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“Then, as she whirled around, she bumped into Tate, who had stood, and they froze, staring into each other’s eyes. They stopped laughing. He took her shoulders, hesitated an instant, then kissed her lips, as the leaves rained and danced around them as silently as snow. She knew nothing about kissing and held her head and lips stiff. They broke away and looked at each other, wondering where that had come from and what to do next. He lifted a leaf gently from her hair and dropped it to the ground. Her heart beat wildly. Of all the ragged loves she’d known from wayward family, none had felt like this. “Am I your girlfriend now?” she asked. He smiled. “Do you want to be?” “Yes.” “You might be too young,” he said. “But I know feathers. I bet the other girls don’t know feathers.” “All right, then.” And he kissed her again. This time she tilted her head to the side and her lips softened. And for the first time in her life, her heart was full.”

“Then at a certain moment they lose heart, and the storm that was outside comes inside -- the storm is within them too. Anguish, death no longer simply circle round, they come inside. And then they turn to Christ and do what we very often do with God: we look at God in time of stress and tragedy, and we are indignant that He is so peaceful. The story in the Gospel underlines it by saying that Christ was sleeping with His head on a pillow- the final insult. They are dying and He is comfortable. This is exactly what we feel about God so often. How dare He be blissful, how dare He be so comfortable when I am in trouble? And the disciples do exactly what we do so very often. Instead of coming to God and saying 'You are peace, you are the Lord, say a word and my servant will be healed, say a word and things will come right', they shake Him out of His sleep and say 'Don't you care that we are perishing?' In other words, 'If you can do nothing, at least don't sleep. If you can do nothing better, then at least die in anguish with us.' Christ reacts, He gets up and says 'Men of little faith!' and brushing them aside, He turns towards the storm and, projecting His inner stillness, His harmony and peace on the storm He says 'Be still, be quiet' and everything is quiet again.”

“Then, at last, Madeleine’s luck turned. She came across Montmartre. With its windmills, its clear air and the old-fashioned, village feel of its higgledy-piggledy houses perched on a slope, few places recalled the Limousin countryside so vividly as Montmartre. It was up to 129 metres above sea level at the highest point. Why, with its narrow, winding streets and alleys, and its cottages clinging to the hillside, a person could have believed themselves in Le Mas Barbu. The bustling Rue Lepic and the Place des Abbesses readily called to mind Bessines’ town square on a busy market day. And all around, steep, grassy banks rose up protectively, hillside homes bloomed with flowers, old men installed in wrought iron chairs sat outside doorways and set the world to rights, children played in the street and women chatted and gossiped as they made their way to fill baskets with provisions. At last, Madeleine had found somewhere familiar, reassuring, comforting. Montmartre felt like home.”

“Then at once they reached and hovered upon the imminent verge of sleep - but an intruder came, now, that would not "down". It was conscience. They began to feel a vague fear that they had been doing wrong to run away; and next they thought of the stolen meat, and then the real torture came [...] So they inwardly resolved that so long as they remained in the business, their piracies should not again be sullied with the crime of stealing. Then conscience granted a truce, and these curiously inconsistent pirates fell peacefully to sleep.”

“Then Bacchus and Silenus and the Maenads began a dance, far wilder than the dance of the trees; not merely a dance of fun and beauty (though it was that too) but a magic dance of plenty, and where their hands touched, and where their feet fell, the feast came into existence- sides of roasted meat that filled the grove with delicious smells, and wheaten cakes and oaten cakes, honey and many-colored sugars and cream as thick as porridge and as smooth as still water, peaches, nectarines, pomegranates, pears, grapes, straw-berries, raspberries- pyramids and cataracts of fruit. Then, in great wooden cups and bowls and mazers, wreathed with ivy, came the wines; dark, thick ones like syrups of mulberry juice, and clear red ones like red jellies liquefied, and yellow wines and green wines and yellow-green and greenish-yellow. But for the tree people different fare was provided. When Lucy saw Clodsley Shovel and his moles scuffling up the turf in various places (when Bacchus had pointed out to them) and realized that the trees were going to eat earth it gave her rather a shudder. But when she saw the earths that were actually brought to them she felt quite different. They began with a rich brown loam that looked almost exactly like chocolate; so like chocolate, in fact, that Edmund tried a piece of it, but he did not find it all nice. When the rich loam had taken the edge off their hunger, the trees turned to an earth of the kind you see in Somerset, which is almost pink. They said it was lighter and sweeter. At the cheese stage they had a chalky soil, and then went on to delicate confections of the finest gravels powdered with choice silver sand. They drank very little wine, and it made the Hollies very talkative: for the most part they quenched their thirst with deep draughts of mingled dew and rain, flavored with forest flowers and the airy taste of the thinnest clouds.”

“Then, back in our room, I turn on the television for a moment. There, children. The children are thin, exhausted, without the strength to wave away the flies walking about on their faces. Vera says to me: "Aren't there any old people dying in that country as well?" No, no, what was so interesting about that famine, what made it unique among the millions of famines that have occurred on this earth, was that it cut down only children. We never saw an adult suffering on the screen, even though we watched the news every day, precisely to confirm that unprecedented fact.”

“Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.”

“Then, between two sheets of paper, they discovered a third, left there by accident. Clearly written at the top were the words, 'Copy and circulate'. It was the front page of Résistance, mercifully unfinished. Ordered to explain it, I admitted with a suitable degree of reluctance that it was a copy of a tract exhorting the French people to hoard all their nickel coins. I said I had abandoned the project as I was such a bad typist, but that I had made five copies that I had left on seats in the Métro. All in all, it was a plausible story that would only cost me two or three months in prison. I chuckled inwardly as I thought about the Résistance file, with its four hundred names and addresses, lying quietly hidden — together with copies of all the tracts we had published since September 1940 — under the stair carpet between floors. After asking my permission with great ceremony, my gentleman visitors used my telephone to report back to their chief on the success of their mission. Then they hung up, and invited me to leave with them. It was at this point that I remembered the Roosevelt speech that Léo had given me two days before, which was still in my handbag! I asked permission to go to the toilet, which they granted, though not without first snatching my bag from me and ordering me not to shut the door.”

“Then Beverley Brook stepped onto the footplate and pointed a shotgun straight at the Queen’s head – I recognised the Purdey from my trunk. It was nice to see it getting an airing. Beverley herself was wearing an oversized leather jerkin and jeans. Her dreads had been tied into a plait down her back and a pair of antique leather and brass goggles were pushed up onto her brow. ‘Put your hands on your head,’ she said, ‘and step away from the boyfriend.’ The Queen hissed and gripped the rope harder.”

“Then Bohr retorted, so sharp and too true, "Albert, please stop telling God what to do!” The quantum world, while seeming askew, Unravels her mysteries for the curious few. As Humpty crashed, the words rang along, A haunting echo, a harrowing song. Deep In the quiet, that followed the throng, Whispered the words, “Einstein was wrong.”

“Then Brian came along. Oh Georgia, I fell for his warm eyes and soft smile that very first year he rented the cottage. It wasn't the same as I'd felt for Edward. That had been a once in a lifetime kind of love. But it was steady, warm, and as gentle as the spring thaw. . .It is love that brought you here. I've never seen another love like Scarlett and Jameson's. It was one of those faded lightnight strikes, miraculous to see up close, to feel the energy between the two when they were in the same room. That is the love that lives in your veins. I've never seen another love like I had for Edward, we were twin flames. But I've also never seen another love like I had for Brian - deep, and calm, and true. Or another love like William's for Hannah, achingly sweet. But I have seen the same love that I had for William the day that I stepped on that plane. It lives in you. You are the culmination of every lightning strike and twist of fate. Do not settle for the love that hones your edges and turns you bitter and cold, Georgia. Not when there are so many other kinds of love waiting for you. And don't wait like I did, wasting 17 years, because I'd left one bitter foot in my past. We're all entitled to our mistakes. When you recognize them for what they are, don't live there. Life is too short to miss the lightning strike, and too long to live it alone.”