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“The earth is such a voluminous, sparse, wild place that has its own rhythm that human beings try to control and strategize our way around, but the truth is, if you're out someplace like the ocean on a capsized boat, it doesn't matter if you have academic degrees, or if you're a martial-arts ninja. Nature is a bigger force than you.”

“Perhaps art can help us to look beyond the immediate beauty with all its puzzles, and to glimpse that new creation which makes sense not only of beauty but of the world as a whole, and ourselves within it ... The artist can then join forces with those who work for justice and those who struggle for redemptive relationships, and together encourage and sustain those who are reaching out for a genuine, redemptive spirituality.”

“This art of conservation is strength, and makes the masterpiece a masterpiece. Otherwise, the man who simply brought all the different colors obtainable, and squeezed them out upon the canvas to give it 'full force,' would be the greatest master, instead of being merely extravagant.”

“Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.”

“In contrast to the asexual chasteness of official communist art , Nazi art is both prurient and idealizing. A utopian aesthetics (physical perfection; identity as a biological given) implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community.”

“Every philosophy is complete in itself and, like a genuine work of art, contains the totality. Just as the works of Apelles and Sophocles, if Raphael and Shakespeare had known them, should not have appeared to them as mere preliminary exercises for their own work, but rather as a kindred force of the spirit, so, too reason cannot find in its own earlier forms mere useful preliminary exercises for itself.”

“The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this. Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”

“In Europe itself it is not probable that war will ever absolutely cease until science discovers some destroying force so simple in its administration, so horrible in its effects, that all art, all gallantry, will be at an end, and battles will be massacres which the feelings of mankind will be unable to endure.”

“The Bobbit case, which brought to life the ancient mythic archetype of woman as castrator, demonstrated that women are as aggressive as men and that sex is a dark, dangerous force of nature. But of course the feminist establishment, stuck in its battered-woman blinders, learned nothing as usual from this lurid refutation of its normal views. Classic art works like Bizet's Carmen tell us more about the irrationality of love, jealousy and revenge than do all the pat formulas of the counseling industry.”

“Our design, not respecting arts, but philosophy, and our subject, not manual, but natural powers, we consider chiefly those things which relate to gravity, levity, elastic force, the resistance of fluids, and the like forces, whether attractive or impulsive; and therefore we offer this work as mathematical principles of philosophy; for all the difficulty of philosophy seems to consist in this from the phenomena of motions to investigate the forces of nature, and then from these forces to demonstrate the other phenomena.”

“I always felt that my work hadn't much to do with art; my admirations for other art had very little room to show themselves in my work because I hoped that if I concentrated enough the intensity of scrutiny alone would force life into the pictures. I ignored the fact that art, after all, derives from art. Now I realize that this is the case.”

“In their pure form, the martial arts demand the intense awareness of the meditative mind, and have nothing to do with anger or wanton aggression. A practitioner is taught from the outset that the skills must never be used for personal gain, but only in self-defence or in the protection of others -- and even then only enough force as is absolutely necessary should be used.”

“I believe art prefers rules. For some artists, the worst thing you can do is say 'Do whatever you want.' Such permission can be terrifying. I know it is for me. Often it's better if you impose rules or restrictions on a project. Requirements can force you to be creative in unusual ways.”

“Forgiveness is like the martial arts of consciousness. In Aikido and, other martial arts, we sidestep our attackers force rather than resisting it. The energy of the attack then boomerangs back in the direction of the attacker. Our power lies in remaining nonreactive. Forgiveness works in the same way. When we attack back, and defense is a form of attack, we initiate a war that no one can win.”

“Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion' has become a code phrase meaning 'fear of religion.' Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.”

“I once asked a distinguished artist what place he gave to labor in art. "Labor," he in effect said, "is the beginning, the middle, and the end of art." Turning then to another--"And you," I inquired, "what do you consider as the great force in art?" "Love," he replied. In their two answers I found but one truth.”

“Sport strips away personality, letting the white bone of character shine through. Sport gives players an opportunity to know and test themselves. The great difference between sport and art is that sport, like a sonnet, forces beauty within its own system. Art, on the other hand, cyclically destroys boundaries and breaks free.”

“Genius! thou gift of Heav'n! thou Light divine! Amid what dangers art thou doom'd to shine! Oft will the body's weakness check thy force, Oft damp thy Vigour, and impede thy course; And trembling nerves compel thee to restrain Thy noble efforts, to contend with pain; Or Want (sad guest!) will in thy presence come, And breathe around her melancholy gloom: To Life's low cares will thy proud thought confine, And make her sufferings, her impatience, thine.”

“Under all of the factors that make up the art world, it's up to the individual artist to discern which of those influences are present and at what time and what really serves the deeper process that is constantly running like a stream underground. Influence is incessant. Influence is a fact. But, carry a big shovel and dig constantly to clear away all the unessentials so that the origins of mystery and the poetic force of life can get into and inspire the work.”

“Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet.”

“Hogarth ranks among those pictorial creators who have discovered the expressive force of the brushstroke as well as of color and its harmonies. He makes his entry into art as a reflection of Hals and Velasquez.”

“The slightest force, when it is applied to assist and guide the natural descent of its object, operates with irresistible weight; and Jovian had the good fortune to embrace the religious opinions which were supported by the spirit of the times and the zeal and numbers of the most powerful sect. Under his reign, Christianity obtained an easy and lasting victory; and, as soon as the smile of royal patronage was withdrawn, the genius of Paganism, which had been fondly raised and cherished by the arts of Julian, sunk irrecoverably in the dust.”

“During the Second War, the U.S.O. sent special issues of the principal American magazines to the Armed Forces, with the ads omitted. The men insisted on having the ads back again. Naturally. The ads are by far the best part of any magazine or newspaper. More pains and thought, more wit and art go into the making of an ad than into any prose feature of press or magazine. Ads are news. What is wrong with them is that they are always good news.”

“Nordenson describes wrestling with work as with a large force that wants to have its way with you, even as you want to have your way with it. This wrestling, sinewy and particular as its wrestler, enlarges us as we read our way into her life with its incisive insights and explorations. Can one wrestle meditatively? This author has learned the art and we are the benefactors.”

“Two opposing forces inhabit the poem: one of elevation or up-rooting, which pulls the word from the language: the other of gravity, which makes it return. The poem is an original and unique creation, but it is also reading and recitation: participation. The poet creates it; the people, by recitation, re-create it. Poet and reader are two moments of a single reality.”

“The exercise of magical power is the exercise of natural powers, but superior to the ordinary functions of Nature. A miracle is not a violation of the laws of Nature, except for ignorant people. Magic is but a science, a profound knowledge of the Occult forces in Nature, and of the laws governing the visible or the invisible world. Spiritualism in the hands of an adept becomes Magic, for he is learned in the art of blending together the laws of the Universe, without breaking any of them and thereby violating Nature.”

“Home schoolers do not wish to force other parents to home school. Gun owners do not insist that others buy guns, or that hunting be promoted as an alternative lifestyle. It is not the National Rifle Association out lobbying to have government schools read books entitled 'Heather Has Two Hunters' to preschoolers. It is, in fact, the Left that now strives to use state power to impose its morality by forcing all taxpayers to pay for abortions and public "art" that mocks people of faith. It is the Left that forces parents to pay for government schools where they do not wish to send their children.”