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Ideas Quotes

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Ideas Quotes

“Our problem is that the climate crisis hatched in our laps at a moment in history when political and social conditions were uniquely hostile to a problem of this nature and magnitude-that moment being the tail end of the go-go '80s, the blastoff point for the crusade to spread deregulated capitalism around the world. Climate change is a collective problem demanding collective action the likes of which humanity has never actually accomplished. Yet it entered mainstream consciousness in the midst of an ideological war being waged on the very idea of the collective sphere.”

“The greenhouse crisis is the bill coming due for the Industrial Revolution. It's not an accident. It's the logical outcome of our world view - the idea that we can control the forces of nature, that we can have short-term expedient gains without paying for them, that there are no limits to exploitation of the environment, that we can produce and consume faster than nature's ability to replenish.”

“Creative people often feel highs of joy and lows of sorrow that others may never experience, and perhaps could not even handle if they did. Little wonder many outside the creative world mistake (or dismiss) eccentric responses of the spirit as weakness or mental illness. But in the end, these dismissive souls will never know what it is to be moved by tears by the beauty of rose or brought to joy by sunlight filtering through the leaves of spring or autumn. The creative walk in glades invisible to those outside their realms.”

“Books are never harmless...they either strengthen us or they weaken us in our faith. Some of them do this even as they entertain us, others as they teach us. In an invisible way their teaching penetrates into our hearts and souls, to continue its work inside, and we inhale the spirit of these books as healing or poisonous vapors. They can bring the greatest benefits and the greatest ruin, for from their ideas that they spread come the deeds of the future.”

“The ultimate check against government tyranny is an informed electorate who will elect people who believe in limited government. I don't want to embrace the idea we want people to take to the streets with guns. I want people to go to the voting booth and check an out of control government by electing conservatives.”

“There are no barriers to entries. Think of this as Linux in terms of software. Anyone can have part of the operating system so long as you pledge allegiance to the ideas. Previously, if you wanted to join al Qaeda, you had to travel to an al Qaeda safe haven, probably in northern Pakistan or Afghanistan. Now all you have to do is get a gun, choose a target, and carry out an attack.”

“My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.”

“I'm Jewish, but my mom's Catholic, so the guilt area is covered. I have the highest expectations, along with the lowest. I tried to put as much of myself as possible in Reality Bites, but in terms of my humor, I'm still trying to figure out what my sensibility is. It's a process, really. I don't feel like I have a very clear idea of what I'm supposed to be, or even of how people perceive me, except that I got put into this Generation X file.”

“I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.”

“Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'”

“Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.”

“I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.”

“The weirdest thing I've been fascinated with nowadays is the new contemporary country music, which to me sounds like very strange '70s pop, and sometimes like rock music. But some of the themes in there - maybe it's because I know how the songs were written, but it really does sound like it was written by two or three people, with the idea to appeal to the most general audience.”

“I think in that context, when a generation of kids is that ignorant of their recent history, it does a good job of showing what the Pistols were standing for. It's current and it's in the air, partly because I think nothing contemporary is as extreme or as strongly stated as what The Sex Pistols were able to do in their time, in the '70s. I think the reason to [make the film] is that their ideas are still alive: the defense of the right to be an individual, and questioning everything you read, and questioning all the information that's bombarded increasingly at you.”

“I've tried to stay true, in my own fashion, to the ideas of The Sex Pistols, even while I was working with bands like Duran Duran or the Stones, whoever it might be. The thing that was attractive to me personally about videos in the beginning was that it was uncharted territory, and in a sense the record companies didn't know what they were doing.”

“It's disheartening that animal people criticize societies that enlist the help of actors or organize creative acts like 'I'd rather go naked than wear fur,' to increase public awareness to our cause. These are great/courageous ideas which time has come! Liberation of animals is REVOLUTION - not elegant performance/ intellectual competition. We should do most anything to advance the animal rights cause. All the bickering may make the one step forward... TWO STEPS BACKWARD???”

“We ought to be very cautious in the prosecution of magic and heresy. The attempt to put down these two crimes may be extremely perilous to liberty, and may be the origin of a number of petty acts of tyranny if the legislator be not on his guard; for as such an accusation does not bear directly on the overt acts of a citizen, but refers to the idea we entertain of his character.”

“Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiation - creation - there is one elementary truth, the ignorance of which kills countless ideas and splendid plans.”

“No, life has not disappointed me. On the contrary, I find it truer, more desirable and mysterious every year -- ever since the day when the great liberator came to me: the idea that life could be an experiment of the seeker for knowledge -- and not a duty, not a calamity, not trickery.”