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“Modern culture is in so much trouble, where people don't have a deep inner life, or any deep experience of their true self in God, who they were before anyone said anything about them, before they received their first medal or ego identification. That`s why suffering is so important, because suffering is when those little rewards are taken away from you.”

“Courage has become Raiders of the Lost Ark, or riding in spaceships, killing people, taking enormous physical risks. To me, the kind of courage that's really interesting is someone whose spouse has Alzheimer's and yet manages to wake up every morning and be cheerful with that person and respectful of that person and find things to enjoy even though their day is very, very difficult. That kind of courage is really undervalued in our culture.”

“The argument culture urges us to approach the world - and the people in it - in an adversarial frame of mind. It rests on the assumption that opposition is the best way to get anything done: The best way to discuss an idea is to set up a debate; the best way to cover news is to find spokespeople who express the most extreme, polarized views and present them as 'both sides'; the best way to settle disputes is litigation that pits one party against the other; the best way to begin an essay is to attack someone; and the best way to show you're really thinking is to criticize.”

“The position of children as a group, in a commercial society, is not wholly advantageous. A commercial society urges its citizens to be responsible for things, but not for people. It is the unquestioned assumption of a mercantile culture that things need and deserve attention, but that people can take care of themselves.”

“I believe deeply in a common humanity. The black man belongs to the family of man. One part of that family is out of control - like a virus or cancer - and that is the white man. He and his technological society are bent on destroying the world. Everywhere the white man has gone with his empire, he has destroyed people, races, societies, cultures, and in the course of it, has sterilized himself. He is completely the mechanical man: without heart, without soul. He is the Tin Man of The Wizard of Oz. But I don't believe that all the white people in the world are no good.”

“the myth of childhood happiness flourishes so wildly not because it satisfies the needs of children but because it satisfies the needs of adults. In a culture of alienated people, the belief that everyone has at least one good period in life free of care and drudgery dies hard. And obviously you can't expect it in your old age. So it must be you've already had it.”

“This Western culture of ours tends to sacrifice the full range of experience to a lower common denominator that's acceptable to more people; we end up with McDonald's instead of real food, Holiday Inns instead of homes, and USA Today instead of news and cultural analysis. And we do that with the rest of our lives.”

“Secretly in my heart, I believe food is a doorway to almost every dimension of our existence. ... Food never was just food. From the time a cave person first came out from under a rock, food has been a little bit of everything: who we are spiritually as well as what keeps us alive. It's a gathering place, and in the best of all worlds it's possible that when people of one country sit down to eat another culture's food it will open their minds to the culture itself. Food is a doorway to understanding, and it can be as profound or as facile as you would like it to be.”

“Coming back to America was, for me, much more of a culture shock than going to India. The people in the Indian countryside don't use their intellect like we do, they use their intuition instead, and their intuition is far more developed than in the rest of the world. Intuition is a very powerful thing, more powerful than intellect in my opinion. That's had a big impact on my work.”

“Psychologist Nathaniel Branden speaks of a benevolent sense of life possible to those with rational, productive values, vividly contrasted with the coercive parasitic group-culture of mystics and altruists we live in, where people all around you seem a burdensome annoyance, a threat to your survival. Having been told from childhood that life is a zero-sum game in which you owe everything to others, at some level you worry all the time that someday the bastards will collect. And collect they do, every April 15th. Why do you think they call it collectivism?”

“The realizations of anarchist ideas and practices are like sociopolitical ecosystems. Local versions resemble each other, but they are endlessly adaptive and everywhere different to meet their needs in their environments. Anarchism can be adapted to meet the culture, economics, ecology, and politics of various people or communities. That's the beauty of it.”

“I think we really need a movement to drive how popular culture understands the issues that feminists care about. When I think about the LGBT movement for example, they have had a really intentional strategy to try to change images and representation of LGBT people in the media and the culture. It really moved the dial politically. That's what is needed in the women's movement - a strategy that can drive awareness and culture change.”

“I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.”

“Sometimes a rural life - without agricultural culture, community, or land - it means that you're a very long drive from everything. It's a big cultural isolation in terms of any kind of schooling where you could get exposed to things that might push the positive buttons. The geography of where people find themselves situated, both in metropolises and in the heartland, really starts to matter.”

“As much as I can, as much as I can afford, I keep ticket prices down. Rock 'n' roll was developed as the people's voice, the people's art, it was grassroots. I don't believe that the people should be estranged from their rock stars. They're not kings and queens - all rock stars are those who are able to give back a bit of culture to other people. It's people's heritage.”

“The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].”

“As a writer, I've always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.”

“Our culture has a tendency to pigeonhole people and to try to tear down anybody who's breaking out of our comfort zone. That's why we get into these cultural ruts that end up being destructive prejudices. But breaking out of that comfort zone is the most rewarding thing you can do, in your life. I do my best to push myself, when I can.”

“They've been screaming about the death of literacy for years, but I think TV is the Gutenberg [printing] press. I think TV is the only thing that keeps us vaguely in democracy even if it's in the hands of the corporate culture. If you're an artist you write in your time. Moaning about the fact that maybe people read more books a hundred years ago - that's not true. I think the same percentage has always read.”

“May we, as image makers, shapers of the culture, set our sights on things we value, rituals we engage in that heal and serve. May our images honor the ordinary endeavors of common people, and may they make their way to the eyes of the weary - light to the dark, fire to the chill.”