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Exhibitions Quotes

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Exhibitions Quotes

“At the opening of our exhibition at Deitch Projects in New York we featured a wall of 10,000 bananas. Green bananas created a pattern against a background of yellow bananas spelling out the sentiment: Self-confidence produces fine results. After a number of days the green bananas turned yellow too and the type disappeared. When the yellow background bananas turned brown, the type (and the self-confidence) appeared again, only to go away when all bananas turned brown.”

“The great proliferation of museums in the nineteenth century was a product of the marriage of the exhibition as a way of awakening intelligent interest in the visitor with the growth of collections that was associated with empire and middle-class affluence. Attendance at museums was as much associated with moral improvement as with explanation of the human or natural world.”

“There is a wonderful feeling when you walk into your own exhibition. You see the work as a true extension of yourself. Win or lose, your interests have led you to an accumulation of your personal expression, signed lower right, mounted to best advantage.”

“Perhaps the greatest barrier to revival on a large scale is the fact that we are to interested in a great display. We want an exhibition; God is looking for a man who will throw himself entirely on God. Whenever self-effort, self-glory, self-seeking or self-promotion enters into the work of revival, then God leaves us to ourselves.”

“These principles with due regard to time and place, must, in accordance with Christian prudence, be applied to all schools, particularly in the most delicate and decisive period of formation, that, namely, of adolescence; and in gymnastic exercises and deportment special care must be had of Christian modesty in young women and girls which is so gravely impaired by any kind of exhibition in public.”

“Modern man receives a large part of his knowledge and general education by way of pictorial impressions, illustrations, photographs, films. Daily newspapers bring more pictures from year to year. In addition, the advertising business operates with optical signals as well as representations. Exhibitions and museums are indeed offspring of this visual hustle.”

“Most marvelous and enviable is that fecundity of fancy which can adorn whatever it touches, which can invest naked fact and dry reasoning with unlooked-for beauty, make flowers bloom even on the brow of the precipice, and, when nothing better can be had, can turn the very substance of rock itself into moss and lichens. This faculty is uncomparingly the most important for the vivid and attractive exhibition of truth to the minds of men.”

“I remember once visiting an outdoor exhibition of sculpture in Arnhem, the Netherlands. One of the artists had placed this notice at the base of a majestic beech: "Statues are hewn by fools like me: only God could make this tree." The Taoists looked at the inside of the tree. They saw God present, not as the super-sculptor, but as the primal force from which the tree drew its being and its specific form. Becoming aware of this divine origin was for them "great knowledge," to be distinguished from the "small knowledge" of our petty, every-day existence.”

“The apex of perfection in equestrian art is not an exhibition of a great deal of different airs and movements by the same horse, but rather the conservation of the horse's enjoyment, suppleness and finesse during the performance, which calls for comparison with the finest ballet, or performance of an orchestra, or seeing a play by Racine, so moving is the sight of perfectly unisoned movements.”

“Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation. It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.”

“’The Art of the Brick’ exhibition is accessible because it engages the child in all of us while simultaneously illuminating sophisticated and complex concepts. Everyone can relate to the medium since it is a toy that many children have at home. But my goal with this exhibition when it first debuted in 2007 was to elevate this simple plaything to a place it has never been before.”

“While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.”

“Some day there may be... machinery that needs but to be wound up and sent roaming o'er hill and dale, through fields and meadows, by babbling brooks and shady woods - in short, a machine that will discriminately select its subject and, by means of a skillful arrangement of springs and screws, compose its motif, expose the plate, develop, print, and even mount and frame the result of its excursion, so that there will be nothing for us to do but to send it to the Royal Photographic Society's exhibition and gratefully to receive the 'Royal Medal'.”

“That was a piece I did in 1963 with Konrad Lueg in a department store, in the furniture department. It was announced in some papers as an exhibition opening, but the people who came didn't know that it was to be a sort of Happening. I don't think it is quite right that it has become so famous anyhow. It was just a lot of fun, and the word itself, Capitalist Realism, hit just right. But it wasn't such a big deal.”

“Little boys are still playing the game [baseball], more little girls are playing, and it is still the world's most interesting game, a duel, a chess match, a foot race, a gymnastics exhibition, that rare opportunity for individuals to be recognized within a group effort.”