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T Quotes

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All T Quotes

“This woman lawyer said the best men wanted to be pure for their wives, and even if they weren't pure, they wanted to be the ones to teach their wives about sex. Of course they would try to persuade a girl to have sex and say they would marry her later, but as soon as she gave in, they would lose all respect for her and start saying that if she did that with them she would do that with other men and they would end up by making her life miserable.”

“This woman's hair ... it was the most sensual hair I have ever seen. Medusa must have had hair like this and with it seduced the men who fell under her spell. It was full of life, heavy, and as pungent as if it had been bathed in sperm. To me it always felt as if it had been wrapped around a penis and soaked in secretions. It was the kind of hair I wanted to wrap around my own sex. It was warm and musky, oily, strong. It was the hair of an animal. It bristled when it was touched. Merely to pass my fingers through it could give me an erection. I would have been content just touching her hair.”

“This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.”

“This word "description" may be disconcerting when used to refer to what is generally called a translation. But when one wishes to render a verbal creation (as opposed to a didactic statement) from one language to another, he is confronted with two equally unsatisfactory choices. He may, according to his talents, elaborate a similar, but never identical creation, or he may describe that creation as completely as possible in his own language.”

“This word "redemption," what is it about this word? Is it tangible? Do you know when it has happened? Is it necessary in a drama? Does it make a character boring? Does everyone agree on a character being "redeemed?" Or is it a word that is so subjective and polarizing and insignificant in modern television? It is a word that has been given, quite possibly, far too much significance, when it is truly ambiguous and meaningless in a drama. I have personally grown to loathe that word in literature.”

“This word “individuality” is used a great deal these days, often to describe behaviour which runs against the collective norm. But we are using it here to describe a loyalty to one's own unique nature—an embrace of all the characters in the play. Individuality costs, as T.S. Eliot once wrote, nothing less than everything, and many are understandably not prepared to pay the price of the internal freedom they claim they want.”

“This work is not easy, and it never goes smoothly. Because we are hopelessly committed to both individual and group effectiveness, groups committed to public or civic value are rarely permanent. Instead, groups need to acquire a culture that rewards their members for doing that hard work. It takes this kind of group effort to get what we need, not just what we want; understanding how to create and maintain is one of the great challenges of our era.”

“This work of connecting our light to the world does not need to be done through a mass movement, or by millions of people. . . .The real work is always done by a small number of individuals. What matters is the level of participation: whether we dare to make a real commitment to the work of the soul.”

“This work of leaving, of aiming to challenge power on the field where it maintains the least glaring asymmetry, demands one answer the question: What are you willing to give up to alleviate someone else’s suffering? It makes it impossible for one so engaged to not understand, with terrible clarity, that under the auspices of this machine, the prevailing answer echoing from the mouths of so many of one’s own neighbors is: Nothing at all.”

“This work should commence with the conception of man, and should describe the nature of the womb, and how the child inhabits it, and in what stage it dwells there, and the manner of its quickening and feeding, and its growth, and what interval there is between one stage of growth and another, and what thing drives it forth from the body of the mother, and for what reason it sometimes emerges from the belly of its mother before the due time.”

“This work, though it deals only with eating and drinking, which are regarded in the eyes of our supernaturalistic mock-culture as the lowest acts, is of the greatest philosophic significance and importance... How former philosophers have broken their heads over the question of the bond between body and soul! Now we know, on scientific grounds, what the masses know from long experience, that eating and drinking hold together body and soul, that the searched-for bond is nutrition.”

“This world and everything in it will pass away in the blink of an eye. Yet as long as we’re still here, and as long as we’re living for God, we have a reason for being alive. And that’s to fulfill our mission as believers—to love God and love others.”

“This world and life of ours are filled with inequalities. The worst possible use to make of this fact, however, is to allow resentments to possess us. All of us have imagined limitations, but we have also the privilege of pushing them aside, and spreading our lives out! We never know any of our limitations until we put ourselves to the test. There are always "growing pains" working within us.”