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Light Quotes

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Light Quotes

“And when, in the evening of life, the golden clouds rest sweetly and invitingly upon the golden mountains, and the light of heaven streams down through the gathering mists of death, I wish you a peaceful and abundant entrance into that world of blessedness, where the great riddle of life will be unfolded to you in the quick consciousness of a soul redeemed and purified.”

“Light enhances but its shadow deletes, thus giving the picture its depth, its third dimension and its subtractive properties... I believe that commitment and technical skill can be achieved by means of one's own will and study , while fantasy and passion are more valuable because they are innate and inescapably peculiar assets.”

“We who are crushed to earth with heavy chains, who travel a weary, rugged, thorny road, groping through midnight darkness on earth, earn our right to enjoy the sunshine in the great hereafter. At the grave, at least, we should be permitted to lay our burdens down, that a new world, a world of brightness, may open to us. The light that is denied us here should grow into a flood of effulgence beyond the dark, mysterious shadows of death.”

“The newer education put stress on culture ... Saturday mornings, the young were brushed and washed, forced into blue cheviot suits, and dragged to children's concerts to learn appreciation. They wriggled, squirmed, counted the light bulbs in the ceiling, dived under seats to gather ticket stubs, stampeded out at intermissions. The weakness of their bladders was astounding.”

“if there ever was a time for sentimentality and traditional merrymaking, one that has transcended religious orientation, Christmas must be that time. The effect seems salutary: even people who ordinarily are as colorful and gay as groundworms, who would dare not consider a flamboyant gesture, hang long strings of brightly colored lights around their houses, trim Christmas trees, and talk to strangers.”

“some journalists have described the South Pole as 'hell on earth.' Others refer to my time here as 'an ordeal.' They would be surprised to know how beautiful Antarctica has seemed to me, with its waves of ice in a hundred shades of blue and white, its black winter sky, its ecstatic wheel of stars. They would never understand how the lights of the Dome welcomed me from a distance, or how often I danced and sang and laughed here with my friends. And how I was not afraid.”

“service is the joy-giving factor in daily life. It is as spontaneous as light, as subtle as electricity, as exhilarating as sunshine. It exists primarily as a spiritual attitude. It lies in the constant recognition of the brotherhood of humanity toward each and all with whom we come in contact.”

“Polar fleece is a plush, spongy, totally artificial material that weighs nothing and conveys no quality of warmth or coolness; in fact, you can wear it in the most bitter weather or in the hottest heat. Polar fleece looks neither flimsy and light nor hearty and warm. It has no historical, cultural, or physical association with a place, a season, a society, or any living thing. It is the first existential fabric - eminentaly useful, meaningless, dissociated and weird.”

“Mystery fiction is, after all, a substitute for tranquilizers, strong drink, and bad, if diverting, companions. One slips into bed ... onto the train ... into the chair in the sickroom ... and is suddenly transported to a place where light fights dark and wins. When the story's over, one is left without a hangover, without remorse. Can any other opiate make that claim?”

“A Child of Happiness always seems like an old soul living in a new body, and her face is very serious until she smiles, and then the sun lights up the world. ... Children of Happiness always look not quite the same as other children. They have strong, straight legs and walk with purpose. They laugh as do all children, and they play as do all children, they talk child talk as do all children, but they are different, they are blessed, they are special, they are sacred.”

“We live at a time that is notable for the polemical nature of discussions about identity, consciousness, rationality, agency, memory, and feeling. 'New atheists' and reductive materialists conduct gladiatorial debates against defenders of faith and enemies of reductionism. Lots of heat is produced, but, alas, little light is shed. How marvelous it is, then, to see this fine new book by Lenn E. Goodman and Gregory Caramenico. Here is a learned, illuminating, and decidedly non-polemical treatment of the classic questions of soul, mind, and brain-an exemplary work of scholarship.”

“Debt, weve learned, is the match that lights the fire of every crisis. Every crisis has its own set of villains - pick your favorite: bankers, regulators, central bankers, politicians, overzealous consumers, credit rating agencies - but all require one similar ingredient to create a true crisis: too much leverage.”

“This is, if not a lifetime process, it's awfully close to it. The writer broadens, becomes deeper, becomes more observant, becomes more tempered, becomes much wiser over a period time passing. It is not something that is injected into him by a needle. It is not something that comes on a wave of flashing, explosive light one night and say, 'Huzzah! Eureka! I've got it!' and then proceeds to write the great American novel in eleven days. It doesn't work that way. It's a long, tedious, tough, frustrating process, but never, ever be put aside by the fact that it's hard.”

“There is an exercise I teach at colleges: Get yourself a canvas and a bunch of acrylics and go into a very dimly lighted room. Dip a brush into one of the colors, slap it on the canvas, don't look, close your eyes, make a painting, don't look, turn the lights on and see what you've got. I think this releases people from the editor in their life that's always standing over their shoulder saying, "Oh, you don't have any talent; who do you think you are?"”

“I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.”