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Down And Quotes

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Down And Quotes

“The groves were God's first temple. Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them,--ere he framed The lofty vault, to gather and roll back The sound of anthems; in the darkling wood, Amidst the cool and silence, he knelt down And offered to the Mightiest solemn thanks And supplication.”

“No wonder the hills and groves were God's first temples, and the more they are cut down and hewn into cathedrals and churches, the farther off and dimmer seems the Lord himself.”

“First of all, I wish everyone who loved football could stand in the quarterback's shoes just for a play, because I think it would be tremendously humbling to anyone who loved the game to say, "I didn't -- I had no idea." You can think about what it would be like, and the cameras are getting better at giving that perspective, that one that the skycam comes down and you get a sense of it, but you just -- you don't know.”

“It wasn't a case of me sitting down and thinking, right then, what shall I do with my life? Airline pilot? Plumber? Guitar manufacturer? Writer .... yeah, writer. I've always loved writing, from a very early age--I guess I was writing my first stories when I was still in single digits. It progressed, and the love of writing grew in my mind and is still growing. Doing it full-time, there are different stresses and tensions, and the business side of it comes to the fore sometimes. But I still love it, and I'm always thankful that I can do what I do and make a living from it.”

“To a sprinter, the hundred-yard dash is over in three seconds, not nine or ten. The first 'second' is when you come out of the blocks. The next is when you look up and take your first few strides to attain gain position. By that time the race is actually about half over. The final 'second' - the longest slice of time in the world for an athlete - is that last half of the race, when you really bear down and see what you're made of. It seems to take an eternity, yet is all over before you can think what's happening.”

“I heard my first laughter on stage, when I was about 10 years old. It was gold pantomime and I remember I was playing Baron Fitznoodle, who was the father of the ugly sisters in "Cinderella." And I walked on and got a great big laugh and I thought that was fantastic, until I looked down and found that my flies were open. And so I always check my flies. I even check my flies on radio.”

“The Book, this Holy Book, on every line, Mark'd with the seal of high divinity, On every leaf bedew'd with drops of love Divine, and with the eternal heraldry And signature of God Almighty stamp'd From first to last; this ray of sacred light, This lamp, from off the everlasting throne, Mercy took down, and in the night of time Stood, casting on the dark her gracious bow; And evermore beseeching men With tears And earnest sighs, to read, believe and live.”

“Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?”

“A friend of ours, the wife of a pastor at a church in Colorado, had once told me about something her daughter, Hannah, said when she was three years old. After the morning service was over one Sunday, Hannah tugged on her mom's skirt and asked. "Mommy, why do some people in church have lights over their heads and some don't?" At the time, I remember thinking two things: First, I would've knelt down and asked Hannah, "Did I have a light over my head? Please say yes!" I also wondered what Hannah had seen, and whether she had seen it because, like my son, she had a childlike faith.”

“Your only guidepost is your own instinct and judicious editing. In my stand-up act I learned that in the first 10 minutes I could say anything and it would get a laugh. Then I'd better deliver. In the movie it's the same thing. You get a lot of laughs when people first sit down and then the story better kick in. Many years in front of an audience, I would hope, give me a sense of what works.”

“One of the things that I realized when I left office was that in the 1990's citizens across the world applied more power than they had ever had, as compared with the government, because of more people living under democracies than dictatorships for the first time, the power of the internet, which the young Chinese used to basically change China's policy on the SARS epidemic, and shut it down, and because of the rise in non-governmental organizations like my foundation.”

“I realize that artists can become fatigued from touring the world over, but if it's your first major tour, you've got to buckle down and do it, said Sami Jarroush, a music blogger for Consequence of Sound. Short of suffering from an actual medical emergency, saying you're going to stop performing so you can take a vacation isn't exactly going to make you look good in the eyes of however many fans you have left.”

“Stupid women, and all are stupid, think the first winning of the man the final victory. Then they settle down and grow fat, and stale, and dead, and heartbroken. Alas, they are so stupid. But you, little infant-woman with your first victory, you must make your love-life an unending chain of victories. Each day you must win your man again. And when you have won the last victory, when you can find no more to win, then ends love. Finis is written, and your man wanders in strange gardens.”

“When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.”

“Many times people can access that being stage more fully and more easily if at first you are actually doing something. If you run, or dance, or do something kind of vigorous, and let the energy release, then sometimes it's easier to sit or lie down and then feel at ease and rest and be quiet and move inside.”

“As a citizen I felt appalled that we WENT TO WAR over faulty information - that felt false or at least "stretched" from the first time they started to push the idea that Iraq and 9/11 were connected, though they didn't seem to be and there was no logical reason for thinking they were. It's like your neighbors the Smiths burned your house down, and then the next day you retaliated by burning down the Jones' house.”

“When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.”

“Since I worked with Danny Boyle before on Slumdog Millionaire, we have great success and everything. So, when I first got the script and the screenplay of Simon (Beaufoy) and I was reading it, even before the shoot, some kind of sounds came into my mind and I put some stuff [down] and sent it to Danny when he was cutting the movie.”

“The reason that I'm here is that Patrick and I are partners and when crazy stuff comes our way we'll sit down and brainstorm and think around it just like we do when we're thinking about a scene. So, while the masters might not understand my being here, or at least they didn't at first, but they do now because we really are a partnership. If he's on set I'm on set.”

“It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.”

“I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.”

“I bailed out on social media for a while, and in short order I found I was able to sit down and read a book again. For the first time in a couple years I could read more than three pages without my brain wandering off into the ether. I drew a direct causal line between all this sort of ratta-tat-tat staccato stimulation that we get from the Internet and my growing inability to sit down and read anything that was longer than 500 words. But for me it came back because those synapses were already latent in my brain.”