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“It is only after mature deliberation and thorough preparation that I have decided upon the Program of Revolution and defined the procedure of the revolution in three stages. The first is the period of military government; the second, the period of political tutelage; and the third, the period of constitutional government.”

“In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.”

“The development of science has produced an industrial revolution which has brought different peoples in such close contact with one another through colonization and commerce that no matter how some nations may still look down upon others, no country can harbor the illusion that its career is decided wholly within itself.”

“When I started making enough money to afford high-end, fancy skincare products with sexy bottles and impressive claims, I decided to give them a try. As a result my skin acted up and got irritated. I think sometimes women may be overcleansing their skin. Some products and masks can be too aggressive and irritating for certain skin types. I believe the more simple, natural, and easy the skin care regime, the better off your skin will be.”

“Whether a law be void for its repugnancy to the Constitution, is, at all times, a question of much delicacy, which out seldom, if ever, to be decided in the affirmative, in doubtful case. ... But it is not on slight implication and vague conjecture that the legislature is to be pronounced to have transcended its powers, and its acts to be considered as void. The opposition between the Constitution and the law should be such that the judge feels a clear and strong conviction of their incompatibility with each other.”

“I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff.”

“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.”

“School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself. I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.”

“I haven't decided if he deserved to eat bread made out of sticks or live in a rancid puddle, probably because I haven't made up my mind whether anyone deserves such treatment, though I suspect that the day a person gives up on the Geneva Conventions is the day a person gives up on the human race.”

“My picture [A Boat Passing a Lock, 1823-6] is liked at the [Royal] Academy, indeed it forms a decided feature and its light can not be put out. Because it is the light of nature - the Mother of all that is valuable in poetry - painting or anything else... my execution annoys most of them and all the scholastic ones - perhaps the scarifies I make for 'lightness' and 'brightness' is too much but these things are the essence of Landscape.”

“I was born in a very poor family. I used to sell tea in a railway coach as a child. My mother used to wash utensils and do lowly household work in the houses of others to earn a livelihood. I have seen poverty very closely. I have lived in poverty.I decided that I would not live for myself but would live for others.”

“I had gotten up to two, maybe three, packs (of cigarettes) a day. And my lungs were bothering me and I'd had pneumonia two or three times. And I was also smoking pot, and I decided, well, one of them's got to go. And so I took a pack of Chesterfields and took all the Chesterfields out, rolled up 20 big fat ones and put it in there, and I haven't smoked a cigarette since then.”

“That's what torture does: it creates a miasma of unknowing, about as dangerous a situation in wartime as one can imagine. This hideous fate was made possible by an inexperienced president with a fundamentalist psyche and a paranoid and power-hungry vice-president who decided to embrace "the dark side" almost as soon as the second tower fell, and who is still trying to avenge Nixon. Until they are both gone from office, we are in grave danger the kind of danger that only torturers and fantasists and a security strategy based on coerced evidence can conjure up.”

“When I came overseas, I realized that there are many ideologies and many trends, and it's also very hard to produce honest art and honest literature. I decided that I didn't want to follow any of these ideologies or trends, because that's also a kind of pressure that doesn't allow absolute freedom. So I decided that I was only going to produce works that were satisfactory to me, and that meant not following any trends and being anti-ideological.”