they are in a kind of belief football match, with opposing sets of beliefs vying for our allegiance. What is happening is that the theists are rushing about the park kicking the ball, but the atheists are not playing. They are not even on the field; they are in the stands, arguing that this particular game should not be taking place at all.”

“Theistic forces, be they Islamic, Jewish, Catholic, Protestant, or Mormon, teach that there is an absolute right and wrong. Theistic forces have an ethic that reveres the righteous judgments of a loving God and obeys civil and divine law voluntarily. The theistic mind-set instills a conscience to do what is right and obey laws that might be otherwise unenforceable. With such a commitment, you obey a red stop light, even if no other traffic is in sight. As a God-fearing person, you know that even if the police didn’t catch you if you were to steal, murder, or commit adultery, these acts are wrong, and God will ultimately hold you accountable. You know, just as your ancestors knew, that the consequences for not playing by the rules are not only temporal, but also eternal. These theistic forces were part of the shaping of America. From the Book of Mormon, we have learned that this is a “land of promise, . . . choice above all other lands, which the Lord God had preserved for a righteous people.”

“Theists like myself have invoked the Big Bang and the anthropic principle as evidence for God for decades and over those years the observational evidence has increased, not decreased. Scientific evidence that supports the hypothesis of a creator God is more abundant than ever and, I confidently predict, that as we learn more about the origin of the universe this trend will continue.”

“Thelma Cazalet MP, unlike most of the other British 'honoured guests' attending [the 1938 Reichsparteitag], was strongly anti-Nazi and had accepted Ribbentrop's invitation only because she thought it important 'to be aware of what was going on.' As she entered the dining room of the Grand Hotel on the first night, she immediately caught sight of Unity Mitford seated at the long 'British' table with her parents Lord and Lady Redesdale. 'Unity is alarmingly pretty,' she wrote in her diary, 'but I have never seen anyone so pretty with absolutely no charm in her face and a rather stupid expression.”

“Them: Angel, It was never about you. It was always about them. Their fears, their insecurities, Doubts and misdeeds, Their desire to be right Their lack of feeling to move toward some light. So don't pound your heart any further. Don't wrestle with the past. It was never about you.”

“Thematically, we're both [with Kristin Hannah ] interested in women's experiences and women's stories, and until now, you've mostly dealt with how it feels to be a wife/mother/sister/name your poison in today's world. But this story [The Nightingale ] is told from the perspective of two sisters during the German occupation of France in WWII.”

“Theme It's a sunny weekday in early May and after a ham sandwich and a cold bottle of beer on the brick terrace, I am consumed by the wish to add something to one of the ancient themes– youth dancing with his eyes closed, for example, in the shadows of corruption and death, or the rise and fall of illustrious men strapped to the turning wheel of mischance and disaster. There is a slight breeze, just enough to bend the yellow tulips on their stems, but that hardly helps me echo the longing for immortality despite the roaring juggernaut of time, or the painful motif of Nature's cyclial return versus man's blind rush to the grave. I could loosen my shirt and lie down in the soft grass, sweet now after its first cutting, but that would not produce a record of the pursuit of the moth of eternal beauty or the despondency that attends the eventual dribble of the once gurgling fountain of creativity. So, as far as great topics go, that seems to leave only the fall from exuberant maturity into sudden, headlong decline– a subject that fills me with silence and leaves me with no choice but to spend the rest of the day sniffing the jasmine vine and surrendering to the ivory goverance of the piano by picking out with my index finger the melody notes of "Easy to Love," a song in which Cole Porter expresses, with put-on nonchalance, the hopelessness of a love brimming with desire and a hunger for affection, but met only and always with frosty disregard.”

“Themes of descent often turn on the struggle between the titanic and the demonic within the same person or group. In Moby Dick, Ahab’s quest for the whale may be mad and “monomaniacal,” as it is frequently called, or even evil so far as he sacrifices his crew and ship to it, but evil or revenge are not the point of the quest. The whale itself may be only a “dumb brute,” as the mate says, and even if it were malignantly determined to kill Ahab, such an attitude, in a whale hunted to the death, would certainly be understandable if it were there. What obsesses Ahab is in a dimension of reality much further down than any whale, in an amoral and alienating world that nothing normal in the human psyche can directly confront. The professed quest is to kill Moby Dick, but as the portents of disaster pile up it becomes clear that a will to identify with (not adjust to) what Conrad calls the destructive element is what is really driving Ahab. Ahab has, Melville says, become a “Prometheus” with a vulture feeding on him. The axis image appears in the maelstrom or descending spiral (“vortex”) of the last few pages, and perhaps in a remark by one of Ahab’s crew: “The skewer seems loosening out of the middle of the world.” But the descent is not purely demonic, or simply destructive: like other creative descents, it is partly a quest for wisdom, however fatal the attaining of such wisdom may be. A relation reminiscent of Lear and the fool develops at the end between Ahab and the little black cabin boy Pip, who has been left so long to swim in the sea that he has gone insane. Of him it is said that he has been “carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro . . . and the miser-merman, Wisdom, revealed his hoarded heaps.” Moby Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the “king over all the children of pride” (41:34), of whom Satan himself is merely an instrument. What this power looks like depends on how it is approached. Approached by Conrad’s Kurtz through his Antichrist psychosis, it is an unimaginable horror: but it may also be a source of energy that man can put to his own use. There are naturally considerable risks in trying to do so: risks that Rimbaud spoke of in his celebrated lettre du voyant as a “dérèglement de tous les sens.” The phrase indicates the close connection between the titanic and the demonic that Verlaine expressed in his phrase poète maudit, the attitude of poets who feel, like Ahab, that the right worship of the powers they invoke is defiance.”

“Then - as he was talking - a set of tail-lights going past lit up McMurphy's face, and the windshield reflected an expression that was allowed only because he figured it'd be too dark for anybody in the car to see, dreadfully tired and strained and frantic, like there wasn't enough time left for something he had to do.”

“Then 1 Peter 3:1-6 is to wives who are married to husbands who are disobedient. Don’t resort to verbally instructing your husband which becomes a form of harassments to the husband. Then he blows up. Wives aren’t their husband’s Holy Spirit. Live out Christ in front of him. You will react to unjust suffering as Christ, who had no sin in His life, did in 1 Peter 2:22,23. Your soul must be anchored in Christ. Treat your spouse as you would love another believer even if they are not a believer. This is what brings out Christlikeness in you. Cultivate a tender, compassion for him. Don’t allow him to drag you into despair. Pray for him instead. Be humble in all interactions with him. Don’t return evil for evil but even find ways to praise him. The world thinks this is foolishness and only fools do this. This is what Scripture tells us to do when we are undergoing unjust suffering. Serve Gods purpose that you may inherit a blessing. This is your mission field for the sake of Christ and for the sake of righteousness (1 Peter 3:9).”