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“When I first thought of the idea for 'Sweet Valley High,' I loved the idea of high school as microcosm of the real world. And what I really liked was how it moved things on from 'Sleeping Beauty'-esque romance novels where the girl had to wait for the hero. This would be girl-driven, very different, I decided - and indeed it is.”

“When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'”

“This was middle school, the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleared. Some girls were turning beautiful. A few boys were growing tall.”

“It is convenient for the old men to blame Eve. To insist we are damned because a country girl talked to the snake one afternoon long ago. Children must starve in Somalia for that, and old women be abandoned in our greatest cities. It’s why we will finally be thrown into the lakes of molten lead. Because she was confused by happiness that first time anyone said she was beautiful. Nevertheless, she must be the issue, so people won’t notice that rocks and galaxies, mathematics and rust are also created in His image.”

“Jerry Lewis played on the very first season of Mad About You, and he played basically himself, but he was called some other name. He said he's never done it; he'd never done a half-hour of [sitcom] television. This was 1992 or '93. And I said, "Well how is that?" And he goes, "Nobody ever asked me." It's like the pretty girl at the dance; everybody's too afraid to ask.”

“Love is such a simple thing when we have only one-and-twenty summers and a sweet girl of seventeen trembles under our glance, as if she were a bud first opening her heart with wondering rapture to the morning. Such young unfurrowed souls roll to meet each other like two velvet peaches that touch softly and are at rest; they mingle as easily as two brooklets that ask for nothing but to entwine themselves and ripple with ever-interlacing curves in the leafiest hiding-places.”

“I hope through The L Word to become an honorary member of the gay tribe. I cherish the thought that some young girl or woman somewhere may one night turn on the television and for the first time ever see her life represented - not as an isolated incident but as a multiplicity. Her overwhelming fear may have been that she might never find her tribe, she might never find love and now she knows that they are both out there waiting for her.”

“My mother had heard all about miniskirts but had never seen one so I took her for lunch at Alvaro's [in Chelsea]. We walked down the King's Road and waited 10 seconds for our first miniskirt and a girl came along with her skirt tucked round her arse. I said: 'What do you think, ma?' And she said: 'If it's not for sale, you shouldn't put it in the window!'”

“The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.”

“I believe the first story I ever wrote was about a young girl who was terribly mistreated by her very cruel parents, and one day the girl fled to the woods to live amongst a pack of wolves. Hey, I was eleven, loved wolves, and had been grounded for what I felt was a minor infraction. Can you blame me?”

“I know also another man who married a widow with several children; and when one of the girls had grown into her teens he insisted on marrying her also, having first by some means won her affections. The mother, however, was much opposed to this marriage, and finally gave up her husband entirely to her daughter; and to this very day the daughter bears children to her stepfather, living as wife in the same house with her mother!”

“I had left home (like all Jewish girls) in order to eat pork and take birth control pills. When I first shared an intimate evening with my husband, I was swept away by the passion (so dormant inside myself) of a long and tortured existence. The physical cravings I had tried so hard to deny, finally and ultimately sated ... But enough about the pork.”

“There comes a moment during which almost every girl or boy falls into melancholy; they are tormented by a vague inquietude which rests on everything and finds nothing to calm it. They seek solitude; they weep; the silence to be found in cloister attracts them: the image of peace that seems to reign in religious houses seduces them. They mistake the first manifestations of a developing sexual nature for the voice of God calling them to Himself; and it is precisely when nature is inciting them that they embrace a fashion of life contrary to nature's wish.”

“That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.”