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Explicit Quotes

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Explicit Quotes

“I'm being explicit about really horrifying experiences in my life, but my hope has always been to be responsible as an artist and to avoid indulging in my misery, or to come off as an exhibitionist. I don't want to make the listener complicit in my vulnerable prose poem of depression, I just want to honor the experience. I'm not the victim here, and I'm not seeking other peoples' sympathy. I don't blame my parents, they did the best they could.”

“I always like to make explicit the fact that before I went off not too long ago to fight in the trenches, I was a mathematician by profession. I don't like people to get the idea that I have to do this for a living. I mean, it isn't as though I had to do this, you know, I could be making, oh, three thousand dollars a year just teaching.”

“At first glance, an alliance of anarchists and government might appear to be somewhat paradoxical. But the formal convergence in Oakland makes explicit the movement's aims: They're anarchists for statism, wild free-spirited youth demanding more and more total government control of every aspect of life - just so long as it respects the fundamental human right to sloth.”

“Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of loved beings who are no longer alive. But there is another real death which each of us undergoes every day, as each day we draw nearer to our own death. Even when the person photographed is still living, that moment when she or he was has forever vanished.”

“The fact remains that books that really put gay people in the center, and especially books that do so in a way that is sexually explicit, tend not to get a great deal of mainstream attention: they don't tend to sell well, and they don't tend to win major awards. This makes the occasional exception, like Alan Hollinghurst, all the more remarkable.”

“It is a work of psychogeography, albeit in a less explicit sense than Iain Sinclair's or Will Self's. It had to be fiction though, because I needed that freedom of including whatever belonged, and cutting out whatever didn't. The main fiction in it was matching Julius' generous and self-concealing character to New York's generous and self-concealing character. I think this also adds to my answer about New York's personality in the book.”

“Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.”

“Curiously enough, the only two plays that I've done very much revision on were the two adaptations - even though the shape of them was pretty much determined by the original work. With my own plays, the only changes, aside from taking a speech out here, putting one in there (if I thought I dwelled on a point a little too long or didn't make it explicit enough), are very minor; but even though they're very minor - having to do with the inability of actors or the unwillingness of the director to go along with me - I've always regretted them.”

“All of the spiritualities that are now clamoring for attention, from explicit Satanism to what we hear on Oprah, are concerned with the two issues of identity and empowerment. Who am I? How can I have the power to live? Those are the questions everyone has to deal with. If we don't come to terms with these, we lapse into some form of human decadence and failure.”

“Fanon calls his ideology a new humanism, not only in contrast to the elite humanism of the West, but also on the axiom that the wretched of the earth, understood socially, think and thus must be a basis of a new politics. This, of course, is not achieved immediately, but it must become an explicit element of the struggle for liberation.”

“There's been an amazing backlash for the last decade in America: political correctness. In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been. But traditional Hollywood has been much more frightened than it ever was in the '70s about presenting things that could be perceived as politically incorrect.”

“From the beginning, God designed a world in which his image bearers - male and female together - were his A-Team for getting things done in the world. It was more than "wouldn't it be nice if men and women could get along better." God knew this was the way his world would work best and we would flourish as he intends. Men and women - together - in an alliance that received God's explicit blessing.”

“It is the first time since 1993 that Russians have come out into the streets without an explicit permission from the government to do so. The main difference between the protests of 2011-2012 and these protests today is that they didn't have permits. These were - the people who were coming out into the streets were very young people, for the most part, who knew that they were all risking arrest. It's an extraordinary event.”

“There are moments on songs like "Violet" where it's still shrouded in metaphor, but it's quite, I don't know, explicit. And then there are songs like "Boyfriend," where obviously it's straight up, very, very simple. It's fun to play around with words; I really enjoy doing that, so I don't think I'll ever stop, but it's also been nice to have messages on there that I can say flat out and that people appreciate.”

“The outside-in discipline requires that you have an explicit customer-based reason for everything you do in the marketplace. Managers need to create what I call "customer pictures," verbal descriptions of customers that highlight the key customer characteristics and make those customers come alive. Although managers never know as much about customers as they want and need to know, the outside-in discipline requires that they construct customer pictures anyway, basing the pictures on whatever hard data they have plus hypotheses and intuition.”

“And if you're a parent who thinks you're okay because your kid doesn't have a phone or iPod yet, and/or you've used all the parent controls to filter out explicit material, you're not okay. The filters are tissue paper and your kid without a phone is on a school bus or in a locker room or at a public park with phone-equipped kids every day. And they're like all kids in exploring - by whatever means available to them - exactly what their parents are treating as too embarrassing or taboo to talk about.”

“There's still sexism in the world, so there's still sexism in publishing and in graduate school. But it is different. Now, it's more coded and harder to detect. It was more explicit when I was in school. There were no rules against male professors asking out female students. The reverse didn't happen since female professors were rare or nonexistent. Visiting writers came, 90% of them male, and some expected that a female student would materialize as his date for the visit.”

“It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.”