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“It's magical thinking to imagine that the reason unspeakable things are being perpetrated by younger and younger people is that they've fallen under the influence of seductive, lascivious, prurient, and violent material in books, films, television. A great deal of this type of censorship has to do with absolving parents of responsibility - parents who just plop their kids in front of the television and leave them there hour upon hour.”

“We always say we are equal in front of death, but when you are rich, for example, and you have everybody taking care of you, I think that you suffer much less. It must be much more painful to die when you are poor than when you are rich. But when your heart is broken, you can be rich, poor, whatever - a broken heart, we are all equal in front of it. And I think there is no subject more serious.”

“Because of what I experienced when I was a kid, I want kids to have that kind of an epiphany moment, that little jolt, that little spark that they see when Dusty ['Planes'] flies higher than he has before. That scene where he flies straight up, and he's starting to get dizzy, and then finally it comes together. We forget as adults. We get jaded and we think that's kids' stuff, but for a kid who doesn't know about anything technical or how a movie is made, they're just going to see this and hear this beautiful score and see this dynamic, fantastical thing happening in front of them.”

“I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.”

“Americans are finally coming to a point where they're accepting of religious criticism, is because George Bush is the first president who really put religion so front-and-center. He's the most Christ-y president we've ever had - and he is, not uncoincidentally, the biggest disaster we've ever had. I think even people who are religious don't like it shoved down their throat. I think people kind of get it on a certain level, that this is an antiscience administration, and we're living in a time where we can't afford to be antiscience - for environmental reasons, for educational reasons.”

“A lot of people think that Jesus is coming back. That's fine, it's your right. But you know, I live in New York, and I think he's running a little late. I'm asking myself, 'Alright, what happens if Jesus comes back tomorrow? What - does he make rounds to churches?' 'OK, everyone who's been good, buses leave in 10 minutes. I'll meet you in front of the post office. I gotta go. Oh, don't tell the Jews I'm back.'”

“When you're in doubt about the future and you're in doubt about how solid this thing is that you're laying your life and your soul on the line for, you will probably retract into yourself a little bit and think, No, there's only so much I can give to something that everyone doesn't believe in. There's been chipping away, people have been chipping away at it, so it's just you in the spotlight in front of all these people.”

“Leading up to a live event you need to do your homework and go to bed early. Sometimes it's very tempting to go out with everybody else, They're all going to a party or going out for a nice meal and you think 'oh well I'd like to go', but sometimes you think 'no, if I'm going to be sitting in front of a camera under a light in everybody's home tomorrow I don't want big bags under my eyes and not really know what I'm talking about'.”

“I feel that I'm a spiritual person in that I feel like telling stories is a spiritual exercise and I think that it's something that we need as a culture and as humans. We need for people to put stories up in front of us that we recognize ourselves so that we can see - you need to be able to see something in a finite form in order to identify with it sometimes because your life sprawls before you in this kind of way that you can't capture.”

“Having to stand in front of an audience and have it be your job to make them laugh, you can't really look to anyone but yourself. It's what you wrote, what you said and how you said it, so it's kind of terrifying, but I liked it. When it goes well, it's the best feeling in the world. When it doesn't go well, it's the worst feeling, but once you get into the rhythm of it, I think it's really fun.”

“'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.”

“It's not hard to be sexy when you're standing in front of Angelina Jolie or Robin Wright Penn. They're two of the most beautiful women in the world and two of the finest actresses. I think that if you're with people who are good in your profession they become sexy because they're good at what they do. I enjoyed being 6ft 6ins, having an eight pack and a long todger, you know? If I fold mine in half it's the same length!”

“I think that there are so many women who understand nothing about clothes and they should try and understand themselves before they start putting on disguises: they should stand in front of the mirror for a day, two days or three, and find out what they have which is beautiful, interesting: what they should show: hair, neck, arms, or hands.”

“I've been a professional for I think 13, 14 years. It's not easy hitting balls every day and staying really motivated throughout the whole period. It's normal [that] you're going to have ups and downs. But I found my way again. And I love the sport. I love competing. I love battling. I love being out there and playing in front of crowds. This is what I've been doing since I was a child. There's nothing else that I want to do.”

“I become exaggerated, and loud, and obnoxious, and full of the spirit of improvisation. That's one of the weird things about performing, I think that any performer will say the same thing when you're on stage in front of a crowd there's a certain moment when you kind of click into a trance-like state and you just kind of go with it. I love getting into that mode. It's transcendental.”

“I think that one of the positions we have taken around the question of race, is that we already know. We know. We know. We know. And so we don't need to look at it again. And yet everybody is still upset. Everybody is still being driven by their outrageous imagination to the point of killing people because they feel that a black man in front of them is a demon, or the Incredible Hulk.”

“I'm thinking of doing everything now, including this stupid act of waiting for someone in front of their house so you should do the same. You have no thoughts of becoming the little mermaid, so that's why I'll be come the little mermaid instead. I'll be right next to you as if I am not there and disappear like foam. So right now, I am the one shamelessly hanging on to you.”

“In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment.”

“I'm not singer; every time I have the urge to sing something, I don't want to do it in front of certain people. I was always that kid afraid of failing, so I just didn't do things. I don't know how to ride a bike, I don't know how to drive. I broke out of shell a bit, and I still am. I think it's more about trying to be the full person I imagine myself to be, regardless of what that means in terms of labels, shade from people, and all of that.”

“I think there's a lot of shame in American race relations. There's a lot of suppressed guilt that lashes itself out still. I see that all the time, and whereas opposed to sort of trying to address the issue in an up-front way, they're attacking and thus perpetuating the problem thinking that they're being sophisticated and post-racial, when, in fact, they're being completely regressive.”