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“The tourist debauches the great monuments of antiquity, a comic figure, always inapt in his comments, incongruous in his appearance; ...avarice and deceit attack him at every step; the shops that he patronizes are full of forgeries... But we need feel no scruple or twinge of uncertainty; 'we' are travelers and cosmopolitans; the tourist is the other fellow.”

“Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.”

“For the individual, as I can testify, a brief grounding in semantics, besides making philosophy unreadable, makes unreadable most political speeches, classical economic theory, after-dinner oratory, diplomatic notes, newspaper editorials, treatises on pedagogics and education, expert financial comment, dissertations on money and credit, accounts of debates, and Great Thoughts from Great Thinkers in general. You would be surprised at the amount of time this saves.”

“I was having a conversation with one of my teammates and she asked me, "Aren't you so glad it's over? We don't have to compete anymore." I thought that was a strange comment but in that moment I realized that I was doing it for the right reasons. I wasn't looking at the Olympics to define me. I wasn't to arrive somewhere by performing well in a contest.”

“But why,... if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own? Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality.”

“It is customary for the recipient of this award to offer personal or scholarly comment on the nature and the direction of literature. At this particular time, however, I think it would be well to consider the high duties and the responsibilities of the makers of literature.”

“Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.”