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Eye Quotes

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Eye Quotes

“The source of each accordant strain Lies deeper than the Poet's brain. First from the people's heart must spring The passions which he learns to sing; They are the wind, the harp is he, To voice their fitful melody,-- The language of their varying fate, Their pride, grief, love, ambition, hate,-- The talisman which holds inwrought The touchstone of the listener's thought; That penetrates each vain disguise, And brings his secret to his eyes.”

PeopleFirstsHeartEyeLyingHatePassionLanguageVoiceGriefSecretBrainFatePoetWindSourcePrideAmbitionSpringDeeperVainHis EyesMelodyDisguiseListenersStrainPenetrateHarpsTouchstonesTalismans
Book:The Poems
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“Society,--the only field where the sexes have ever met on terms of equality, the arena where character is formed and studied, the cradle and the realm of public opinion, the crucible of ideas, the world's university, at once a school and a theater, the spur and the crown of ambition, the tribunal which unmasks pretension and stamps real merit, the power that gives government leave to be, and outruns the lazy Church in fixing the moral sense of the eye.”

WorldGivingIdeasRealCharacterGovernmentEyeSchoolSexTermChurchMoralOpinionSocietyFieldsMetsAmbitionTheaterUniversityMeritRealmsLazyCrownsStampsArenaPublic OpinionCradleFixingSpursPretensionCrucibleOutrunTribunals
Book:Speeches, Lectures, and Letters
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“Say, ye oppress'd by some fantastic woes, Some jarring nerve that baffles your repose; Who press the downy couch, while slaves advance With timid eye, to read the distant glance; Who with sad prayers the weary doctor tease, To name the nameless ever-new disease; Who with mock patience dire complaints endure, Which real pain and that alone can cure; How would ye bear in real pain to lie, Despised, neglected, left alone to die? How would ye bear to draw your latest breath, Where all that's wretched paves the way for death?”

WayRealEyePainLyingDiesNamesLeftPrayerBearsDiseaseDrawsDoctorsBreathsPressesSlaveEndureCuresFantasticNervesWearyComplaintsGlancesWoeWretchedNeglectedCouchesReposeDespisedMockTeaseLeft AloneNamelessReal Pain
Book:The Poetical Works of Crabbe, Heber, and Pollok: Complete in One Volume
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“Beauties, when disposed to sleep, Should from the eye of keen inspector keep: The lovely nymph who would her swain surprise, May close her mouth, but not conceal her eyes; Sleep from the fairest face some beauty takes, And all the homely features homelier makes.”

ShouldMayEyeFacesSleepMouthsSurpriseLovelyFeaturesHer EyesHomelyInspectorsNymphs
Book:The poetical works of the Rev. George Crabbe: in eight volumes
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“A club there is of smokers--dare you come To that close, clouded, hot, narcotic room? When, midnight past, the very candles seem Dying for air, and give a ghastly gleam; When curling fumes in lazy wreaths arise, And prosing topers rub their winking eyes.”

GivingSeemsEyePastRoomsAirDyingHotDareClubsAriseSmokingLazyCandleMidnightGleamGhastlySmokersNarcoticsCloudedWreathsWinking
Book:The poetical works of the Rev. George Crabbe: in eight volumes
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“There are times when the thing we are seeing changes before our very eyes, and if it is a landscape we praise nature, and if it is celestial we invoke God, but if it is a loved one who defects, we excuse ourselves and say we have to be somewhere and are already late for our next appointment. We do not stay to put pennies over the half-dead eyes.”

IfsEyeNextHalfSeeingLatePraiseExcuseLandscapeLoved OnesDefectsPenniesCelestialAppointmentsInvoke
Book:A Scandalous Woman, and Other Stories
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“... except in the eyes of a few fanatics (untrustworthy as all lovers) an unmitigated expanse of water is dull even when blue: not in a small boat, where you are part of the winds and currents and tides and are allowed to hold the tiller now and then; but from those decks which the shipping companies with subconscious insight try to make as suburban as possible so that the impact of the monster outside may be lessened, and where the unrecognized boredom is so deep that a wispy smear of smoke on the horizon will queue up a crowd as if for a Valkyrie passing.”

IfsTryingMayEyeWaterCompanyWindLoversBlueImpactCurrentsCrowdsInsightMonstersPassingPassingsBoatSmokeBoredomDullHorizonWhere You AreTidesNow And ThenSubconsciousFanaticsDeckExpanseShippingQueuesUntrustworthy
Author:Freya Stark
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“In the first seat, in robe of various dyes, A noble wildness flashing from his eyes, Sat Shakespeare: in one hand a wand he bore, For mighty wonders fam'd in days of yore: The other held a globe, which to his will Obedient turn'd, and own'd the master's skill: Things of the noblest kind his genius drew, And look'd through nature at a single view: A loose he gave to his unbounded soul, And taught new lands to rise, new seas to roll; Call'd into being scenes unknown before, And passing nature's bounds, was something more.”

FirstsLooksKindSoulHandsEyeTurnsViewsWonderSeaLandTaughtMastersGeniusSceneSkillsBoundsVariousNoblePassingPassingsSatHis EyesSeatsBoresGlobesObedientRobesWildnessWands
Book:Poems
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“The stage I chose--a subject fair and free-- 'Tis yours--'tis mine--'tis public property. All common exhibitions open lie, For praise or censure, to the common eye. Hence are a thousand hackney writers fed; Hence monthly critics earn their daily bread. This is a general tax which all must pay, From those who scribble, down to those who play.”

PlayEyeLyingCommonPaySubjectsStageMinesThousandTaxesFairsPraisePropertyCriticsBreadFedsExhibitionsCensureDaily BreadScribblesHackney
Book:The poetical works of Charles Churchill: with memoir, critical dissertation, and explanatory notes / by the Rev. George Gilfillan
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“When one is without ego, one becomes immediately free of all personal judgements, and perceives life and the world with divine eyes and mind. Nothing is offensive to them and they remain in perfect serenity and peace always.”

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Book:White Fire: Spiritual Insights and Teachings of Advaita Zen Master Mooji
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“I know animals more gallant than the African warthog, but none more courageous. He is the peasant of the plains - the drab and dowdy digger in the earth. He is the uncomely but intrepid defender of family, home, and bourgeois convention, and he will fight anything of any size that intrudes upon his smug existence. ... His eyes are small and lightless and capable of but one expression - suspicion. What he does not understand, he suspects, and what he suspects, he fights.”

KnowsDoeHomeEyeEarthFightingAnimalExistenceExpressionCapableSizeHis EyesCourageousSuspectsConventionsSuspicionPeasantsBourgeoisDefendersGallantFamily Home
Book:West with the Night
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“Relaxation is a physical and moral necessity. Animals, even to the simplest and dullest, have their games, their sports, their diversions. The toil-worn artisan, stooping and straining over his daily task, which taxes eye and brain and limb, ought to have opportunity and means for an hour or two of relaxation after that task is concluded.”

MeanTwoEyeOpportunityGamesSportsHoursPleasureAnimalBrainMoralOughtTaxesTasksWornToilRelaxationSimplestLimbsDiversionArtisansDaily Tasks
Author:Horace Greeley
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“I told my team before we walked out on to the field in Tampa, I wanted them to stop and look each other in the eye - I mean really look each other in the eye because 10 minutes after we we're done beating the New York Giants, I knew that world would change; free agency, the business side of the business. I wanted them to appreciate this doesn't come very often. It may be the last time you have that opportunity.”

WorldLooksMayMeanDoneEyeWantedLastsOpportunitySidesTeamMinutesNew YorkFieldsAppreciateNflGiantsAgencyLast TimeSuper BowlFree AgencyTampa
Author:Brian Billick
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“Shut your eyes and you will know what I mean by thought entombed in darkness. Light comes through the senses, and not only through the sense of sight. When you see without feeling, you are still partly blind; you lack the inner light that brings awareness. Awareness requires the interplay of every faculty, the use of your entire being as an eye.”

KnowsMeanStillsUseFeelingsLightEyeDarknessAwarenessSightBlindSensesFacultyDarkness To LightInner Light
Author:Charles Lindbergh
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“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.”

IfsWorldShouldMayMeanPhilosophyRealityEyeTodayCoursesBehindsHonestSeriousExpressionPhotographyDirectPhotographerPhotographConnectedEvolveMeritRelatedConsiderationPulseSelective
Author:Berenice Abbott
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“Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.”

WayWellsLooksTwoDifferentHardEyeCultureVisionFocusFieldsPhotographerDetailsDistinctionTwo Ways
Author:John Paul Caponigro
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“We all experience it. Those moments when we gasp and say, Oh, look at that. Maybe it's nothing more than the way a shadow glides across a face, but in that split second, when you realize something truly remarkable is happening and disappearing right in front of you, if you can pass a camera before your eye, you'll tear a piece of time out of the whole, and in a breath, rescue it and give it new meaning.”

IfsWayGivingLooksWholeMomentsEyeFacesRealizingPiecesFrontsTearsHappeningsShadowBreathsCamerasPhotographerDisappearRemarkableSplitsRescue
Author:Joel Meyerowitz
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“One of the major changes in attitude that occurred in the world of art as we moved from the nineteenth into the twentieth century was that the twentieth century artist became more involved with personal expression than with celebrating exclusively the values of the society or the church. Along with this change came a broader acceptance of the belief that the artist can invent a reality that is more meaningful than the one that is literally given to the eye. I subscribe enthusiastically to this.”

WorldArtRealityEyeArtistValuesBeliefGivenChurchAttitudeCenturyAcceptanceExpressionInvolvedMajorsMovedPhotographerMeaningfulCelebrateTwentieth CenturyMajor ChangePersonal Expression
Author:Jerry Uelsmann
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