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“You have to stand every day three or four hours of visitors. Nine-tenths of them want something they ought not to have. If you keep dead-still they will run down in three or four minutes. If you even cough or smile they will start up all over again.”

“The benefits of becoming fluent in a foreign tongue are as underestimated as the difficulty is overestimated. Thousands of theoretical linguists will disagree, but I know from research and personal experimentation with more than a dozen languages that (1) adults can learn languages much faster than children when constant 9-5 work is removed and that (2) it is possible to become conversationally fluent in any language in six months or less. At four hours per day, six months can be whittled down to less than three months.”

“My picture, Fifth Avenue, Winter is the result of a three hours' stand during a fierce snow-storm on February 22nd 1893, awaiting the proper moment. My patience was duly rewarded. Of course, the result contained an element of chance, as I might have stood there for hours without succeeding in getting the desired pictures.”

“One of the things I love about the theater is that no one can tell you to stop. Once you're onstage, it's three hours, and whether you're completely off or you're just horrendous, you've got to find a way to leave an impression. There's not that terrible thing that you get when you're making a movie, where you get in your car at the end of the day knowing that something you're not proud of was immortalized on film, and you can't fix it because they won't reshoot it.”

“Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours' march to dinner - and then to thinking! ... I begin to feel, think, and be myself again. Instead of an awkward silence, broken by attempts at wit or dull common-places, mine is that undisturbed silence of the heart which alone is perfect eloquence.”

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”

“If it could save a person's life, could you find a way to save ten seconds off the boot time? If there were five million people using the Mac, and it took ten seconds extra to turn it on every day, that added up to three hundred million or so hours per year people would save, which was the equivalent of at least one hundred lifetimes saved per year.”

“My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn't a very difficult job -- all I had to do was make a round every fifteen minutes -- but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.”

“People who worked with me or knew me still called me the 'world's fastest human' because I almost never stopped. I'd found that I could get more done with no regular job or regular hours at all, but by being on my own, flying to speak here, help with a public relations campaign for some client there, tape my regular jazz radio show one morning at 5:00 a.m. before leaving on a plane for another city or another continent three hours later to preside over a major sporting event.”

“I'll tell you what's funny about it [NSA wiretapping]: They tell us we got to cut the budget; we have to have budget rollback. We're going to cut the budget on air traffic control, and every once in a while your plane is going to be delayed for three hours. But we do have the money laying around to hire people to read your emails and listen to your phone conversations. That just doesn't make any friggin' sense at all.”

“Books are surviving in this intense, fragmented, hyper-accelerated present, and my sense and hope is that things will slow down again and people will want more time for a contemplative life. There is no way people can keep up this pace. No one is happy. Two or three hours to read should not be an unattainable thing, although I hope we get to that stage without needing a corporate sponsored app to hold our hand. The utopian in me has my fingers crossed that we haven't quite figured out the digital future just yet. After all, the one thing we know about people: they always surprise.”

“Press junkets are incredibly annoying. You sit in a chair for three to six hours and have different journalists shuttle in for three minutes at a time, asking cheesy movie questions to get a quick sound bite - and that's their only objective. You can't really move or eat. You're just stuck there. It's pressure, constant pressure.”

“The U.S. has more guns per capita and supplies more guns to the world than any other country. What would be a fistfight without guns turns into dead bodies with them. Families with guns in the house are more likely to shoot themselves accidentally than to shoot any intruder. Women abused by their partners have a five-fold increased risk of being killed when their partner owns a gun. Every three hours, at least one child is wounded or killed by gunfire.”

“...the story of a man who saw three fellows laying bricks at a new building: He approached the first and asked, What are you doing? Clearly irritated, the first man responded, What the heck do you think I'm doing? I'm laying these darn bricks! He then walked over to the second bricklayer and asked the same question. The second fellow responded, Oh, I'm making a living. He approached the third bricklayer with the same question, What are you doing? The third looked up, smiled and said, I'm building a cathedral. At the end of the day, who feels better about how he's spent his last eight hours?”

“I repeat the wake-up, the workout, the quick shower, the breakfast of three hard-boiled egg whites and a cup of coffee, the hour to make my morning calls and deal with correspondence, the two hours of stretching and working out ideas by myself in the studio ... That's my day, every day. A dancer's life is all about repetition.”

“If you let anything infringe on your writing time, it will. And you won't get the writing done. Taking one day off can cost me five days of getting back in the mood. Going out to lunch can cost me anywhere from five hours to three days. And for me it's not worth it. For my own sense of well-being I have to finish my work before I can play.”

“My rage is gone, And I am struck with sorrow. Take him up. Help, three o' th' chiefest soldiers; I'll be one. Beat thou the drum, that it speaks mournfully, Trail your steel spikes. Though in this city he Hath widowed and unchilded many a one, Which to this hour bewail the injury, Yet he shall have a noble memory. Assist.”