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Hollywood Quotes

“For better or worse, we are the Court of Appeals for the Hollywood Circuit. Millions of people toil in the shadow of the law we make, and much of their livelihood is made possible by the existence of intellectual property rights. But much of their livelihood - and much of the vibrancy of our culture - also depends on the existence of other intangible rights: The right to draw ideas from a rich and varied public domain, and the right to mock, for profit as well as fun, the cultural icons of our time.”

“Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.”

“Why is Dave Chappelle going to Africa? Why does Mariah Carey make a hundred-million dollar deal and take her clothes off on TRL? A weak person can not get here and talk to you. Ain't no weak people talking to you. So what is happening in Hollywood? Nobody knows! The worst thing to call somebody is crazy. It's dismissive. I don't understand this person, so they're crazy. That's bullshit. These people are not crazy, they're strong people. Maybe the environment is a little sick.”

“If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.”

“I just saw Titanic, which is a $200 million film about a real-life disaster at sea, but according to Hollywood Logic, none of the actual passengers was interesting enough, so the writer-director had to invent a Romeo and Juliet-style fictional couple to heat up the catastrophe. This seems a tiny bit like giving Anne Frank a wacky best friend, to perk up that attic.”

“The populist zeal to seek revenge on those who make a lot of money is targeted almost exclusively at corporations. I haven't heard outcries about Hollywood actors who make millions per film, even when those movies are a bust at the box office and the talent at issue has none. There's no outrage over athletes like New York Yankees third baseman Alex Rodriguez's $33 million salary or Celtic power forward Kevin Garnett's $25 million. Nor should there be. These are exceptionally talented individuals whose teams' owners think they're worth every penny.”

“I was living under a desk in West Hollywood. It was a closet that I shared with another comic. I was shocked when they called me to come in to try out for the show. The chances of me getting on a TV show and winning it is like one-in-a-million. I had only been doing comedy for six years at that point, so I was basically considered an open mic-er or maybe a feature act once in awhile.”

“I'm extremely proud of what I have achieved. I've travelled around the world twice, went from rolling quarters for cigarettes, balling my eyes out, wondering what I was going to do after losing three million dollars, to being very financially comfortable, to buying a Mercedes G Wagon to being able to get whatever I want and living in a beautiful apartment in West Hollywood, furnished exactly how I want it. Life is incredible.”

“In 1996 or 1997, out of nowhere, Fox News comes on and it's on channel 360 on Direct TV, and out of 300 million Americans, on every single night, anywhere from 3 to 5 million watch it, we're talking about at no more than 2 percent of the American public is watching Fox at any given moment. Yet, ABC, CBS, NBC, the New York Times, the institutional left, CNN, MSNBC, the record companies, Hollywood, all seem to be committed towards aligning their minds and their money and their other resources to try to shut up Fox News.”

“I'm very pessimistic about that, no matter how hard we may try. The Chinese market is huge, but out of last year's $2 billion box office, $1.8 billion was taken in by foreign movies, and just $200 million by our own movies, no matter how much we have learned of their techniques, or their good practices. The Hollywood movies imported into China are all good movies; does the U.S. make lousy movies? Yes, too many lousy movies, but the imports are good films, so how can they not be box office hits? They're all hits.”