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“I think of myself as Rebecca Wells from Lodi Plantation, in Central Louisiana, a girl who was lucky enough to be born into a family that encouraged creativity and didn't call me lazy or nuts when I dressed up in my mother's peignoirs and played the piano, having painted a small sign decorated in glitter that read 'The Piano Fairy Girl.”

“I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together.”

“Rap, rap! upon the well-worn stone, How falls the polished hammer! Rap, rap! the measured sound has grown A quick and merry clamor. Now shape the sole! now deftly curl The glassy vamp around it, And bless the while the bright-eyed girl Whose gentle fingers bound it!”

“Jerry Lewis played on the very first season of Mad About You, and he played basically himself, but he was called some other name. He said he's never done it; he'd never done a half-hour of [sitcom] television. This was 1992 or '93. And I said, "Well how is that?" And he goes, "Nobody ever asked me." It's like the pretty girl at the dance; everybody's too afraid to ask.”

“Prostitution requires for its diminution not only laws, well enforced, to abolish the traffic in womanhood; not only better social protection against harpies who seduce young girls seeking an honest livelihood; not only better chaperonage of young girls in exposed occupations; not only better opportunities for natural enjoyment of youthful pleasure under morally safe conditions; not only these - but most of all, greater power on the part of the average young girl to earn her own support under right conditions and for a living wage.”

“So what do people see when they read that well-behaved women rarely make history? Do they imagine good-time girls in stiletto heels or do-good girls carrying clipboards and passing petitions? Do they envision an out-of-control hobbyist or a single mother taking down a drunk in a bar? I suspect that it depends on where they stand themselves.”

“There's no doubt that I really have a feeling for the theater. These past few days it has occurred to me to do a comedy whose chief characters are photographic enlargements. Those people we see in doorways. Newlyweds, sergeants, dead girls, an anonymous crowd full of mustaches and wrinkles. It should be terrible. If I focus it well, it will possess pathos without consolation. In the midst of those people I will place an authentic fairy.”

“I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.”

“When I was a young girl salmon fishing with my father in the Straits of Juan de Fuca in Washington State I used to lean out over the water and try to look past my own face, past the reflection of the boat, past the sun and darkness, down to where the fish were surely swimming. I made up charm songs and word-hopes to tempt the fish, to cause them to mean biting my hook. I believed they would do it if I asked them well and patiently and with the right hope. I am writing my poems like this. I have used the fabric and the people of my life as the bait.”

“I really make sure that my girls understand the importance of education. I don't want them to be spoilt and only know private-school kids. I want them to behave well by example. I believe if you are nice to people, children will follow. Likewise, if you are rude to people, children will follow.”

“Girls could do most things as well as boys, and some things better.”

“If people like to read their books, it is all very well, but to be at so much trouble in filling great volumes, which, as I used to think, nobody would willingly ever look into, to be labouring only for the torment of little boys and girls, always struck me as a hard fate.”

“No two on earth in all things can agree; All have some darling singularity; Women and men, as well as girls and boys, In gewgaws take delight, and sigh for toys, Your sceptres and your crowns, and such like things, Are but a better kind of toys for kings. In things indifferent reason bids us choose, Whether the whim's a monkey or a muse.”

“The Roman form of serenade is to race a motorcycle motor under the girl's window, but mufflers are not common in any situation; the only things as dearly loved as a good noise are breakneck speed and eye-splitting lights, preferably neon - all expressions of well-being, like a huge belly-laugh.”

“Attempts to limit female mobility by hampering locomotion are ancient and almost universal. The foot-binding of upper-class Chinese girls and the Nigerian custom of loading women's legs with pounds of heavy brass wire are extreme examples, but all over the world similar stratagems have been employed to make sure that once you have caught a woman she cannot run away, and even if she stays around she cannot keep up with you. ... Literally as well as figuratively modern women's shoes are what keeps Samantha from running as fast as Sammy.”

“To me, the labor movement was never just a way of getting higher wages. What appealed to me was the spiritual side of a great cause that created fellowship. You wanted the girl or the man who worked beside you to be treated just as well as you were, and an injury to one was the concern of all.”

“Guys standing around and talking about Spanish fly: 'You know anything about Spanish fly?' 'No, tell me about it.' Well there's this girl Crazy Mary, you put some in her drink man, she, 'Haaaaaaaaaaaaah.' Oh yeah, that's really groovy man, Spanish fly is groovy, yeah. From then on, any time you see a girl: 'Wish I had some Spanish fly.' Go to a party see five girls standing alone: 'Boy if I had a whole jug of Spanish fly, I'd light that corner up over there. HAAAAAAH.'”

“The ancients waited for cherry blossoms, grieved when they were gone, and lamented their passing in countless poems. How very ordinary the poems had seemed to Sachiko when she read them as a girl, but now she knew, as well as one could know, that grieving over fallen cherry blossoms was more than a fad or convention.”