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T Quotes

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All T Quotes

“There is a single theme behind all our work-we must reduce population levels. Either governments do it our way, through nice clean methods, or they will get the kinds of mess that we have in El Salvador, or in Iran or in Beirut. Population is a political problem. Once population is out of control, it requires authoritarian government, even fascism, to reduce it.”

“There is a single truth, it filters through different stories and languages because people come from different cultures and speak different languages. And this truth has manifested itself through millennia, in multiple ways. Different people belong to different manifestations of truth. Some people take those manifestations and turn them into religions, or into gathering places or into a system. Others take those manifestations and allow that light to illuminate the paths on their inward journeys. All in all, the only reason why there is strife or hatred in any way, is because of the strife and hatred and intolerance inside of people. Truth does not call for any division or any hatred or intolerance of any kind. In order to love one thing, this does not mean we need to put down another one.”

“There is a sinister anachronistic interpretation of the aesthetic state as some kind of totalitarian regime that puts aesthetic over moral standards; one associates it with national-socialism. But this has nothing to do with the romantics, whose ideal of the aesthetic state has much more to do with the republican tradition.”

“There is a siren that sounds in our small town to announce the curfew. At noon and at 10 p.m. Every time the siren sounds all the sled dogs howl, and I imagine that they think there is a large, loud god dog that rules the land howling. I equate this with religion. A short-sighted and desperate attempt for humans to create reason and order in a universe we can't possibly comprehend. The simple truth is that we are simply an expression of the energy of the sun. We are the glorious manifestation of the power of the universe.”

“There is a slave trade still in this country—yes, the real and horrific sex and human trafficking trade run by organised criminal gangs, which is appalling and must be stopped. But there's the hidden slavery too of children exploited and used within their own families, within organised and ritual abuse.”

“There is a slow-growing beauty which only comes to perfection in old age.... I have seen sweeter smiles on a lip of seventy than I ever saw on a lip of seventeen. There is the beauty of youth, and there is also the beauty of holiness—a beauty much more seldom met; and more frequently found in the arm-chair by the fire, with grandchildren around its knee, than in the ball-room or the promenade.”

“There is a small group of people who are our special ones: our partners, children, and other loved ones. They are our dearest ones. Somehow, they belong to us and us to them. We didn’t really choose them but nor did we not choose them. Our beloved children did not just randomly come to us. Long before their material arrival, they were a part of us, as we have always been a part of them. Partners and other dearly loved ones, likewise, did not just randomly appear in our life as if, just as easily, we could have missed them or replaced them with some other 'random'. No, they are the ones that were marked in our heart already. We recognize them as belonging to us. This belonging gives love a certain stability, permanence, and resilience.”

“There is a small minority of well-educated people with relatively sensible views on economics, and an extremely tiny minority of economists with highly sensible views. Then there's everybody else. ... To win, a politician needs to please the median voter. It makes little difference if a few thousand economists think you a fool.”

“There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.” In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory.”

“There is a smell, rich and sickly sweet, so pungent I feel as if I am being choked. A smell that is both new and curiously familiar. Notes of the most intense jasmine with a back note of vanilla and overripe mango. The sea is too warm, and I cut short my night swim. As I pass through the garden, lanterns now glowing, the perfume has faded a little, it is less hypnotic, softer and more floral than before. Trumpets of deep-crimson hibiscus have closed for the night, chains of bougainvillea and a plant I do not know are the only ones in flower. It is this last from which the scent is emanating. Each blossom has thick white petals, crisp, like icing on a wedding cake. Almost too perfect to be real, the petals darken in the centre to a pale-yellow with a deep-saffron eye. Strangely, the scent is stronger from a distance than close up. My mystery flower is frangipani, or if we are talking in botanical terminology, Plumeria, the name given to honor the seventeenth-century French monk and botanist Charles Plumier. I note that the almond filling known as frangipane was once perfumed with the extract, though we are a long, long way from Bakewell. There are few perfumes I would call hypnotic-- tuberose, Casablanca lily, jasmine perhaps-- but frangipani is up there with them. I go back to my room, head throbbing, drunk on flowers.”

“There is a social contract in "Fight Club" and in "Choke" where the protagonist has deceived a whole bunch of people. In "Choke" it's all of these people who think that they've saved his life, and really care about him because they've embraced him and they've been his saviors. In "Fight Club" it's all of these people who are dying of various diseases, and they thought that Edward Norton was also dying so they allowed him really strong pent-up emotions.”

“There is a solitude, which each and every one of us has always carried with him, more inaccessible than the ice-cold mountains, more profound than the midnight sea; the solitude of self. Our inner being, which we call ourself, no eye nor touch of man or angel has ever pierced.”