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“The woman is more intelligent when it comes to the children, when it comes to her role and responsibility as a mother and so on. Then, the man is usually, for example, in the public arena. He is usually good with things like penal code matters, and so he's the one who has to go out and provide, even if the woman is rich. She can stay at home and won't have to lift a finger " it's up to the man to do all the work, and provide her with food, clothing and shelter. The woman is treated like a queen in the home. She is a princess.”

“The problem that we have is some of the more vocal countries, which parade themselves as Islamic countries, are, in fact, brutal dictatorial regimes. We don't accept them as being Sharia at all, because, what they tend to do, is they tend to just implement several aspects of the penal code and one or two morsels of the social system, but the rest of the system, like providing the basic needs and the social aspects of society and an education system, is completely ousted.”

“I suspect the popularity of young adults and dystopian novels has something to do with a desire for allegory and old-fashioned morality tales. In fact, you might find your religious framework here in dystopian, post-apocalyptic fiction. Here, and in videogames, you find strict codes of authority, the "rules of the game," the life-or-death quest and struggle that people crave.”

“Have no regrets. Every relationship leads you to where you're meant to be. Learn to be comfortable with being alone. Learn to be comfortable with saying no to people; we put everybody else before ourselves. Read great literature; don't get all your information from TV. Define your moral code - nobody else is going to give you that. Find it yourself. Keep asking questions, keep challenging. You don't have to conform. Rebellion creates character. And, as my mother always said to me, "Don't let anyone break your spirit!"”

“We really believe that we can bring about changes in the tax code that will make America more attractive for investment and job creation and business. But the president has also made it very clear that he wants to put - he wants to put new elements in the tax code that are going to have companies pay a price if they decide to take jobs out of the country and then sell their goods back into the United States.”

“If I say any word, like, "Sit next to me." There is a chemistry inside of my brain and your brain that is figuring out what that means and turning that request into action. The brain is designed in a way to enable us to translate these strange interaction codes that people have with each other into something that can manifest a whole company's success. That's so extraordinary and that's what's going on. Everybody in the world needs to know that, in the whole planet. I just talked to somebody who studies cosmoses. She said, "Cosmoses need this."”

“Donald Trump is a businessman, not a career politician. He actually built a business. Those tax returns that were - that came out publicly this week show that he faced some pretty tough times 20 years ago. But like virtually every other business, including the New York Times not too long ago, he used what's called net operating loss. We have a tax code that actually is designed to encourage entrepreneurship in this country.”

“We need to remake and reinvent our housing system so that it supports the flexibility and mobility of our economic system broadly. Home-ownership is rewarded by the federal tax code, which made great sense when that piece of the American Dream, and all the consumption that came with it, was essential to rebuilding the economy. These days, however, it feels like a huge penalty to people who want to travel light within the new mobile economy without a mortgage to hold them back.”

“Totalitarian regimes produce a culture and a moral code that is totally different from what happens in a democracy. There are two moral categories in a communist society: honest men and bad men. The "honest" ones resist compromising or collaborating with the regime, while the "bad" are the persecutors and collaborators. You can choose to be on one side or the other, but there is nothing in between. In a normal society, other factors can define who you are. You can be a good worker, sociable, tough, generous, tolerant, collaborative, friendly.”

“We can use our art to become political, to become something you want to talk about. We make clothes, but we have the chance to change a generation as well. We have to remember that fashion changed the roles of men and women: When Yves Saint Laurent was putting pants on a woman, he was not only doing that - he was assuming the fact that a woman can wear pants like a man. It's all the codes that I think fashion pushed so much to change the world, and today it's what I'm trying to do in my own way.”

“I did one interview with the Atlantic. It was very interesting; I could write an entire book on that one experience. I've never had any type of public persona outside of the face recognition I have with this job, so I was really ill prepared to have this conversation. I think the real story was that it became a source for a flurry of other derivative stories. I remember the Post headline said "Marcarelli's Bizarre Life," which to me is code for gay, primarily.”

“On the plane the other day, there was man who was wearing a tank top, shorts and Birkenstocks - and I don't think that's acceptable. First class should have a f - ing dress code. It's not about money. It's about education. When you build an environment where people can study well, they'll work better. If you teach people to dress correctly, to take personal hygiene seriously, when we teach them about culture, they will be greater.”

“The Divorce isn't like the Da Vinci Code of TV shows. I'm not saying only a secret society is going to understand divorce. But it is a very specific show. And I don't know if you looked at a lot of the press. There's been some unpleasant reviews. And I'm not faulting those people but, they're really just not getting what we're trying to do. Which is to say, look. That may not be some people's taste. And that's fine.”

“There is something wrong with our system when I can leave here and make billions of dollars in 10 years while millions of students can't even afford to pay off their loans, let alone start a business. We all know you don't get successful just by having a good idea or working hard. You get successful by being lucky too. If I had to support my family growing up, instead of having the time to learn how to code. If I didn't know that I was gonna be fine if Facebook didn't work out, then I wouldn't be standing up here today. And if we're honest, we all know how much luck we've had.”

“People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.”

“I think when we show voters in every ZIP code across America that the Democratic Party is fighting for them - I mean, Dr. King said, what good is a seat at the table if you can't afford to buy a hamburger? I think that's a message that resonates everywhere, and we have to boldly put that forth, and we've got to organize around it everywhere so that people understand, in Wisconsin, or in the heart of Baltimore, what we stand for.”

“I firmly believe that the Democrats' message of inclusion and opportunity resonates everywhere. When we talk about health care as a right and not a privilege, and the impact of the repeal efforts, that resonates everywhere, because everybody in every ZIP code has benefited in one way, shape or form, and frankly, in terms of under-performance, I think we have all too frequently tended to take some of our core constituencies for granted.”

“I think that Democrats have to think through answers we haven't in the past: How we are going to create those jobs? How should we restructure the entire tax code? Should we have things like a payroll tax, when jobs are so scarce? They weren't - basically the architecture of our employment law, tax law, all these things were from the 1930s - and I do think that one benefit of Donald Trump, which is not worth it, but one perverse thing is, he has widened the scope of things that we should discuss.”

“Weirdly enough, the best thing that ever happened to black people in the last twenty or thirty years was the O.J. Simpson verdict because it shut down the white guilt bank. And white guilt has never led to anything good. It's brought us spiraling crime rates, mostly with black victims, and a permanent underclass living in public housing projects. For years, liberals cried that "law and order" and "welfare reform" were racist code words.”

“I think it's often easier to theorize in the official codes of theory rather than to theorize lightly through scene, object, story, and incident in ways that keeps alive the sensual serendipities of language. This is not a question of being for or against theory, but rather of being suspicious of orthodoxies that concede, in advance, that what passes for theory must be signaled by a narrowing of diction, sentence rhythms, and sensual awareness. I'm in favor of surprise.”

“The reason we've been growing at 1.8 percent for the last eight, ten years, which is way below the historical average, is in large part because of our tax code. It is important to us to get the biggest, broadest tax reduction, tax cuts, tax reform that we can possibly get because it's the only way we get back to 3 percent growth. That's what's driving all of this, how do you get the American economy back on that historical growth rate of 3 percent and out of these doldrums of 1.8, 1.9 that we had of the previous Barack Obama administration?”

“The problem Philip Morris had with electronic cigarettes since the beginning of development was the satisfaction of the smoker. Because the taste is dramatically different and, at the initial stages, the nicotine pharmacokinetics were very slow. You could not get the satisfaction. It's not so easy to crack this code. The taste satisfaction is very important. The closest you are to this, the more chances you have to switch people. It's very nice to have a zero-risk product, but if nobody uses it, you don't have any reduction in public health risk.”

“I think that in the diaspora, and among immigrants, religion becomes a vehicle for the transmission of cultural information, and cultural codes, and this does end up re-inscribing certain things about the religion - like caste. Caste discrimination and hierarchy are still a very fundamental and violent part of Hinduism. My family was upper caste, and that was very clear. I feel like caste and religious practice are inextricable, actually.”

“Two years ago I was on the train from Berlin to Frankfurt when I heard that the Nobel Peace Prize had been awarded to my close friend, the writer Liu Xiaobo, who is imprisoned in China. To me it was confirmation that universal values and a moral code do exist, and that the point of the Nobel Prize is to encourage writers to stand up for this moral code. Last Thursday I was once again on the train from Berlin to Frankfurt when I heard that the Nobel Prize for Literature had gone to Mo Yan. He is a state poet. I am utterly bewildered. Do these universal values not exist after all?”

“A big part of my book deals with the caliber of journalism. Our journalism in general is deplorable, and on elections in particular it's very ineffectual. There are a lot of problems, a lot of them having to do with to problems within the professional code of journalism, which defines its role as the regurgitation of what people in power say. Another big problem is that we allow people with money to basically buy what's talked about in campaigns through running TV ads.”

“Very rarely are you going to see the large shareholder or CEO of a corporation march into a newsroom and say, "Cover this story, don't cover that." It's a much more subtle process. The professional code adapts, but what we try to see, is how commercial and corporate pressure shape both the professional code and the sorts of things that are considered legitimate journalism and illegitimate journalism.”

“For me, difference is beautiful, there is not only one beauty, and in a collection I always like to show mixed directions. When you look at people or things, there are all these codes and standards that come into play around what is considered ugly or beautiful, and I've always questioned that. When you're a kid, you're not conditioned, you don't see perversity, there's a state of innocence where everything is beautiful, you see differently....I am lucky because I am doing now what I dreamt of doing as a child, and I like to think that I've retained a childlike state of mind.”

“To really tackle poverty, politicians, activists, academics will all have to think outside their boxes, will have to start developing much more integrated approaches to these problems. And a large part of this will involve working out ways to push for living wages. Partly this will involve re-empowering the union movement, which has been massively weakened in recent decades. Partly it will involve a willingness to restructure tax codes to penalize companies that don't provide basic benefits and decent wages to employees.”

“There is a good chance Donald Trump won't survive four years. Conflict of interest is the biggest danger for Trump. He is destroying one of the pillars of the free world. He is seeking to eliminate the very concept of conflict of interest. A lot of things in America were built on a code of honour. I am confident the damage done by ruling through family and friends will be made impossible by future regulation.”

“There are certain records from the 80s and early 90s that you love because the songs are great, but you don't go to them as an example of great production. Over the last 20 years, myself and a lot of other musicians my age have tried to discover things in 50s, 60s, and 70s recording techniques that were lost or discarded. We've all been trying to crack this code. It's been an important period in the last 15 years, reclaiming some of those lost approaches to making records.”

“There is this fashionable progressive notion that everything is so completely political that the idea we could have some sort of neutral legal process is practically utopian - because we all know that the more money you have, the more rights you can exercise in this society. But I don't think that you deal with income inequality by limiting the First Amendment rights of affluent people. I'd rather see people screw around with the tax code to redistribute wealth a little bit than screw around with the First Amendment.”

“ll industries have been disrupted and disruption tends to generate gatherings for people to share information. I don't think media are unusual here. Add to that the discovery, or perhaps expansion of the awareness, that events can generate revenue. So now we have companies whose business model is heavily based on events, whether it is Re/code or South by Southwest or many others. Those kinds of gatherings were once more institutionally oriented inside trade associations. Now they have been expanded out.”