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“Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.”

“I have just finished my sketch of my species theory. If as I believe that my theory is true & if it be accepted even by one competent judge, it will be a considerable step in science. I therefore write this, in case of my sudden death, as my most solemn & last request, which I am sure you will consider the same as if legally entered in my will, that you will devote 400£ to its publication & further will yourself, or through Hensleigh [Wedgwood], take trouble in promoting it.”

“It appeared that after first contemplating a book on some subject, and after giving serious preliminary attention to it, I needed a period of subconscious incubation which could not be hurried and was if anything impeded by deliberate thinking.... Having, by a time of very intense concentration, planted the problem in my subconsciousness, it would germinate underground until, suddenly, the solution emerged with a blinding clarity, so that it only remained to write down what happened as if in a revelation.”

“I plot as I go. Many novelists write an outline that has almost as many pages as their ultimate book. Others knock out a brief synopsis... Do what is comfortable. If you have to plot out every move your characters make, so be it. Just make sure there is a plausible purpose behind their machinations. A good reader can smell a phony plot a block away.”

“If you are going to make a book end badly, it must end badly from the beginning.”

“It has long been a tradition among novel writers that a book must end by everybody getting just what they wanted, or if the conventional happy ending was impossible, then it must be a tragedy in which one or both should die. In real life very few of us get what we want, our tragedies don't kill us, but we go on living them year after year, carrying them with us like a scar on an old wound.”