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Intense Quotes

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Intense Quotes

“Politicians generally form alliances and not friendships. Individuals and institutions achieve their ends through continual barter. But deals are not bonds. Indeed, intense emotional involvement with anything - with issues, ideology, a woman, even a family - can be a handicap, not only consuming valuable time, but more importantly, reducing flexibility and the capacity for detached calculation needed to take maximum advantage of continually changing circumstances.”

“Intuition was not just visual but also auditory and kinesthetic. Those who watched Feynman in moments of intense concentration came away with a strong, even disturbing sense of the physicality of the process, as though his brain did not stop with the grey matter but extended through every muscle in his body.”

“I think Kafka was right when he said that for a modern, secular, nonreligious man, state bureaucracy is the only remaining contact with the dimension of the divine; the impenetrable omnipotence of bureaucracy harbors is divine enjoyment. It is the performance of its very purposelessness that generates an intense enjoyment, ready to reproduce itself forever.”

“Every person needs to feel significant. We want our lives to count. We yearn to believe that in some way we are important and that hunger for significance-a drive as intense as our need for oxygen-doesn't come from pride or ego. It comes from God because he wants each of us to understand how important we are. ... We must seek our roots, our origin, and our destiny so that we can know our present value. ..... ...We can help each other realize that we are persons of significance being made in the image of God.”

“Gun control laws don't work. What is worse, they act perversely. While legitimate users of firearms encounter intense regulation, scrutiny and bureaucratic control, illicit markets easily adapt to whatever difficulties a free society throws in their way. Also, efforts to curtail the supply of firearms inflict collateral damage on freedom and privacy interests that have long been considered central to American public life.”

“Internalize the vagrant mind and fix it in the Lord. Then the meditation will be profound and intense. Don't open the eyes. Don't move from the seat. Melt yourself down into Him. Dive in the deep corners of your heart. Get immerse in the brilliant Atman. Drink the nectar of Immortality. Now enjoy the silence. Son of the nectar! Rejoice! Peace! Silence! Glory!”

“A play's an interpretation. It is not a report. And that is the beginning of its poetry because, in order to interpret, you have to distort toward a symbolic construction of what happened, and as that distortion takes place, you begin to leave out and overemphasize and consequently deliver up life as a unity rather than as a chaos, and any such attempt, the more intense it is, the more poetic it becomes.”

“Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."”

“When players go out and train on their own, they usually do it at half speed. This kind of training is valuable, but it doesn't prepare you for competition, where you must perform at full throttle. So the trick is to schedule regular sessions of intense practice, while always leaving time to juggle and generally goof around with the ball”

“The most surprising thing to me is what an incredibly intense effort it's been to create a world from the ground up. I had run a show that had already existed and had been created by the show-runner, Meredith [Stiehm]. It's a very different experience to come in at ground zero and meet people and assemble the cast and crew. As a group and as a family, we're creating this world.”

“A lot of people don't see me as a funny character because I don't usually get to play them. I'm usually cast in the more dramatic roles, so it's been a really, really fun time playing her humor and her attitude. She's a complete tomboy, so I did a really intense study on men and how they relate to each other, in the way they walk and hold themselves and position themselves in the hierarchy, just in something as simple as a conversation.”

“It was a very, very intense film for me. I almost lost my mind because there are scenes where I have to kill people, and that energy is absolutely overwhelming. At the same time, as an actor, you never play a character with judgment. It's not my place to judge the fact that she kills people. It's for me to look at her psychology to see what makes her do that.”

“I hope that audiences respond really positively. I think it's a very intense, entertaining film [The Last King of Scotland], because you're brought in on a fun ride, and slowly you fall into it as James [actor James McAvoy's character, Dr. Nicholas Garrigan] does. Nicholas is like the audience. I think it's a good ride for people. And you learn something, as well.”

“Thou shall love the Lord with thy whole heart, soul, and mind. This is the commandment of the Great God, and he cannot command the impossible. Love is a fruit in season at all times and within reach of every hand. Anyone may gather it and no limit is set. Everyone can reach this love through meditation, spirit of prayer, and sacrifice by an intense inner life. There is no limit because God is love, love is God, God's love is infinite. But part is to love and to give until it hurts. That's why it is not how much you do, but how much love you put into the action.”

“In the event of a violent revolution, we would be sorely outnumbered. And when it was all over, the Negro would face the same unchanged conditions, the same squalor and deprivation-the only difference being that his bitterness would be even more intense, his disenchantment even more abject. Thus, in purely practical as well as moral terms, the American Negro has no rational alternative to nonviolence.”