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Hero Quotes

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Hero Quotes

“There is perhaps no sort of self more subject to dangerous egotism than that which deludes itself with the notion that it is not a self at all, but something else. It is well to beware of persons who believe that the cause, the mission, the philanthropy, the hero, or whatever it may be that they strive for, is outside of themselves, so that they feel a certain irresponsibility, and are likely to do things which they would recognize as wrong if done in behalf of an acknowledged self.”

“Utilitarianism had found [in Samuel Smiles' Self-Help] its portrait gallery of heroes, inscribed with a vigorous exhortation to all men to strive in their image; this philistine romanticism established the bourgeois hero-prototype the penniless office-boy who works his way to economic fortune and this wins his way into the mercantile plutocracy.”

“Heroes are important not only because they symbolize what we believe to be important, but because they also convey universal truths about personal self-discovery and self-transcendence, one's role in society, and the relation between the two.”

“Nature I believe in. True art aims to, represent men and women, not as my little self would have them, but as they appear. My heroes and heroines I want not extreme types, all good or all bad; but human, mortal--partly good, partly bad. Realism I need. Pure mental abstractions have no significance for me.”

“My self . . . is a dramatic ensemble. Here a prophetic ancestor makes his appearance. Here a brutal hero shouts. Here an alcoholic bon vivant argues with a learned professor. Here a lyric muse, chronically love-struck, raises her eyes to heaven. Her papa steps forward, uttering pedantic protests. Here the indulgent uncle intercedes. Here the aunt babbles gossip. Here the maid giggles lasciviously. And I look upon it all with amazement, the sharpened pen in my left hand.”

“To be human is to have one's little modicum of romance secreted away in one's composition. One never ceases to make a hero of one's self, (in private,) during life, but only alters the style of heroism from time to time as the drifting years belittle certain gods of his admiration and raise up others in their stead.”

“Your life is not little, and your playing small doesn’t serve the world. Your living large, on the other hand-your being your true self despite fear, fatigue, doubt, and opposition- will serve the world more than you can imagine. In fact, it may help save it. And saving the world, after all, is what all heroes (including you) are here to do.”

“When I read the article [in The New Yorker] by David Grann, I was very struck by people responding to the article, of people thinking I was such a hero and what a wonderful person I was, and I didn't feel that at all. I felt like I had very much, like Todd [Willingham], taken a path of self-preservation.”

“Lincoln is such an iconic figure in American history. He seems to reflect so many elements of American culture that we consider essential, whether it's the self-made man, the frontier hero, the politician who tries to act in a moral way as well as in a political way, Honest Abe. His career raises these questions that are still with us, the power of the federal government vis-à-vis the states, the question of race in American life, can we be a society of equals? There are so many issues central to Lincoln's career that are still part of our society one hundred and fifty years later.”

“I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.”

“In our age, self-indulgence and self-destruction, rather than self-sacrifice, are the foundations for new heroic myths.”

“Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.”