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Kind Quotes

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Kind Quotes

“Growing up I was very into art. In high school I was into the surrealists and impressionists, and I loved Klimt. In '91 or '92 I saw one of those Felix Gonzalez-Torres Untitled billboards. I was just really arrested by it. It was kind of my first foray into contemporary art. It was a turning point for me as to what art could be and what it meant and the impact it could have.”

“Photography is much more about elimination than inclusion. The images we make with a lens typically eliminate ninety percent of our field of view and everything that is out of our field of view. The shutter slices time, eliminating all moments before and after it opens and closes. Three dimensions are reduced to two. And in some cases color is removed. How can we call these kinds of artifacts unaltered?”

“Paranoia imposes its own vision on the external world; it differs from other kinds of visionary experience in that the paranoid wants others to share his view—even insists on it. Paranoia is very like poetic creativity. This accounts for my fascination with certain people in whom this state of mind was evident: ‘characters’ met by chance, whose words and gestures would haunt me for years until, finally, in a poem I was able to dispel them.”

“If Henry James were still with us, he'd not only approve of Paris, He Said, he could have written it himself, though without his serpentine syntax. It's a delicious treat, studded with wise and beautifully observed detail, that places side by side those perpetually fascinating antagonists, the eager, casual American and the meticulous, pleasure-driven French. Christine Sneed knows everyone's intimate secrets and her book is lively, amusing, and, ultimately, kind to pretty much all of them.”

“Live as though you don't exist; like you are two eyeballs floating in space with nothing behind them. No brain attached. Not even hair - Nothing.There is a place inside your own heart, inside your own being that knows the kind of seemingly foolish things I speak and it is totally thrilled to be reminded of this infinite expanse and infinite joy that it is. Find this place.”

“Tonight, somewhere in America, a young person, let's say a young man, will struggle to fall to sleep, wrestling alone with a secret he's held as long as he can remember. Soon, perhaps, he will decide it's time to let that secret out. What happens next depends on him, his family, as well as his friends and his teachers and his community. But it also depends on us - on the kind of society we engender, the kind of future we build.”

“In the past, heartland whites with some kind of dream or desire left their towns for cities to become citified. They wanted to get away from religion, from their families, they wanted to come out, make art, have sex, have experiences. But this new crew was something we had never seen before. They were the first generation of suburban Americans. They came, not to be citified, but rather to change cities into places they could recognize and dominate.”

“Balance and control come from healthy anger. This is just as aggressive as the unhealthy kind. But it is based on a belief and hope for change in social roles and institutions. Healthy anger demands change and creates the confrontations needed for change to occur. It also gives the other an opportunity to help make that change. “Our task, of course, is to transmute the anger that is affliction into the anger that is determination to bring about change. I think, in fact, that one could give that as a definition of revolution.”

“Why is wisdom so fair? Why is beauty so wise? Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means. And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in platitudes. True beauty grips your gut and squeezes your lungs, and makes you see with utmost clarity exactly what is before you. True wisdom then steps in, to interpret, illuminate, and form a life-altering insight.”

“About twenty pages into Luke B. Goebel's Fourteen Stories, None of Them Are Yours, I realized I was reading with one hand holding my forehead and one balled at my waist, kind of clenched, and gazing down into the paper like a man soon to be converged upon. Goebel's testimony comes on like that: engrossing, fanatical, full of private grief, and yet, at the same time, charismatic, tender, and intrepid, aglow with more spirit than most Americans have the right to wield.”