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Hero Quotes

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Hero Quotes

“I gave someone a perverse argument not so long ago about why advertising is better than movies. You want to hear it? Movies operate from a really disingenuous premise, that people are heroes. I know a lot of people and have had an opportunity over the years to observe them. Are they heroes...? Let's put it this way. Advertising tries something simpler and more believable: Products as heroes. I guess the idea is: When all else fails, put your faith in conditioner.”

“The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.”

“Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.”

“So each of the commercials- basically it's an action movie cliché. "Bus" is very much inspired by Speed obviously, where you have a high-jacked out of control bus, and you have heroes who are trying to jump from a moving vehicle to the bus and they just can't do it because the moving vehicle can't get close enough, because all these VW cars have this distancing technology, which is really fantastic.”

“I just don't see anything available that gives any reasonable hope of delivering such a good year and I have no desire to grope around, hoping to 'get lucky' with other people's money. I am not attuned to this market environment, and I don't want to spoil a decent record by trying to play a game I don't understand just so I can go out a hero.”

“I haven´t written on piano since It Bites. You can tell my songs that I´ve written on piano with It Bites cause they all go like "wrooash", like Old Man And The Angel and Calling All The Heroes and songs like that. It all tends to happen very quickly, I get two thirds of the song within five minutes and then spend rest of the time trying to ruin it in my head, and then I go back to where I was from the beginning.”

“By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.”

“I think the media has become incredibly corrupt. We used to have a profound tradition of investigative journalism in the United States. Some journalists were real heroes, such as Bob Woodward who helped uncover the Watergate scandal. But today he is leading the opposite charge, trying to bring down the careers of people and score easy victories. In other words, those who used to bust the status quo have now become the status quo.”

“I've had a chance to meet some of my civil rights heroes and, more recently, members of the young generation around [Barack] Obama, people in their teens and twenties who were determined to make history and who were too idealistic to think that what they were trying to do might be impossible. They proved that visionary pragmatism can win over the majority. That comes from a particular place in your heart that generation Y is offering America. They just can't afford to be naive now, in terms of the ferocity of the opposition.”

“For those actors and directors who produce films which are always about the old kingdom or about heroes, you know about the fantasies related to the classics, but there is no real discussion about today's life and no discussion of the real conditions - which is really sickening. They've become part of a conspiracy, collaborators of the crime, which is lying to the general public and trying to hide the kind of criminal acts happening in many cases.”

“Here's the point - and Jonah Goldberg reminds us of this. He wrote a blog post that was titled "The MacGuffinization of American Politics." Do you know what a MacGuffin is? "'In a movie or book, 'The MacGuffin' is the thing the hero wants,' Ace writes." So in the Maltese Falcon, for example, the hero wants the Maltese Falcon, but there's always somebody trying to stop the hero from getting what he wants.”

“[Donald] Trump wanted the nomination, and all these other Republicans and their supporters didn't want Trump to have the nomination. So who became the villains? What Trump wanted became the story. "Will he get it? Will Trump get to 1,237?" Did not Ted Cruz become a villain in the middle of this by virtue of trying to stop the hero by getting delegates in all of the state conventions?”

“Lincoln is such an iconic figure in American history. He seems to reflect so many elements of American culture that we consider essential, whether it's the self-made man, the frontier hero, the politician who tries to act in a moral way as well as in a political way, Honest Abe. His career raises these questions that are still with us, the power of the federal government vis-à-vis the states, the question of race in American life, can we be a society of equals? There are so many issues central to Lincoln's career that are still part of our society one hundred and fifty years later.”

“You know, very often, if you look at the kinds of communications that they're getting in an ISIS recruiting video, the videos that, you know, that one hears of as radicalizing them, these are like action movies. And so in the sense, it's that by closing off the idea that young Muslims and particularly young Muslim men can be American heroes, it increases the chance that they'll try to be some other kind of hero. And that, I think, is entirely counterproductive.”

“Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.”

“I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.”

“It's funny that Chairman Mao's great hero was Napoleon, because Napoleon started out as a revolutionary for the underdogs and then made himself an emperor. In fact, a lot of revolutionary leaders do that, and you think, "Well, that's spoiling your argument. What are you doing?" But on the other hand, the people themselves are enjoying trying out all these different ways to be. I hope that, like the Japanese, the Chinese hang on to their own traditions as well as try out Western ones. I hate it when people just lose so much confidence in who they are that they abandon their own culture.”