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T Quotes

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All T Quotes

“This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.”

“This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down.”

“This is what's known as the Cycle of Violence, where an explosion is followed by a period of remorse, then promises and pursuit, a false honeymoon stage, then a build-up in tension, a standover phase, and another explosion. Then kindness expressed during the false honeymoon stage may feel genuine to the abuser, but this reward phase - like every other part of the cycle - is still all about maintaining control. Periods of kindness, no matter how short, bond the victim to her abuser.”

“This is what’s so terrible about grief: You relive the final moments of your beloved’s life for years and years and years. It’s like flying with one wing. You never become used to it. The shock might wear off, the images grow a little dimmer. But the panic creeps back while you sleep in the brightest part of the day. My dreams are drenched now with the pink foam of the cresting waves, waves pink with the blood of my Lil. The same pink as the ice flowers she had worn on our wingfast night, the pink of the garland she had draped over her head. I have a deep and abiding hatred of morning light now, of high noon, of anything that reminds me of the day my mate died.”

“This is what the bourgeois political economists have done: they have treated value as a fact of nature, not a social construction arising out of a particular mode of production. What Marx is interested in is a revolutionary transformation of society, and that means an overthrow of the capitalist value-form, the construction of an alternative value-structure, an alternative value-system that does not have the specific character of that achieved under capitalism. I cannot overemphasize this point, because the value theory in Marx is frequently interpreted as a universal norm with which we should comply. I have lost count of the number of times I have heard people complain that the problem with Marx is that he believes the only valid notion of value derives from labor inputs. It is not that at all; it is a historical social product. The problem, therefore, for socialist, communist, revolutionary, anarchist or whatever, is to find an alternative value-form that will work in terms of the social reproduction of society in a different image. By introducing the concept of fetishism, Marx shows how the naturalized value of classical political economy dictates a norm; we foreclose on revolutionary possibilities if we blindly follow that norm and replicate commodity fetishism. Our task is to question it.”

“This is what the Democrats are fighting for. They're fighting for you not to have a job and still have health care so you can pursue your entrepreneurial risk of writing, painting, taking pictures. It's just such a pain in the rear end to have to have a job. It's so damn mean of this country to require people to have a job. It stifles people. It stifles creativity and economic growth to require people to have a job, to have health care. What a country. Man, are we horribly rotten mean to people.”

“This is what the government is, has always been, the creator and defender of privilege; the organization of oppression and revenge. To hope that it can ever become anything else is the vainest of delusions. They tell you that Anarchy, the dream of social order without government, is a wild fancy. The wildest dream that ever entered the heart of man is the dream that mankind can ever help itself through an appeal to law, or to come to any order that will not result in slavery wherein there is any excuse for government.”

“This is what the LORD requires of every man; to do justice, to love mercy and to humbly work with God.”

“This is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out.”

“This is what they have suppressed so long. This is why they are so afraid of the psychedelics, because they understand that once you touch the inner core of your own and someone else's being you can't be led into thing-fetishes and consumerism. The message of psychedelics is that culture can be re-engineered as a set of emotional values rather than products. This is terrifying news.”

“This is what we are like. Collectively as a species, this is our emotional landscape. I met an old lady once, almost 100 years old, and she told me, "There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who's in charge? Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.”

“This is what we call a shamrock. It has three leaves. Do you know what it represents?" "Luck? Amelia answered. Lee smiled. "That's what everyone says." Rick shrugged. "Well, I know it's Ireland's emblem." Lee shook his head and said earnestly, "It's much more than that. It represents our religion... who we are. When St. Patrick was trying to teach Christianity here in Ireland, he used this shamrock as an example." Lee pointed to each leaf and said, "This is the Father, the Son, and the Holy Ghost...." Rick still held the clover in his hand. He looked at it and twirled it between his fingers as he said, "I'm calling this the Shamrock Case from now on. I love what it represents.”