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Girl Quotes

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Girl Quotes

“I used to be an editor and I was editing young adult series. I didn't really like the books that I was reading, so I decided that I would write a book about something I'd want to read if I was 16. It turned into a Cinderella story... I developed a proposal and the characters of 'Gossip Girl' for my job.”

“When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'”

“I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.”

“I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.”

“Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.”

“Brad got me this great thing for Christmas. It's a bookshelf that has a book on every religion. That's how we plan to raise our kids. Teach them about all religions. They can pick one or be a student of all of them. We'll celebrate Kwanzaa for our girl. We'll celebrate moon and water festivals for our boys. We'll take them to temples in certain countries. Also to church.”

“I remember attending Toronto Comicon shortly after the release of Captain Marvel and seeing a five-year-old girl who'd come in a handmade Captain Marvel outfit with her hair moussed up - and I totally got the need for this book, for this hero. Someone who looks like her, and acts like her. So, in a way, Captain Marvel helped pave the road to the expanded role of female leads.”

“Women are exciting for this one reason - it is the secret of women's allure - women enjoy submission, being bound. This I bring out in the Paradise Island sequences where the girls beg for chains and enjoy wearing them. Because all of this is a universal truth, a fundamental subconscious feeling of normal humans, the children love it. That is why they like Wonder Woman on Paradise Island better than anywhere else.”

“So long as a novelist works selfishly for the pleasure of creating character and situation corresponding to his own illusions, ideals and intuitions, he will always produce something worth while and natural. Directly he takes himself too seriously and begins for the alleged benefit of humanity an elaborate dissection of complexes, he evolves a book that is more ridiculous and tiresome than the most conventional cold cream girl novel of yesterday.”

“A long time ago, in a town with which I used to be familiarly acquainted, there dwelt an elderly person of grim aspect, known by the name and title of Doctor Grimshawe, whose household consisted of a remarkably pretty and vivacious boy, and a perfect rosebud of a girl, two or three years younger than he, and an old maid of all work, of strangely mixed breed, crusty in temper and wonderfully sluttish in attire.”

“If people like to read their books, it is all very well, but to be at so much trouble in filling great volumes, which, as I used to think, nobody would willingly ever look into, to be labouring only for the torment of little boys and girls, always struck me as a hard fate.”

“It is quite reasonable to subscribe both to the old saw that no good girl was ever ruined by a book and to the perception that it is not good for children to be constantly exposed to the sexual violence in our popular culture. Protecting children seems to me logically, legally, and rather easily differentiated from censorship.”

“I think my love for books sprang from my need to escape the world I was born into, to slide into another where words were straightforward and honest, where there was clearly delineated good and evil, where I found girls who were strong and smart and creative and foolish enough to fight dragons, to run away from home to live in museums, to become child spies, to make new friends and build secret gardens.”

“Dombey and Son had often dealt in hides, but never in hearts. They left that fancy ware to boys and girls, and boarding-schools and books. Mr. Dombey would have reasoned: That a matrimonial alliance with himself must, in the nature of things, be gratifying and honourable to any woman of common sense. That the hope of giving birth to a new partner in such a house, could not fail to awaken a glorious and stirring ambition in the breast of the least ambitious of her sex.”

“Real orgies are never so exciting as pornographic books. In a volume by Pierre Louys all the girls are young and their figures perfect; there's no hiccoughing or bad breath, no fatigue or boredom, no sudden recollections of unpaid bills or business letters unanswered, to interrupt the raptures. Art gives you the sensation, the thought, the feeling quite pure--chemically pure, I mean,... not morally.”

“Let the girl be thoroughly developed in body and soul, not modeled, like a piece of clay, after some artificial specimen of humanity, with a body like some plate in Godey's book of fashion, and a mind after the type of Father Gregory's pattern daughters, loaded down with the traditions, proprieties, and sentimentalities of generations of silly mothers and grandmothers, but left free to be, to grow, to feel, to think, to act. Development is one thing, that system of cramping, restraining, torturing, perverting, and mystifying, called education, is quite another.”

“People who take books on sex to bed become frigid. You get self-conscious. You can't think a story. You can't think, "I shall do a story to improve mankind." Well, it's nonsense. All the great stories, all the really worthwhile plays, are emotional experiences. If you have to ask yourself whether or not you love a girl or you love a boy, forget it. You don't. A story is the same way. You either feel a story and need to write it, or you better not write it.”

“I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles.”

“In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.”

“The Drama Years is filled with heart-stirring stories, just-been-there advice from recent teens and practical, actionable tips for parents. It's full of real girls talking about everything from stress and body image to love and materialism. Reading this book, I cringed in recognition of my own drama years, just wishing this book had been around back then and so grateful I'll have it as a guide for my own daughter.”

“The act is in itself a lie. You're faking something. The girl is lying there, she's pretending that she doesn't know the camera's on, she's getting banged, and "accidentally" it leaks out? Everyone leaks their own sex tapes! That's a ploy to get famous - that's not about the sex. It's not like when Madonna did her Sex book, and it was an artistic endeavor where she acknowledged it and spoke about it and was so upfront about it. It's different. It's not upfront. It's not honest. It's a ploy to get famous.”