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Depiction Quotes

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Depiction Quotes

“One of the lessons learned during the Vietnam War was that the depiction of wounded soldiers, of coffins stacked higher than their living guards, had a negative effect on the viewing public. The military in Iraq specifically banned the photographing of wounded soldiers and coffins, thus sanitizing this terrible and bloody conflict.”

“He had never been interested in stories at any age, and had never quite understood the basic concept. He'd never read a work of fiction all the way through. He did remember, as a small boy, being really annoyed at the depiction of Hickory Dickory Dock in a rag book of nursery rhymes because the clock in the drawing was completely wrong for the period.”

“My idea of elegance – and this refers to women as well as men – is that someone is elegant when he or she shows a good knowledge of what fits them, where you can find naturalness and self-esteem. Not showing off. Elegance is the idea of showing an optimistic depiction of oneself, and to lose oneself in the frivolity of style and fashion.”

“I’m very worried about the depiction of women on the screen. It’s gotten worse than ever and it’s related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There’s nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.”

“A Concordance of Leaves is an epic poem of the indomitable yet fragile human spirit. Philip Metres brings Palestine and Palestinians into English with rare luminosity. One feels echoes of Oppen's succinct tenderness in the depiction of the numerous characters of this work. Without other, there is no self. And that other is the stranger who must be loved. Concordance is, after all, a wedding poem-leaves and pages in search of a certain passage toward harmony.”

“A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet.”

“At the root of all our disobedience are particular ways in which we continue to seek control of our lives through systems of works-righteousness. The way to progress as a Christian is to continually repent and uproot these systems the same way we become Christians, namely by the vivid depiction (and re-depiction) of Christ’s saving work for us, and the abandoning of self-trusting efforts to complete ourselves. We must go back again and again to the gospel of Christ-crucified, so that our hearts are more deeply gripped by the reality of what he did and who we are in him.”

“Few literary depictions of the 1906 San Francisco earthquake match the intensity and visceral power of those in Flacco's gripping first novel. The author's screenwriting talent shines in this story of the earth's destructive power and humanity's moral depravity. The emerging maniacal personality, revealed in increasingly gruesome and venomous detail, rivals the Ripper.Dickens meets Hannibal Lecter. Brace yourself.”

“The Green Shore is an engrossing novel about political oppression, played out on an intimate family scale. Bakopoulos charts the subtle, gnawing pressures of life under the Greek junta - the steady drip of daily coercion - with an exacting empathy. In particular, her depiction of love under tyranny - by turns hesitant, furtive and liberating - is as astute as it is moving.”

“Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes.”

“In order to educate man to a new longing, everyday familiar objects must be shown to him with totally unexpected perspectives and in unexpected situations. New objects should be depicted from different sides in order to provide a complete impression of the object.”

“I just did an arc with Warren Ellis - and no one else on the planet could get away with this, because I think this is like harassment? - But Warren felt like there was a depiction of Spider-Woman where it looked like her waist perhaps didn't contain any internal organs. And he suggested very quietly ... 'You should fix that, or else I will come to your house and nail your feet to the floor and set your house on fire.' ... And it totally got fixed!”

“There's a thing that creeps into this conversation ... that if you complain about the depiction of women [in comics], it becomes, 'Well, but ladies - the dudes are idealized too.' And the thing is that the dudes are idealized for strength and the women are idealized for sexual availability. It's very, very different. The women's costumes are cut in such a way that I could give a cervical exam to 90% of our heroines. And I don't have a medical degree! So if I can find it, that's impressive.”

“In assembling this group of portraits of women, I'm aware that I'm treading on dangerous ground. When I was in college, I learned to be distrustful of men's depictions of women. I remember seeing Garry Winogrand's book Women Are Beautiful in the school library and being shocked that it hadn't been defaced for its blatant objectification of women. But looking back, maybe I was too harsh. Whether one photographs men or women, it is always a form of objectification. Whatever you say about Winogrand, his depiction was honest.”