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“For why, my brothers and sisters, would you rejoice in silver? Either your silver will perish, or you will, and no one knows which will perish first. For neither can you remain here always, nor can silver remain here always; so also with gold, wardrobes, houses, money, real estate-and in the end, even the light by which we enjoy all these things. So do not be willing then to rejoice in such things as these. Rejoice instead in the light that has no setting; rejoice in the dawn which no yesterday precedes, and no tomorrow follows.”

“At the end of your life you will probably end up in an old-age home, or in a back room in one of your children's houses, left only with a handful of fading memories and a body racked with great pain and suffering.”

“What is... disturbing to me is that many of these pro-Israeli lawmakers sit on the House International Relations Committee despite the obvious conflict of interest that their emotional attachments to Israel cause... The Israeli occupation of all territories must end, including Congress.”

“I like the copious, shapeless, warm, not so very clever, but extremely easy and rather coarse aspect of things; the talk of men in clubs and public-houses; of miners half naked in drawers the forthright, perfectly unassuming, and without end in view except dinner, love, money and getting along tolerably; that which is without great hopes, ideals, or anything of that kind; what is unassuming except to make a tolerably, good job of it. I like all that.”

“The worst side effect of wealth is the social associations it forces on its victims, as people with big houses end up socializing with other people with big houses.”

“There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word—tension—has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end—is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?”

“Like sex, poverty and power, suicide may always be with us. But like them again, the actual form is takes is essentially time-specific and culture-bound, not only in the past but in the present too. The people who took their lives, the paths which led them to that end, and the experience of dying in this way were deeply influenced by specific historical circumstances. Only by making a greater effort at historical understanding can this most secret house of death be made to yield up more of its confidences.”

“You know I enjoy modeling but at the end of the day it's a little bit mindless. I mean I was that person that would come home from a modeling job and have to clean the house because I sort of felt like, what the heck did I do today? You know I mean I'm like woo-hoo, I'm changing the world in these blue high heels and a string bikini.”

“War is a dead end, literally. And, what is more, we simply can't afford it. Not morally, and not financially. How long will it take the citizens of the United States, one wonders, to recognize that the house their country bombed in Iraq is the same one they were living in until it was foreclosed?”

“The little dog-eared books in the meeting-house proved poor reading ... So many of them were about unnaturally good children who never did wrong, and unnaturally bad children who never did right. At the end there was always the word MORAL, in big capital letters, as if the readers were supposed to be too blind to find it for themselves, and it had to be put directly across the path for them to stumble over.”

“I come from down south, where vegetation does not know its place. Honeysuckle can work through cracks in your walls and strangle you while you sleep. Kudzu can completely shroud a house and a car parked in the yard in one growing season. Wisteria can lift a building off its foundation, and certain terrifying mints spread so rapidly that just the thought of them on a summer night can make your hair stand on end.”

“When we sit, we open our own treasure house. Rather than do this, however, most of us first seek to find the treasures another person can provide. We calculate their value to us. When we approach relationships in this manner, we are coming as beggars, seeing the other as a source of supply. When we can enter a relationship with our treasure house already open, there is no end to the wonders we can find, both within and between ourselves and another.”

“Animated by Christian motives and directed to Christian ends, it shall in no wise go unrewarded: here, by the testimony of an approving conscience; hereafter, by the benediction of our blessed Redeemer, and a brighter inheritance his Father's house.”

“Im not a fan of grilling meat, since that tends to dry it out, and I find grill marks leave a bitter taste. A good steak house will offer different options for preparation, and I would ask them to broil or pan-roast the steak and finish it with butter. It ends up a dark chocolate color and stays very juicy.”

“Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years.”

“You gotta fight. You gotta get out the negative energy. Don't let it build up. You end up screaming at each other over something totally stupid, like, 'Well, why'd you put this spoon in this drawer then?' 'Just to p-s you off, that's why! I got spoons hidden all over this house! Keep it up, and your napkin rings are gonna start disappearing.'”

“When you're going to try and have people talk in a room and actually reflect life as we know it and have people recognize themselves and their own street and their own house in it, well then you're aiming for the high country and it's a much bigger gamble. You can interview all the marketing gurus and the people in charge of, you know, the people you gotta fight with in order to get your seats here, and they all talk about release dates and counterprogramming. At the end of the day, it's gotta be a good movie.”

“... We have seen dog-tired Members of Congress marching lockstep ahead with their eyes fixed only on the end of the 100 Days of the 1995 Republican 'Contract with America' reform efforts. Many of the changes wrought by the House were passed without the benefit of a single hearing, or at best with a minimal legislative record. Is this what Jefferson and Madison had in mind?”