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Eye Quotes

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Eye Quotes

“By a kind of fashionable discipline, the eye is taught to brighten, the lip to smile, and the whole countenance to emanate with the semblance of friendly welcome, while the bosom is unwarmed by a single spark of genuine kindness and good-will.”

“Large eyes were admired in Greece, where they still prevail. They are the finest of all when they have the internal look, which is not common. The stag or antelope eye of the Orientals is beautiful and lamping, but is accused of looking skittish and indifferent. "The epithet of 'stag-eyed,'" says Lady Wortley Montgu, speaking of a Turkish love-song, "pleases me extremely; and I think it a very lively image of the fire and indifference in his mistress' eye.”

“Little eyes must be good-tempered or they are ruined. They have no other resource. But this will beautify them enough. They are made for laughing, and, should do their duty.”

“We lose in depth of expression when we go to inferior animals for comparisons with human beauty. Homer calls Juno ox-eyed; and the epithet suits well with the eyes of that goddess, because she may be supposed, with all her beauty, to want a certain humanity. Her large eyes look at you with a royal indifference.”

“Nature, at all events, humanly speaking, is manifestly very fond of color; for she has made nothing without it. Her skies are blue; her fields, green; her waters vary with her skies; her animals, vegetables, minerals, are all colored. She paints a great any of them in apparently superfluous hues, as if to show the dullest eye how she loves color.”

“Newton's great generalization, which he called the "third law of motion," was that "Action and reaction are always equal to each other;" and that law has been one of the most pregnant of all truths about the mystery of force;--one of the brightest windows through which modern eyes have looked into the world of Nature.”

“A nap is not to be confused with sleeping. We sleep to recharge our bodies. We nap to care for our souls. When we nap, we are resting our eyes while our imaginations soar. Getting ready for the next round. Sorting, sifting, separating the profound from the profane, the possible from the improbable. Rehearsing our acceptance speech for the Nobel Prize, our surprise on receiving the MacArthur genius award. This requires a prone position. If we're lucky, we might drift off, but we won't drift far. Just far enough to ransom our creativity from chaos.”

“It is not strange that that early love of the heart should come back, as it so often does when the dim eye is brightening with its last light. It is not strange that the freshest fountains the heart has ever known in its wastes should bubble up anew when the lifeblood is growing stagnant. It is not strange that a bright memory should come to a dying old man, as the sunshine breaks across the hills at the close of a stormy day; nor that in the light of that ray, the very clouds that made the day dark should grow gloriously beautiful.”

“Not a flower But shows some touch, in freckle, streak or stain, Of his unrivall'd pencil. He inspires Their balmy odors, and imparts their hues, And bathes their eyes with nectar, and includes In grains as countless as the seaside sands, The forms with which he sprinkles all the earth Happy who walks with him!”

“The spleen is seldom felt where Flora reigns; The low'ring eye, the petulance, the frown, And sullen sadness, that o'ershade, distort, And mar the face of beauty, when no cause For such immeasurable woe appears; These Flora banishes, and gives the fair Sweet smiles, and bloom less transient than her own.”

“Knowledge of Rome must be physical, sweated into the system, worked up into the brain through the thinning shoe-leather. ... When it comes to knowing, the senses are more honest than the intelligence. Nothing is more real than the first wall you lean up against sobbing with exhaustion. Rome no more than beheld (that is, taken in through the eyes only) could still be a masterpiece in cardboard - the eye I suppose being of all the organs the most easily infatuated and then jaded and so tricked. Seeing is pleasure, but not knowledge.”

“Man little knows what calamities are beyond his patience to bear till he tries them; as in ascending the heights of ambition, which look bright from below, every step we rise shows us some new and gloomy prospect of hidden disappointment; so in our descent from the summits of pleasure, though the vale of misery below may appear, at first, dark and gloomy, yet the busy mind, still attentive to its own amusement, finds, as we descend, something to flatter and to please. Still as we approach, the darkest objects appear to brighten, and the mortal eye becomes adapted to its gloomy situation.”

“Near yonder thorn, that lifts its head on high, Where once the sign-post caught the passing eye, Low lies that house where nut-brown draughts inspired, Where graybeard mirth and smiling toil retired, Where village statesmen talk'd with looks profound, And news much older than their ale went round.”

“The Europeans are themselves blind who describe fortune without sight. No first-rate beauty ever had finer eyes, or saw more clearly. They who have no other trade but seeking their fortune need never hope to find her; coquette-like, she flies from her close pursuers, and at last fixes on the plodding mechanic who stays at home and minds his business.”

“Our opposition will never understand the Democratic Party. Our Party is--to the unpracticed eyes of the old Republican Tories--a mysterious contraption that usually seems to be moving in a thousand directions. What they don't know is what hurts them. For all that movement in the Democratic Party is caused by the internal combustion of creative ferment, of ideas, of people vigorously committed to the proposition that change and social progress are not only to be desired; they are necessities of twentieth-century America.”

“Ever since I was first read to, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It isn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the story or the poem itself.”